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“One Gidi Night” Review: A Thriller That Finds Its Rhythm Only to Lose It
The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”
Features & Essays
From Port Harcourt To The World: Meet 1DA Banton, The Former Church Drummer Whose Sound Emphasises The Good Life
Gospel Chants And The Evolution Of Worship Music In Nigeria
Looking For A Romantic Playlist That Is 100% Nigerian? Here’s One For You
Blackstar Film Festival, The World’s Premier Event For Filmmakers Of Colour, Returns For A Tenth Edition
Women Experience Life-Threatening Pain During Their Periods – Here Is Why You Should Care.
Sports And Mental Health: Why The Simon Biles Story Is Important
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Film & TV
“Collision Course” Review: Bolanle Austen-Peters Makes a Social Commentary on Police Brutality. But to What End?
“The Milkmaid” Review: Desmond Ovbiagele’s Femicentric Terrorism-Themed Feature Is a Nollywood Revelation
Kayode Kasum’s “Dwindle” Feels Like Recycled Ideas, Yet Entertaining to Watch
“The Throne” Review: A Banal Tale about the Hunger for Power
“Office Invasion” Review: Three Office Friends Battle Aliens in a Slow but Charming South African Sci-Fi Comedy
“Nairobby” Review: Greed and Division Rule in Jennifer Gatero’s Tense but Monotonous Post-Heist Thriller
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Music
Joeboy Delivers More of the Familiar on “Body & Soul” LP
Wande Coal Shores Up Legacy on “Legend Or No Legend” Album
YKB Trends Slowly but Steadily in the Right Direction on “Yusful Music” EP
Rema Bolsters His Leading Effort with “Rave & Roses Ultra” LP
Kenyan Star, Bensoul, Lights up His Own Lane with “The Lion of Sudah” Album
L.A.X Shows Lack of Sonic Ambition on “No Bad Vibes” EP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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