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Features & Essays

WHY NIGERIANS THINK MR EAZI IS NO LONGER MUSICALLY RELEVANT - AND WHY THEY ARE VERY WRONG

Interviews

Film & TV

“Silverton Siege” Review: Is this Film about the Silverton Trio? Not Really
Now That “The Real Housewives of Lagos” Has Brought You to Showmax, Here Are Other African Shows on It to See
“The Man of God” Review: Austen-Peters’ Latest Netflix Release Struggles Against Itself to be Great
“Lady Buckit and the Motley Mopsters” Review: Nigeria’s First Feature-Length Animation Comes to Netflix
“King of Thieves” Review: Femi Adebayo’s Epic Sets a New Standard for Nollywood
“The Rise of Igbinogun” Review: Ideh Chukwuma Innocent Brings “epic” to the Cinemas with His Latest Addition

Music

With “Continental Playlist,” King Perryy Takes a  Bold Step forward 
With “Pheelz Good,” Pheelz Solidifies Himself as a Music Connoisseur
DJ Spinall Attains Lofty Heights with “Top Boy” Album
With “Soundtrack to the Good Life,” Ajebutter22 Chaperones Listeners Towards the Good Life
Kabza De Small and Stakev Display the Softer Side of Amapiano on “Rekere” Album
Okey Sokay’s “The Archives” Album Focuses More on Production than Sound Lyricism
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry