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Afrocritik’s Notable African Books of 2025
Olaolu Slawn Opens Landmark Homecoming Exhibition, BOBO, in Lagos
Afrocritik’s 50 Remarkable African Short Stories of 2025
Features & Essays
Sports And Mental Health: Why The Simon Biles Story Is Important
Here Are Ten Nigerian Songs That Draw Heavy Influence From Amapiano
Nigerian Athletes Excel Globally, Not Because Of, But In Spite Of Nigeria
The Calendar and the Clock: The Relevance of Names to African Identity
How Nigerian Music Powers Hollywood Blockbusters
Why Do Nigerian Gospel Artistes Not Have Celebrity Status?
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Interviews
Film & TV
Tanwa Savage Review: Screenplay Flops Serve as the Ruin on Geshin Salvador’s Tanwa Savage
Superstar: Nollywood Movie Review: An Enjoyable Celebrity Story With A Little Too Much To Say
Binti Movie Review: Tanzanian, Seko Shamte Tells the Story of Womanhood on Netflix
The Girl in the Yellow Jumper Movie Review: Ugandan Thriller Thrives on a Story of Improbabilities and Suspense
Chief Daddy 2 Review: Netflix’s Sequel Is a Bad Start to an Initially Promising Year
A Naija Christmas Review: Kunle Afolayan’s Delightful But Unsatisfactory Christmas Romp
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Music
Waje’s Inconsistency Undermines “The Misfit” Album
Zinoleesky Makes Emphatic Bid for Timelessness with “Grit & Lust” EP
Mavin Records’ “Chapter X” is a Showcase of the Current Mavin Class
Fridayy Tells an Impressive Story in “Lost in Melody”
Modenine Throws It Way Back Masterfully on “Popkorn!”
Runtown’s “$igns” Album is a Genre-Sliding, Beautiful Work of Art
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2025 AMVCA: How the Stars Lit up the Night With Style
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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10 African Fashion Events to Watch Out for in 2025
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