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In Conversation: Obase-Sam Ikoi Reflects on Writing “The Comedian’s Diary” and the Necessity of Hope
“Out of Sight – Out of Mind: Volume 1” Review: Ycee Expresses Stylistic Yin & Yang on New Album
Nine African Film Talents Invited to Join the Academy’s Class of 2026
Features & Essays
Cultural Baggage: Should African Women Prove their Worth Only Through Suffering?
The Writer’s Dilemma: The Anxiety of Influence and Originality
The Mental Health Pandemic: Why More Men Will Keep Suffering in Silence
Child Marriage, and the Need to Take Action
How Social Media in Africa is Helping the Fight Against Dictatorships
2023 Elections: Nigeria’s Choice of President Should Be Based on Ability, Not Gender
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Interviews
Film & TV
“She Must Be Obeyed” Review: Could the Funke Akindele-Directed Series be Hinting at a Much-Needed Creative Break for the Filmmaker?
IIFF 2023 Dispatch: Universal Stories that Address Real People Grappling Societal Problems
Moses Olaiya’s “Mosebolatan” Heralded an Age for Comedy in the Nigerian Film Industry
“The Black Book” Review: The Editi Effiong-Directed Film Is a Reflection of Nigeria’s Socio-Political Realities
“Mami Wata” Review: The C.J. “Fiery” Obasi-Directed Drama is Bold, Beautiful, and Makes a Political Statement
“A Young Time Ago” Review: Subtle but Visible Misogyny Takes Front Row in the Tolu Lordtanner-Directed Drama
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Music
Omah Lay, Yemi Alade, Stonebwoy Announced As Performers for the All Africa Festival 2024
Libianca Legitimises Meteoric Rise With New “Walk Away” EP
Ready to Play: Music Playlist for the AFCON 2023
Music Review: Ossy Brown’s Two-Pack Offering is a Fascinating Sonic Output
Top 50 African Songs of 2023
Afrocritik’s 2023 Top 25 African Music Projects
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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