The Editor

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Unbind Me Now
James Ngwu Eze’s Poetry of the Streets: A Review of “Unbind Me Now”

And truly, the poetry in Unbind Me Now is angry, filled with outrage and umbrage,…

Starlomo
“Starlomo” Review: Kayode Kasum’s Film Has the Right Ingredients but Can’t Quite Put Them Together

Starlomo finds the right setting and a compelling cultural premise, but its underdeveloped screenplay prevents…

Patrice Motsepe
CAF’s AFCON Review Raises Questions About Motsepe’s Long-Term Vision For African Football

If the original plan was based on adequate research and consultation, CAF should be able…

At Sea
Y.M. Abdel-Magied’s “At Sea” Examines Gender in High Stakes Workplace Drama

In At Sea, neither time nor experience is enough to overturn the hands of ingrained…

Esther Adeola Seriki
The Journey Destination of Esther Adeola Seriki’s Photography

Since beginning her photographic practice in 2017, Esther Adeola Seriki has continued to move between…

Film Africa
Film Africa Returns for 13th Edition, Celebrates the Royal African Society Anniversary with Afrocentric Lineup

This year’s programme cuts across contemporary features, shorts and documentaries, as well as retrospectives and…

When the Sky was Blue
“When the Sky was Blue” | Short Story By Uchechukwu Onyinyechukwu Onowu

Mama rarely spoke; she did not like to. Yet on the days she forgot where…

Jason Jacobs
BFI London 2026: In Conversation with Jason Jacobs and Devon Delmar on Community, Memory, and Telling Unseen Stories in “Variations on a Theme”

“The film’s inspiration came from conversations that we had with my grandmother, Hettie. One thing…