The Editor

2036 Articles Published | Follow:
Mohammed Taher
Tribeca Film Festival 2026: Mohamed Taher Talks Fatherhood, Vulnerability, and the Conversations We Avoid in “32B”

“There’s this kind of awkwardness behind the very sensitive topics that we can’t share with…

African films
10 African Films About Brotherhood and Male Friendship

These ten African films remind us that friendship is not merely a social luxury. It…

Is the African Literary Critic and the Institution of Criticism Under Attack?

Today, the critic and the institution of criticism have come under intense attack from a…

democracy
Can Democracy Work With a Hungry Voter?

The voters who sell their votes are selling them in a market the political class…

artiste
Why African Artistes Need to Think About Their Name, Image, and Likeness as Legal Assets

An artiste’s most valuable asset is not always the music itself. Sometimes, it is the…

Jail Time Records
Tribeca Film Festival 2026: “Jail Time Records” Turns a Cameroonian Prison Into the Most Unlikely Stage in the World

Jail Time Records is visually stunning, musically extraordinary, and emotionally honest in ways that feel…

Open Doors Connect
Beninese and Malagasy Participants Make Inaugural Edition of Locarno’s Open Doors Connect

Open Doors Connect is specially designed for creative producers, with an emphasis on South-South collaborations,…

Omenana
“December 2025: Niger Delta Issue” Review: Omenana Magazine’s Call to Arms in the War to Protect the Niger Delta Region

What Omenana has essentially done with this Niger Delta Issue is to ask fiction writers…

The Quiet That Remains
“The Quiet That Remains” Review: Hope Lingers for Damaged Souls in Jude Dibia’s Fourth Novel

The Quiet That Remains is about many things, chief amongst them the concept of changing…

ESWACOS
Eswatini’s ESWACOS Greenlights Fund Applications for Domestic Creatives

Through this initiative, ESWACOS intends to strengthen creative production, improve the quality of local creative…