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African Cinema’s Long Road to Freedom
“The Almajiri” Review: Jammal Ibrahim’s Debut Asks Difficult Questions About Education, Faith, and Northern Nigeria’s Future
How Contemporary Nollywood Uses Humour to Both Expose and Excuse the Politics of Marriage
Features & Essays
Gospel Chants And The Evolution Of Worship Music In Nigeria
Looking For A Romantic Playlist That Is 100% Nigerian? Here’s One For You
Blackstar Film Festival, The World’s Premier Event For Filmmakers Of Colour, Returns For A Tenth Edition
Women Experience Life-Threatening Pain During Their Periods – Here Is Why You Should Care.
Sports And Mental Health: Why The Simon Biles Story Is Important
Here Are Ten Nigerian Songs That Draw Heavy Influence From Amapiano
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Interviews
Film & TV
“Prophetess” Review: Niyi Akinmolayan Dares to Merge Religion and Farce
“Jewel” Review: A Quiet Reminder of the Continuing Impacts of South Africa’s Sharpeville Massacre
“Introducing the Kujus” Review: Biodun Stephen Creates a Dramatic and Incredibly Relatable Family
“Silent Baron” Review: An Easily Forgettable Tale of Blinded Trust and Stolen Innocence
“Rise” Review: Akin Omotoso Directs a Family-Friendly Sports Biopic for Disney
“Ile Owo” Review: Dare Olaitan’s Horror Film Is Heavy on Suspense and Light on Terror
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Music
Nonso Amadi’s Colourful Artistry Is Displayed Fully on “When It Blooms” LP
Joeboy Delivers More of the Familiar on “Body & Soul” LP
Wande Coal Shores Up Legacy on “Legend Or No Legend” Album
YKB Trends Slowly but Steadily in the Right Direction on “Yusful Music” EP
Rema Bolsters His Leading Effort with “Rave & Roses Ultra” LP
Kenyan Star, Bensoul, Lights up His Own Lane with “The Lion of Sudah” Album
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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