The Editor

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Sef Adeola
An Artist of the Times: A Retrospective Review of Sef Adeola

Sef Adeola taps into a tradition well-honed and long maintained, leaving the viewer with no…

journalism
15 Women Who Have Shaped Nigerian Film Journalism

Nigerian film journalism has always had women at its centre. Before there was a name…

Igbo
Traditional Leadership and Its Mirroring: What the Igbo Unlanded Kingship Means

The cultural practices of the Igbo often proceed from allegiance to culture and clan. Wherever…

Confession
Confession and Other Poems | By Rasheed Ayinla Shehu

Confession There is an opening beneath my skin with a layer of doors, closed and…

AMVCA
AMVCA 2026: The Shocks, Surprises and Frauds of the AMVCA12 Nominations

The AMVCAs have a long and well-documented habit of rewarding visibility over rigour. Films that…

Echoes of Botanical Gardens
“Echoes of Botanical Gardens” Review: Zakes Bantwini & Skye Wanda Explore Narrative Electronica on New Album

Echoes of Botanical Gardens succeeds as a cohesive experience, driven by strong production, compelling vocal…

La Fabrique Cinéma
Nigeria, Kenya, Morocco Represent Africa At La Fabrique Cinéma 2026

All three African projects selected for La Fabrique Cinéma are part of a 10-title slate…

The Shipikisha Club
“The Shipikisha Club” Review: Mubanga Kalimamukwento’s Book Is a Mosaic of Motherhood and Deferred Dreams

The Shipikisha Club is a book of “little wisdoms”. It is the work of a…

KFCB
KFCB’s Notice and The Problem With The Film and Stage Plays Act

In Kenya, where press freedom is delicate, often contingent on political and economic conditions, the…

South Sudan
Why the Crisis in South Sudan Does Not Need Another “Peace Agreement”

South Sudan should redirect peace investment from national elite bargains to community-led processes. By Jack…