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Features & Essays

Interviews

Film & TV

Kunle Afolayan’s Adaptation of Sefi Atta’s “Swallow” Could Have Been More Powerful
Imaginative, Stimulating And Thrilling – Further Consideration Of Kemi Adetiba’s “King Of Boys: The Return Of The King”
Movie Review: Kemi Adetiba’s “King Of Boys: The Return Of The King” Is Enjoyable, But It Lacks Bite
#Throwback Movie Review: Moses Inwang’s “Body Language” Is Captivating, Suspense-Laden Drama
Seyi Babatope’s “When Love Happens” And Nollywood’s Approach To Romance Stories
Lancelot Oduwa-Imasuen’s “August Meeting” And The Cultural Relevance Of An Annual Convergence

Music

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Mannywellz’s Voice Shines Brightly on “Unwanted” EP
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Wizkid’s “Bad To Me” Music Video is a Punchy, Retro-Themed Return
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Kaestyle Arrives in Style on “Kae’s Study” EP
J. Martins’s “Love Me More” EP is a Stunning Comeback from a Highlife Maestro
Blaqbonez’s “Back in Uni” Music Video is a Witty Collage of Famous Cinematic Cuts
Okey Sokay’s “Declarations” Album is Unorthodox, Yet Spiritual
Afrocritik Report - 2026 2025-01

VIDEOS

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Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

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Fiction & Poetry