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Afrocritik’s 50 Remarkable Short Stories of 2025
Afrocritik’s 20 Remarkable African Short Films of 2025

Features & Essays

Interviews

Film & TV

Lancelot Oduwa-Imasuen’s “August Meeting” And The Cultural Relevance Of An Annual Convergence
Movie Review: Izu Ojukwu’s “76” Excels As A Period Piece With A Knack For Detail
“Awon Boyz,” an Emotive Documentary on the Lives of Lagos Hustlers, Now Streaming Globally on Netflix
Movies From The Vault: Chineze Anyaene’s “Ijé: The Journey” Is A Compelling Take On The Nigerian Dream
Movie Review: Kathryn Fasegha’s “Two Weeks In Lagos” Is Forgettable Schlock
Blackstar Film Festival: Renee Maria Osubu’s “Dear Philadelphia” Is A Song Of Hope For Black Communities

Music

Joe Praize-The assignment-music-gospel-afrocritik
Joe Praize’s “The Assignment” Album is Covered with the Cloak of Excellence
Moliy Captures a Sour Relationship on “Honey Doom”
Ayra Starr Offers Little to Nothing on “19 & Dangerous” Deluxe LP
Mannywellz-unwanted-afrocritik-music review-afrobeats
Mannywellz’s Voice Shines Brightly on “Unwanted” EP
Wizkid-bad to me-video-afrocritik-music-big wiz
Wizkid’s “Bad To Me” Music Video is a Punchy, Retro-Themed Return
KaeStyle-kae's study-afrocritik-music review-music
Kaestyle Arrives in Style on “Kae’s Study” EP

VIDEOS

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Books

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry