Praise Odigie Paige
Blood Ties
Colonial Lagos

Features & Essays

Interviews

Film & TV

Emotions, Depth, and a Stellar Cast Take Front Row in Daniel Ademinokan’s “Gone”
Hide ‘N’ Seek and its Decent but Inadequate Effort to be Different
“Shadow Parties” Jumps Too Many Steps in the Wrong Directions
Kunle Afolayan’s Adaptation of Sefi Atta’s “Swallow” Could Have Been More Powerful
Imaginative, Stimulating And Thrilling – Further Consideration Of Kemi Adetiba’s “King Of Boys: The Return Of The King”
Movie Review: Kemi Adetiba’s “King Of Boys: The Return Of The King” Is Enjoyable, But It Lacks Bite

Music

Joe Praize-The assignment-music-gospel-afrocritik
Joe Praize’s “The Assignment” Album is Covered with the Cloak of Excellence
Moliy Captures a Sour Relationship on “Honey Doom”
Ayra Starr Offers Little to Nothing on “19 & Dangerous” Deluxe LP
Mannywellz-unwanted-afrocritik-music review-afrobeats
Mannywellz’s Voice Shines Brightly on “Unwanted” EP
Wizkid-bad to me-video-afrocritik-music-big wiz
Wizkid’s “Bad To Me” Music Video is a Punchy, Retro-Themed Return
KaeStyle-kae's study-afrocritik-music review-music
Kaestyle Arrives in Style on “Kae’s Study” EP

VIDEOS

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Books

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry