If African football’s growing digital presence is constructed on top of AI-generated spectacle rather than…
The Comedian’s Diary is a sobering portrait of the capability of community in the face…
Ben’Imana explores hurt, unprocessed pain, and inherited trauma across three generations — interrogating what lies…
Encounters South African International Documentary Festival has unveiled the programme for its 28th edition, set…
The announcement of the advisory arm marks a significant expansion of the company’s mandate beyond…
Clarissa is a bold, curious exploration of class and colonialism, which, in a sense, works…
Congo Boy, directed by Rafiki Fariala, and Ben’Imana, directed by Marie-Clémentine Dusabejambo, both from Un…
Some of these books tackle politics head-on; in others, its marginal effects play in the…
Although In Our Own Ways is ostensibly about class and a fractured marriage, the enduring…
Bride of the Year knows what it is, is comfortable being what it is, and…
