The Editor

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Afrocritik
Afrocritik Announces Key Editorial Promotions

The appointments signal Afrocritik’s continued investment in editorial leadership and its ambition to deepen its…

visa denials
How Visa Denials Are Costing African Film Professionals More Than Just a Trip

Visa denials for African film professionals is not a bureaucratic inconvenience sitting at the edge…

Olive Nwosu
Berlinale 2026: In Conversation with Olive Nwosu, Writer-Director of “Lady”

“For me, it’s about making a body of work that is emotionally resonant and speaking…

Love and New Notes
“Love and New Notes” Review: Kayode Kasum’s So-Called Romantic Period Drama Confuses Ambition for Vision

Love and New Notes wants to be different. It wants to be bold. It wants…

Akwete
The Akwete Renaissance and the Politics of Nigerian Fast Fashion

The Akwete cloth is usually made into wrappers for women, and it is a textile-making…

Kissing
The Performance of Purity: Nollywood, Kissing and Nigeriaʼs Faux Conservatism

The outrage over kissing is not the expression of ancient tradition. It is the performance…

Chukwuebuka Ibeh
Chukwuebuka Ibeh to Facilitate Literature Masterclass for Aspiring Writers in Enugu

The prose class will be taught by Chukwuebuka Ibeh, while the poetry class will be…

Spotlight
Afrocritik Music Spotlight: Big Bang

Afrocritik Music Spotlight: Big Bang By Yinoluwa Olowofoyeku “Guess who’s back back back, back again…

What You Lose When You Sign Away Your Masters

Masters ownership is one of the most consequential decisions an artiste can make, because it…

Goes To Cannes
AFRIFF to Represent Lagos at “Goes To Cannes” 2026

“Goes to Cannes” is a Marché du Film initiative that brings together selected film festivals…