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Variations on the Subject of Family: A Review of the 2026 Caine Prize Shortlist
“Salt in the Snow” Review: Displacements and Shifting Identities Come Together in Sahra Noor’s Debut Memoir
Somalia National Pavilion to Spotlight Contemporary Somali Cinema During Venice Biennale
Features & Essays
Meet Boom General, The Genre-Bending Artiste Eager To Dominate Nigerian Music
How Music Influences The Direction Of Global Politics
Why The Music Of Johnny Drille Resonates With Nigeria’s Hopeless Romantics
Has Filmmaking In Nollywood Gone To The Dogs?
Nollywood And The Need To Pay More Attention To Short Films
Nollywood Needs Its Low-Budget Movies. Here Is Why.
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Interviews
Film & TV
Netflix’s “Trees of Peace” Review: Saved by the Will to Survive
“Collision” Review: Half-Hearted Political Statements, and a Struggling Plot Collide in South African Netflix Crime Thriller
“The Order of Things” Review: Dr Sid Serves a Hollywood-esque Romantic Comedy in Nollywood Directorial Debut
“Breaded Life” Review: Biodun Stephen Writes and Directs to Perfection a Twist of Fate
Marking Democracy Day: 5 Films about Nigeria’s Democracy (And Where to Find Them)
“Charge and Bail” Review: Inkblot’s Courtroom Drama is a Legal Comedy in Every Sense
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Music
Navy Kenzo’s “Most People Want This” LP is a Fine Tribute to Love and Sex
Yinka Advocates for Love in “Let’s Get Romantic”
Rexxie Shines Brightly Alongside Featured Artists on the Enjoyable “Big Time” LP
Enkay Ogboruche’s “Declaration” Album Wields the Scepter of Praise
Lojay’s “GANGSTER ROMANTIC” EP is 2023 Project of the Year Material
DJ Tunez’ “The Amexin EP” is a Promising and Sleek Introduction to Amexin
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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