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Martha Ehinome’s Executive-Produced “Man of Her Dreams” Wraps Production
“Fuji: A Opera” Delivers Its Most Expansive Edition Yet With Fuji Vibrations 2025
“The Heart is a Muscle” Review: Imran Hamdulay’s Debut Feature Traces the Wounds We Inherit and the Ones We Try to Heal
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Movie Review: Niyi Akinmolayan’s “Prophetess” Is Ambitious
Nollywood Scripts Are Really Problematic – But Aren’t They True To Life?
Is Nollywood Falling Short In Accurately Portraying Igbo Culture?
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Blaqbonez’s “Back in Uni” Music Video is a Witty Collage of Famous Cinematic Cuts
Okey Sokay’s “Declarations” Album is Unorthodox, Yet Spiritual
CKay Solidifies His Impressive Growth with “Sad Romance” LP
Black Sherif’s “The Villain I Never Was” LP is a Concise Chaperone for Sad Boys
Yinka Bernie Delivers an Emotional, Meditative Project with “Something New”
Victoria Orenze’s “Truth in Sounds” Album Cements Her Depth in Carving Spiritual Lyrics
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