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Variations on the Subject of Family: A Review of the 2026 Caine Prize Shortlist
“Salt in the Snow” Review: Displacements and Shifting Identities Come Together in Sahra Noor’s Debut Memoir
Somalia National Pavilion to Spotlight Contemporary Somali Cinema During Venice Biennale
Features & Essays
Blackstar Film Festival, The World’s Premier Event For Filmmakers Of Colour, Returns For A Tenth Edition
Women Experience Life-Threatening Pain During Their Periods – Here Is Why You Should Care.
Sports And Mental Health: Why The Simon Biles Story Is Important
Here Are Ten Nigerian Songs That Draw Heavy Influence From Amapiano
Nigerian Athletes Excel Globally, Not Because Of, But In Spite Of Nigeria
The Calendar and the Clock: The Relevance of Names to African Identity
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Film & TV
Bovi Ugboma’s “My Village People” Understates Spirituality and Witchcraft
“Justice Served” Review: A Broken System Is Put on Trial in Another Entertaining Netflix Hostage Drama
8 Nigerian Movies and TV Shows Coming Soon to Your Screens
“Country Queen” Review: Kenya’s First Netflix Original Series Is Potent but Drab
“The Blood Covenant” Review: A Familiar but Interesting Anti-Money Ritual Film
“Prophetess” Review: Niyi Akinmolayan Dares to Merge Religion and Farce
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Music
YKB Trends Slowly but Steadily in the Right Direction on “Yusful Music” EP
Rema Bolsters His Leading Effort with “Rave & Roses Ultra” LP
Kenyan Star, Bensoul, Lights up His Own Lane with “The Lion of Sudah” Album
L.A.X Shows Lack of Sonic Ambition on “No Bad Vibes” EP
Suté Iwar Immerses Us in His World on Debut LP, “Ultralight”
Is PayBac Iboro’s “West African Goat” LP a Potential Hip-Hop Album of the Year?
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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