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Francis Duru: The Legacy Beyond Ahanna
HollyShorts Film Festival 2026: In Conversation with British-Nigerian Filmmaker Efosa Osaghae, Director of “Phantom Carousel”
“MKO” Documentary Review: An Admissible Portrait of A Democratic Hero
Features & Essays
Has The Concept Of Tolerance In Marriage Become Old-Fashioned?
Why Are We So Obsessed With The Personal Lives Of Celebrities?
Big Brother Naija: When Are We Going To Have That Mental Health Conversation?
Doing Christianity The “Adefarasin Way”
From Port Harcourt To The World: Meet 1DA Banton, The Former Church Drummer Whose Sound Emphasises The Good Life
Gospel Chants And The Evolution Of Worship Music In Nigeria
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Interviews
Film & TV
“Country Hard” Review: In Paul Utomi’s Crime Drama, Paths Cross, Lives Intertwine, and One Meeting can Change Everything
“Ẹlẹṣin Ọba” Review: Netflix’s “Death and the King’s Horseman” Adaptation Is a Play, Not Really a Film
“Becoming Abi” Review: Bolu Essien’s Office Space Dramedy is a Relatable Dreamy Story Where Love Meets Ambition
“Eyimofe” Review: An Ever-Relevant Interrogation of the Pressing Reasons to “Japa”
“Valley of a Thousand Hills” Review: An Unclear Solicitation for the Queer Community
“Soólè” Review: Kayode Kasum Might Need a Break for Artistic Introspection
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Music
Guchi Displays Full Romantic Side in New Two-Pack Single
Mannywellz Cruises Along Comfortably on Solid “Don’t Tell Anyone” EP
Nonso Amadi’s Colourful Artistry Is Displayed Fully on “When It Blooms” LP
Joeboy Delivers More of the Familiar on “Body & Soul” LP
Wande Coal Shores Up Legacy on “Legend Or No Legend” Album
YKB Trends Slowly but Steadily in the Right Direction on “Yusful Music” EP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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