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On Afrobeats to the World: Where Is the Line Between Evolution and Identity Crisis?
Book O’Clock Opens Submissions for “Nyamiri-Bàsakkwacḕ: Stories from Another Home” Anthology
The North Is Retelling Its Story: A Review of Flame Tree’s “Someone Should Hold Farida”
Features & Essays
From Mixing Sounds In Church To Making Socially-Conscious Music: The Story Of Papyfire
Sound Sultan: Journey Well, Naija Ninja
Here Is My Life, A Time Capsule For Grief
Do You Want To Listen To Nigerian Songs While Having Sex? Here’s A Playlist For You
Meet Boom General, The Genre-Bending Artiste Eager To Dominate Nigerian Music
How Music Influences The Direction Of Global Politics
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Interviews
Film & TV
“Dazzling Mirage” Review: Tunde Kelani’s Old but Gold Film on sickle-cell Disease Makes Entrance on Netflix
“Kedibone” Review: A Coming-of-Age Tale of a Flawed, Young South African Woman
“The Perfect Arrangement” Review: Inkblot Production’s Latest Release Lacks Artistic Direction
“Foreigner’s God” Review: A Good Story Ruined with Bad Accents and a Foreigner Nobody Needs
Movie Review: EbonyLife finds Redemption with “Blood Sisters”
With “Moremi: The Epic Battle,” Aroba Animation is Set to Preserve Yoruba History
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Music
Valerie Omari Tugs Heartstrings with Cohesive Heartbreak Tales on “Closure” EP
Navy Kenzo’s “Most People Want This” LP is a Fine Tribute to Love and Sex
Yinka Advocates for Love in “Let’s Get Romantic”
Rexxie Shines Brightly Alongside Featured Artists on the Enjoyable “Big Time” LP
Enkay Ogboruche’s “Declaration” Album Wields the Scepter of Praise
Lojay’s “GANGSTER ROMANTIC” EP is 2023 Project of the Year Material
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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