Olive Nwosu
Love and New Notes
Akwete

Features & Essays

Is “Holy Flogging” Now a Proper Christian Thing?
Motion
Animal Rights in Nigeria are Undervalued
A Mother’s Guide to Cheaper and Healthier Baby Meals
Deeper Life Bible Church: is the Church taking a 360?
Social Media, Narcissism, and the Craze for Validation

Interviews

Film & TV

“Country Queen” Review: Kenya’s First Netflix Original Series Is Potent but Drab
“The Blood Covenant” Review: A Familiar but Interesting Anti-Money Ritual Film
“Prophetess” Review: Niyi Akinmolayan Dares to Merge Religion and Farce
Jewel
“Jewel” Review: A Quiet Reminder of the Continuing Impacts of South Africa’s Sharpeville Massacre
“Introducing the Kujus” Review: Biodun Stephen Creates a Dramatic and Incredibly Relatable Family
“Silent Baron” Review: An Easily Forgettable Tale of Blinded Trust and Stolen Innocence 

Music

Nonso Amadi’s Colourful Artistry Is Displayed Fully on “When It Blooms” ​LP
Joeboy Delivers More of the Familiar on “Body & Soul” LP
Wande Coal Shores Up Legacy on “Legend Or No Legend” Album 
YKB Trends Slowly but Steadily in the Right Direction on “Yusful Music” EP
Rema Bolsters His Leading Effort with “Rave & Roses Ultra” LP
Kenyan Star, Bensoul, Lights up His Own Lane with “The Lion of Sudah” Album
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry