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Joburg Film Festival 2026 Wraps as Award Winners Are Announced
S16 Labs Welcomes Applications For Inaugural Edition
Lyrical Ceremonies: On Poems by Agbaakin, Okigbo, and Umukoro
Features & Essays
Nollywood And The Need To Pay More Attention To Short Films
Nollywood Needs Its Low-Budget Movies. Here Is Why.
How To Use A Friday Night
The Evolution, Trajectory And Appreciation Of Rock Music In Nigeria
Show Dem Camp’s Clone Wars Series: A Decade Plus Of Consistent Rap Intervention
WHY PETER TOSH, NOT BOB MARLEY, SHOULD BE REGARDED AS JAMAICA’S GREATEST EVER MUSICAL EXPORT
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Interviews
Film & TV
Juju Stories Review: Surreal 16’s Bold and Artistic Exploration of Nigerian Urban Legends
Gidi Blues Review: A Meet-Cute in Idumota
Vaillante Review: The Lives of a Child Bride and a Young Activist Intertwine in UNICEF’s Important Miniseries
Rancor Movie Review: An Unfit Piece for the Nigerian Cinema
For Maria Ebun Pataki Movie Review: A Remarkable Telling of a Rarely Told Story
Tanwa Savage Review: Screenplay Flops Serve as the Ruin on Geshin Salvador’s Tanwa Savage
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Music
Modenine Throws It Way Back Masterfully on “Popkorn!”
Runtown’s “$igns” Album is a Genre-Sliding, Beautiful Work of Art
Afrocritik Best 25 Music Albums of 2022
Strongman Pays Homage To His Root on “Buokrom Boy” EP
Nikita Kering’ Relives Endless Battles With Trauma on “The Other Side” EP
Tim Godfrey’s 7th Album, “Chapter One,” is Blemished by Faulty Vocal Projection
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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