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On Afrobeats to the World: Where Is the Line Between Evolution and Identity Crisis?
Book O’Clock Opens Submissions for “Nyamiri-Bàsakkwacḕ: Stories from Another Home” Anthology
The North Is Retelling Its Story: A Review of Flame Tree’s “Someone Should Hold Farida”
Features & Essays
Sports And Mental Health: Why The Simon Biles Story Is Important
Here Are Ten Nigerian Songs That Draw Heavy Influence From Amapiano
Nigerian Athletes Excel Globally, Not Because Of, But In Spite Of Nigeria
The Calendar and the Clock: The Relevance of Names to African Identity
How Nigerian Music Powers Hollywood Blockbusters
Why Do Nigerian Gospel Artistes Not Have Celebrity Status?
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Film & TV
“Collision” Review: Half-Hearted Political Statements, and a Struggling Plot Collide in South African Netflix Crime Thriller
“The Order of Things” Review: Dr Sid Serves a Hollywood-esque Romantic Comedy in Nollywood Directorial Debut
“Breaded Life” Review: Biodun Stephen Writes and Directs to Perfection a Twist of Fate
Marking Democracy Day: 5 Films about Nigeria’s Democracy (And Where to Find Them)
“Charge and Bail” Review: Inkblot’s Courtroom Drama is a Legal Comedy in Every Sense
“The Wildflower” Review: Biodun Stephen’s Winning Streak Continues in New Film About Gender-Based Violence
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Music
Is PayBac Iboro’s “West African Goat” LP a Potential Hip-Hop Album of the Year?
Lloyiso Makes an Emphatic Impression with Debut “Seasons” EP
Davido Completes His Trilogy with a Triumphant Return on “Timeless” LP
Major League DJz & Major Lazer Crystallises Recent Successes With “Piano Republik” LP
Brucy Radebe’s “The Grace Encounter Vol. 2” is a Seal on her Singing Prowess
Chike and Oxlade Enthrall Fans on “Spell” Remix Music Video
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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