The Editor

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On Different Grounds
“On Different Grounds” Review: Mildred Okwo Returns with a Hearty, Veteran-Led Rom-Com

On Different Grounds has the character of a Nollywood film elevated by the spirit of…

The Anniversary
“The Anniversary” Review: Prosper Edesiri’s Chamber Drama Has a Fascinating Psychological Core It Doesn’t Fully Trust

The Anniversary is, despite its limitations, a film worth engaging with, partly because it attempts…

For Me, This Time
“For Me, This Time” Review: Africaine Makes Strong Impression with Debut EP

For Me, This Time is an impressive debut that introduces Africaine’s artistic identity with clarity,…

2026 World Cup
Analysis: The 2026 World Cup and Africa’s Ten-Minute Collapse

It is a deeply concerning pattern that suggests African teams at the 2026 World Cup…

Known Associates Group
South Africa’s Known Associates Group (KAG) Ventures Expands To Spain

The fund will be shared between two film and TV ventures under KAG-owned companies, and…

Venice Gap-Financing Market
Four African Selections Head to the 2026 Venice Gap-Financing Market

Four African projects selected by La Biennale di Venezia have been chosen for the 2026…

AuthenticA Series Lab
AuthenticA Series Lab Welcomes Applications from African Screenwriters For 5th Edition

Now entering its milestone fifth year, the AuthenticA Series Lab comes at a time when…

African cinema
African Cinema and Its Treaty-Based Co-Production Network

Despite the existence of more scattered film partnerships and informal collaborations across the continent, African…

Shoot the People
Documentary Spotlight: “Shoot the People”

Shoot the People follows Misan Harriman as he travels across continents, witnessing protest movements and…

Zipporah Nyaruri
In Conversation with Zipporah Nyaruri on the Road Behind “Truck Mama”

“I would wish that people have appreciation for women doing these kinds of jobs or…