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“MKO” Documentary Review: An Admissible Portrait of A Democratic Hero
“Agbara Nla: The Return” Is A Remake Driven by Faith and Nostalgia
In Conversation with Keith Shiri on Curating Film Africa 2026 and the Festival’s Women-Centred Programming
Features & Essays
From Hood Boy to Billionaire Dreams, What Does Jeriq’s Rise Represent for the Nigerian Trap Culture?
Female-Engineered Domestic Violence is as Wrong As its Gender Flipside
The “Umuada” is Striking Newer Chords in Cultural Dynamism and Feminism in Igboland
10 Activists in Africa and the Diaspora Changing the LGBTQ+ Narrative
Ifé: A Singer, Philosopher, and Storyteller of Ancient Breed
Should African Women Still be Ashamed of Their Stretch Marks?
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Interviews
Film & TV
“Shina” Review: A Promising Story Undermined by Narrative Shortcomings
Anticipated Film Releases Coming Your Way This Season
Courage Obayuwana: A Versatile Talent Who is Mastering Filmmaking With His Debut Directorial Feature, “Kill Boro”
“A Father’s Love” Review: Sebastian Ukwa Directs a Poignant Story With Subtlety and Nuance
Judging a Film By Its Cover: How Nollywood Film Posters Spark Audience Interest
“Kill Boro” Review: Courage Obayuwana’s Debut Feature Leaves A Lasting Impression
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Music
Darishow Explores the Sensual Side of Afro-Pop on “Slow”
“No Overthinking” Review: Savara’s New Album is a Well-Crafted Collection
“Bad Boy Etiquette 102” Review: Ajebo Hustlers Unpack the Human Condition on New Project
“Mombasa’s Lover Boy” Review: Caleb Awiti Delivers Another Slow Jam LP
“Soul Searching” Review: Nezsa Rediscovers Herself With Her Sophomore Project
Bnxn and Ruger Call For Truce With the Rhythm and Blues -Driven “RnB” EP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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