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Recall
“Recall” Review: Kunle Afolayan’s Return to the Big Screens Is Largely Forgettable

As it lacks any defining moments, Recall is a film that will be difficult to…

Davido
Davido to Perform at 2025 Essence Festival in New Orleans

The 2025 Essence Festival’s lineup features a blend of legacy and contemporary acts, including Maxwell,…

CAF U-17 Nations Cup
Recap of the On-Going CAF U-17 Nations Cup

While the CAF U-17 Nations Cup doubles as a U-17 World Cup qualifier, it remains…

NollyTube
Nollywood Needs NollyTube, But Does NollyTube Need Our Brains to Be Turned Off?

Nollywood needs NollyTube, regardless of the merits and demerits, or the sustainability of YouTube as…

VPNs
Virtual Freedom: Why African Youths Are Turning to VPNs

With VPNs, Africa’s youth can also bridge the technology gap between themselves and the rest…

creatives
10 Young African and Black Personalities Redefining the Creative Space

While influencers chase the spotlight, these creatives are building legacies, one original idea at a…

Spotlight
Afrocritik’s Weekly Music Spotlight: Something Different

Afrocritik’s Weekly Music Spotlight: Something Different By Yinoluwa Olowofoyeku Greetings, fellow avid music adventurers. I…

Durban FilmMart Institute
Durban FilmMart Announces 16th Edition Scheduled for July 2025

The Durban FilmMart Institute is scheduled to run from 18th to 21st July, 2025 in…

Labake Olododo: The Warrior Lord
“Labake Olododo” Review: Biodun Stephen’s Yoruba Epic Is a Gender-Flipped Samson-And-Delilah Narrative Starring Iyabo Ojo

In a time when the indigenous epic genre has begun to feel repetitive and forgettable,…

The Book Of Jones 1st Chapter
“The Book of Jones 1st Chapter” Review: Khaligraph Jones Employs Old Tricks for New Triumph

The Book Of Jones 1st Chapter feels like a continuation of a well-worn path, rich…