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Francis Duru: The Legacy Beyond Ahanna
HollyShorts Film Festival 2026: In Conversation with British-Nigerian Filmmaker Efosa Osaghae, Director of “Phantom Carousel”
“MKO” Documentary Review: An Admissible Portrait of A Democratic Hero
Features & Essays
Fela Kuti @ 83: A Short Note on His Legacy
7 Things New Mums Aren’t Always Told
Five Cities You Must Visit Before You Die
Five Simple Healthy Habits Everyone Almost Forgot About
Confraternities vs. Fraternities: Where Did the Nigerian Experiment Go Wrong?
The Bad Leadership of the African Union and the Cost of a New Africa
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Film & TV
“4-4-44” Review: Izu Ojukwu’s Period Film about Love and Mental Health Can’t Find Its Spark
“Battle on Buka Street” Review: Nollywood Returns Home in Funke Akindele’s Polygamy Comedy
Adebayo Tijani’s “Ijakumo: the Born Again Stripper” is Only Half as Good as it Promised To Be
“How to Ruin Christmas: The Baby Shower” Series Review: Third Season Has Same Formula, More Drama, and a Tumi-Sized Hole
“U-Turn” Review: Gabriel Afolayan’s Directorial Debut Is a Road Movie Lacking in Attractions
“Love Lives Here” Review: Norman Maake’s RomCom is a Fairy Tale that Sticks to its Story
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Music
“Trench to Triumph” Review: Crayon’s Musical Odyssey is on Display in Debut LP
“Rhythm and Tunes” Review: Lil Kesh Delivers Average Afrobeats Fare with a Few Bright Spots
“Blessed” Review: With Sophomore Extended Play, Mohbad Marks Triumphant Comeback
“Thy Kingdom Come” Review: Seyi Vibez Displays Peak Form and Hints at Even More
“That Uzere Boy” Review: Savage Unleashes a Sensory Feast with Sophomore Effort
“Love Letters” Review: Ka$hCPT Lays Emotions Bare through Effective Storytelling
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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