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AFRIFF 2025: Zoey Martinson’s “The Fisherman” Mines Humour in the Pursuit of Dreams and the Tensions That Accompany Change
“Sabali” Review: Peruzzi’s Long-Awaited Album Reasserts His Status as Afro-Pop’s Melody King
AFRIFF 2025: “Njem” and “The Boy Who Gave” Find Drama in the Spectacle of Suffering
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Kaestyle Arrives in Style on “Kae’s Study” EP
J. Martins’s “Love Me More” EP is a Stunning Comeback from a Highlife Maestro
Blaqbonez’s “Back in Uni” Music Video is a Witty Collage of Famous Cinematic Cuts
Okey Sokay’s “Declarations” Album is Unorthodox, Yet Spiritual
CKay Solidifies His Impressive Growth with “Sad Romance” LP
Black Sherif’s “The Villain I Never Was” LP is a Concise Chaperone for Sad Boys
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