Afrobeats
Nyamiri-Bàsakkwacḕ: Stories from Another Home
Someone Should Hold Farida

Features & Essays

Show Dem Camp’s Clone Wars Series: A Decade Plus Of Consistent Rap Intervention
WHY PETER TOSH, NOT BOB MARLEY, SHOULD BE REGARDED AS JAMAICA’S GREATEST EVER MUSICAL EXPORT
WHY NIGERIANS THINK MR EAZI IS NO LONGER MUSICALLY RELEVANT - AND WHY THEY ARE VERY WRONG

Interviews

Film & TV

“The Man of God” Review: Austen-Peters’ Latest Netflix Release Struggles Against Itself to be Great
“Lady Buckit and the Motley Mopsters” Review: Nigeria’s First Feature-Length Animation Comes to Netflix
“King of Thieves” Review: Femi Adebayo’s Epic Sets a New Standard for Nollywood
“The Rise of Igbinogun” Review: Ideh Chukwuma Innocent Brings “epic” to the Cinemas with His Latest Addition
“Young, Famous and African” Review: Reactions to South African Beauticians’ “Flop” in Reality show
“A Simple Lie” Review: One Little Lie Sets off a Series of Shocking Revelations

Music

DJ Spinall Attains Lofty Heights with “Top Boy” Album
With “Soundtrack to the Good Life,” Ajebutter22 Chaperones Listeners Towards the Good Life
Kabza De Small and Stakev Display the Softer Side of Amapiano on “Rekere” Album
Okey Sokay’s “The Archives” Album Focuses More on Production than Sound Lyricism
Blanche Bailly’s “Authentik” LP is a Fine Attempt at Stamping Legacy
Say Goodbye to Love: Blaqbonez’s Anti-Love Crusade is Breaking Every Yoke
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry