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Is the African Literary Critic and the Institution of Criticism Under Attack?
“Love is a Machinery” Review: Anendlessocean Gives Romance the Album It Deserves
Can Democracy Work With a Hungry Voter?
Features & Essays
Nollywood Needs Its Low-Budget Movies. Here Is Why.
How To Use A Friday Night
The Evolution, Trajectory And Appreciation Of Rock Music In Nigeria
Show Dem Camp’s Clone Wars Series: A Decade Plus Of Consistent Rap Intervention
WHY PETER TOSH, NOT BOB MARLEY, SHOULD BE REGARDED AS JAMAICA’S GREATEST EVER MUSICAL EXPORT
WHY NIGERIANS THINK MR EAZI IS NO LONGER MUSICALLY RELEVANT - AND WHY THEY ARE VERY WRONG
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Film & TV
AMVCA 8 Nominations: 8 Shockers Flowing from the Nominees Announcements
“City Hustlers” Review: Asuelime’s Underwhelming, Starstruck Version of Mike Ezuruonye’s “Lagos Real Fake Life”
The American King Review: Hail! United States of Africa and Its American King Called Akon
“Cake” Review: A Nollywood Culinary Rom-Com That Can’t Quite Figure Out the Right Recipe
Upcoming Film and TV Projects from Netflix Naija
Upcoming Film and TV Projects from Nigeria’s Top Directors
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Music
With “Soundtrack to the Good Life,” Ajebutter22 Chaperones Listeners Towards the Good Life
Kabza De Small and Stakev Display the Softer Side of Amapiano on “Rekere” Album
Okey Sokay’s “The Archives” Album Focuses More on Production than Sound Lyricism
Blanche Bailly’s “Authentik” LP is a Fine Attempt at Stamping Legacy
Say Goodbye to Love: Blaqbonez’s Anti-Love Crusade is Breaking Every Yoke
Rhita Nattah Channels Her Emotions Into “Inner Warrior” EP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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