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African Cinema’s Long Road to Freedom
“The Almajiri” Review: Jammal Ibrahim’s Debut Asks Difficult Questions About Education, Faith, and Northern Nigeria’s Future
How Contemporary Nollywood Uses Humour to Both Expose and Excuse the Politics of Marriage
Features & Essays
Here Is My Life, A Time Capsule For Grief
Do You Want To Listen To Nigerian Songs While Having Sex? Here’s A Playlist For You
Meet Boom General, The Genre-Bending Artiste Eager To Dominate Nigerian Music
How Music Influences The Direction Of Global Politics
Why The Music Of Johnny Drille Resonates With Nigeria’s Hopeless Romantics
Has Filmmaking In Nollywood Gone To The Dogs?
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Interviews
Film & TV
“Charge and Bail” Review: Inkblot’s Courtroom Drama is a Legal Comedy in Every Sense
“The Wildflower” Review: Biodun Stephen’s Winning Streak Continues in New Film About Gender-Based Violence
“Dazzling Mirage” Review: Tunde Kelani’s Old but Gold Film on sickle-cell Disease Makes Entrance on Netflix
“Kedibone” Review: A Coming-of-Age Tale of a Flawed, Young South African Woman
“The Perfect Arrangement” Review: Inkblot Production’s Latest Release Lacks Artistic Direction
“Foreigner’s God” Review: A Good Story Ruined with Bad Accents and a Foreigner Nobody Needs
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Music
Brucy Radebe’s “The Grace Encounter Vol. 2” is a Seal on her Singing Prowess
Chike and Oxlade Enthrall Fans on “Spell” Remix Music Video
Valerie Omari Tugs Heartstrings with Cohesive Heartbreak Tales on “Closure” EP
Navy Kenzo’s “Most People Want This” LP is a Fine Tribute to Love and Sex
Yinka Advocates for Love in “Let’s Get Romantic”
Rexxie Shines Brightly Alongside Featured Artists on the Enjoyable “Big Time” LP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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