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Variations on the Subject of Family: A Review of the 2026 Caine Prize Shortlist
“Salt in the Snow” Review: Displacements and Shifting Identities Come Together in Sahra Noor’s Debut Memoir
Somalia National Pavilion to Spotlight Contemporary Somali Cinema During Venice Biennale
Features & Essays
Why Are We So Obsessed With The Personal Lives Of Celebrities?
Big Brother Naija: When Are We Going To Have That Mental Health Conversation?
Doing Christianity The “Adefarasin Way”
From Port Harcourt To The World: Meet 1DA Banton, The Former Church Drummer Whose Sound Emphasises The Good Life
Gospel Chants And The Evolution Of Worship Music In Nigeria
Looking For A Romantic Playlist That Is 100% Nigerian? Here’s One For You
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Film & TV
“The Throne” Review: A Banal Tale about the Hunger for Power
“Office Invasion” Review: Three Office Friends Battle Aliens in a Slow but Charming South African Sci-Fi Comedy
“Nairobby” Review: Greed and Division Rule in Jennifer Gatero’s Tense but Monotonous Post-Heist Thriller
“Hey You!” Review: Uyoyou Adia’s 18+ RomCom Almost Ruined by Unresolved Subplots
“Lockdown” Review: Moses Inwang’s Pandemic Movie Feels Like a “93 Days” Wannabe
“Money Miss Road” Review: Swanky JKA and Josh2funny Bring the Comedy in Obi Emelonye’s Action Comedy
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Music
Amaarae Flexes Her Range on “Fountain Baby” LP
Guchi Displays Full Romantic Side in New Two-Pack Single
Mannywellz Cruises Along Comfortably on Solid “Don’t Tell Anyone” EP
Nonso Amadi’s Colourful Artistry Is Displayed Fully on “When It Blooms” LP
Joeboy Delivers More of the Familiar on “Body & Soul” LP
Wande Coal Shores Up Legacy on “Legend Or No Legend” Album
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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