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In Conversation: Obase-Sam Ikoi Reflects on Writing “The Comedian’s Diary” and the Necessity of Hope
“Out of Sight – Out of Mind: Volume 1” Review: Ycee Expresses Stylistic Yin & Yang on New Album
Nine African Film Talents Invited to Join the Academy’s Class of 2026
Features & Essays
2022 Grammys: Who Will Win Best Global Music Album?
Babatunde Omidina “Baba Suwe”: A Great Entertainer Takes His Final Bow
Red Flags To Identify a Man That Might Break Your Heart
The P-Square Reunion: Is It Five Years Too Late?
Celebrity Giveaway Culture in Nigeria: Goodwill or Branding Tactic?
Uncommon Side Effects of Pregnancy That Aren’t Often Talked About
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Film & TV
Adebayo Tijani’s “Ijakumo: the Born Again Stripper” is Only Half as Good as it Promised To Be
“How to Ruin Christmas: The Baby Shower” Series Review: Third Season Has Same Formula, More Drama, and a Tumi-Sized Hole
“U-Turn” Review: Gabriel Afolayan’s Directorial Debut Is a Road Movie Lacking in Attractions
“Love Lives Here” Review: Norman Maake’s RomCom is a Fairy Tale that Sticks to its Story
“Far from Home” Review: Netflix’s Formulaic Nigerian Young Adult Series is Bingeable but Falls Short
Eleven Movies Coming to your Screens this December and Beyond
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Music
“Cheers to Life” Review: Majeeed Taps into His Core to Release a Celebratory EP
“Emotions” Review: Khaid’s Growth is Evident on Sophomore EP
“The More The Better” Review: Tekno Takes His Craft a Step Further on Sophomore LP
“Na My Shoe I Buckle” Review: Former YBNL Star, Davolee, Makes a Fine Return
“I Told Them” Review: Burna Boy Says A Lot But Reveals Very Little on This Enjoyable LP
Fridayy Explores Soulful Narratives and Musical Triumphs on Self-Titled Debut LP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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