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Tolu Ajayi’s AMVCA-Winning Psychological Thriller, “Over the Bridge”, Hits Nigerian Cinemas on 5th September
Are Music Videos Relevant in Afro-Pop Today?
Kaelo Iyizoba and Muhannad Lamin Selected for TIFF Directors’ Lab 2025
Features & Essays
Nollywood Needs Its Low-Budget Movies. Here Is Why.
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WHY PETER TOSH, NOT BOB MARLEY, SHOULD BE REGARDED AS JAMAICA’S GREATEST EVER MUSICAL EXPORT
WHY NIGERIANS THINK MR EAZI IS NO LONGER MUSICALLY RELEVANT - AND WHY THEY ARE VERY WRONG
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J. Martins’s “Love Me More” EP is a Stunning Comeback from a Highlife Maestro
Blaqbonez’s “Back in Uni” Music Video is a Witty Collage of Famous Cinematic Cuts
Okey Sokay’s “Declarations” Album is Unorthodox, Yet Spiritual
CKay Solidifies His Impressive Growth with “Sad Romance” LP
Black Sherif’s “The Villain I Never Was” LP is a Concise Chaperone for Sad Boys
Yinka Bernie Delivers an Emotional, Meditative Project with “Something New”
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