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Angélique Kidjo to Become First African Artiste Honoured on Hollywood Walk of Fame
“The Prince of the Street” Review: Ayo Maff’s Strongly Themed Debut Still Needs More Range to Soar
“Mothers of Chibok”, “Put Your Soul on Your Hand and Walk” Win Top Awards at Encounters Documentary Film Festival
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Nigerian Athletes Excel Globally, Not Because Of, But In Spite Of Nigeria
The Calendar and the Clock: The Relevance of Names to African Identity
How Nigerian Music Powers Hollywood Blockbusters
Why Do Nigerian Gospel Artistes Not Have Celebrity Status?
From Mixing Sounds In Church To Making Socially-Conscious Music: The Story Of Papyfire
Sound Sultan: Journey Well, Naija Ninja
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Nasty C’s “Ivyson Army Tour” Is an Underwhelming Mid-term Assessment from a Star Student
6-Track EP, “Festival of the Sun,” Is Ogranya’s Most Experimental Work
KiDi Restates His Impressive Sonic Craftsmanship on “4Play” EP
9ice Shows Traits of His Almost-Forgotten Brilliance on “Tip of the Iceberg II”
Ayüü Offers an Enjoyable Ride on “Toxic Sweet”
Neon Adejo’s Latest Inspiring Album, “Nothing But the Gospel,” Reveals What the Gospel Really Is
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