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ARMC 2026

Features & Essays

Interviews

Film & TV

Movie Review: “Rattlesnake: The Ahanna Story” Is Exciting And Exhausting All At Once
Movie Review: Kayode Kasum’s “Kambili: The Whole 30 Yards” Is More Eye Candy, Less Romance
#Throwback Movie Review: “Elevator Baby” Attempts To Mirror A Country’s Systemic Problems, But How Well Is It Done?
Movie Review: Tunde Kelani’s “Ayinla” Delights With Great Acting, But Lacking In Plot
#Throwback Movie Review: “Sylvia” Is A Nuanced Take On Mental Health And The Paranormal
#Throwback Movie Review: Akin Omotoso’s “The Ghost And The House Of Truth” Is An Emotive Thriller

Music

Victoria Orenze’s “Truth in Sounds” Album Cements Her Depth in Carving Spiritual Lyrics
Show Dem Camp Takes Listeners on a Final Palmwine Music Ride with “Palmwine Music 3”
B-Red Shows a Lack of Depth on His “Good Music for Bad Days” EP
Layzee Ella Furthers Her Artistic Growth with Dancehall-Infused “Feel Everything”
Afrocritik-Chris Morgan-new blast-afrobeat-Christian gospel-gospel artiste
Chris Morgan’s Afrobeats-Infused “New Blast Is a 12-Track Masterpiece
Nasty C-Ivyson Army-Music-south africa-entertainment
Nasty C’s “Ivyson Army Tour” Is an Underwhelming Mid-term Assessment from a Star Student

VIDEOS

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Books

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry