Andrew Jacked
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Features & Essays

Interviews

Film & TV

Nollywood Horror Film “Hex” Review: A Clarence Peter’s Experimental Foray Into Film Making
Netflix Series: A Review of South Africa’s “How To Ruin Christmas: The Wedding” First Season on Netflix
AMAA 2021 Awards: A Breakdown of the Wins and the Winners’ Losses
“Fine Wine” Review: Seyi Babatope’s Romantic Drama Comes Close To Being a Classic
“Happiness Ever After” Review: In This South African Romantic Drama, Choosing Oneself Is True Love
“Oga Bolaji” Review: Kayode Kasum’s Slow But Rewarding Social Commentary

Music

Wizkid MLLE Cover
Wizkid Coasts around His Comfort Zone on “More Love, Less Ego” Album
Sarkodie
Sarkodie Spreads His Sonic Tentacles on “JAMZ” Album
Lady Zamar Delivers a Delightful Taste of House on “Royal Flush” EP
Seyi Vibez
Seyi Vibez Unlocks His Signature Sound on “Billion Dollar Baby” Album
Limoblaze
In “Sunday in Lagos,” Limoblaze Secures His Afro-Worship and Hip-Hop Niche 
Home
With “Home,” Johnny Drille Creates a Sonic Haven for His Listeners
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry