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Afrocritik’s Weekly Music Spotlight: Soul Celebration
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Features & Essays
A Guide To Essential Items For Your Hospital Bag
Is “Holy Flogging” Now a Proper Christian Thing?
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Animal Rights in Nigeria are Undervalued
A Mother’s Guide to Cheaper and Healthier Baby Meals
Deeper Life Bible Church: is the Church taking a 360?
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#Throwback Movie Review: “Elevator Baby” Attempts To Mirror A Country’s Systemic Problems, But How Well Is It Done?
Movie Review: Tunde Kelani’s “Ayinla” Delights With Great Acting, But Lacking In Plot
#Throwback Movie Review: “Sylvia” Is A Nuanced Take On Mental Health And The Paranormal
#Throwback Movie Review: Akin Omotoso’s “The Ghost And The House Of Truth” Is An Emotive Thriller
Movie Review: Niyi Akinmolayan’s “Prophetess” Is Ambitious
Nollywood Scripts Are Really Problematic – But Aren’t They True To Life?
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Music
In “Sunday in Lagos,” Limoblaze Secures His Afro-Worship and Hip-Hop Niche
With “Home,” Johnny Drille Creates a Sonic Haven for His Listeners
Blaqbonez Continues to Grow and Shine on “Young Preacher” Album
Young Jonn’s “Love Is Not Enough Vol. 2” is a Faulty Sonic Gamble
Iyanya’s “The 6th Wave” EP is a Return to Form for the Afrobeats Icon
Joe Praize’s “The Assignment” Album is Covered with the Cloak of Excellence
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2025 AMVCA: How the Stars Lit up the Night With Style
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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