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How Contemporary Nollywood Uses Humour to Both Expose and Excuse the Politics of Marriage
CAF’s Non-Decision on FIFA Forward Enterprise Fits a Pattern
Afrocritik Music Spotlight: Rhythm & Pulse
Features & Essays
Is This the Age of Nollywood at Domestic Box Office?
Africanfuturism: A Literary Plane of Infinite Possibilities for Africa’s Future
Nollywood and the Evolution of the Sacred Feminine
The Power of Protest: When Challenging Bad Governance is Justified
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem
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Interviews
“Music is One of My Filmmaking Signatures”: Nigerian Filmmaker, Kayode Kasum, in Conversation with Afrocritik
Coming of Age in Nollywood: In Conversation with the Young Actors in the Feature Film, “Ijogbon”
“The Films I Make Are About Aspects of What I’ve Seen and Experienced’’: South African Filmmaker, Ian Gabriel, on the Authenticity in Creating the Crime-Thriller, “Death of a Whistleblower”
“The Fun Projects Are the Most Challenging”: Femi Dapson, on Securing a Spot as a Top Music Video Producer in Nigeria
“The Idea For My Film ‘Orah’ Came After My Younger Brother Was Killed By SARS Officers”: Nigerian-Canadian Filmmaker, Lonzo Nzekwe, in Conversation with Afrocritik
Interview: Novelist, Famous Chukwuemeka, on Exploring the Extremes of Beliefs and Devotion with Debut Novel, “We Will Live Again”
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Film & TV
AFRIFF 2025: “Njem” and “The Boy Who Gave” Find Drama in the Spectacle of Suffering
AIFF 2025: Rachida SaadiʼS “Double or Nothing” Is a Gamble on Love and Addiction That Plays It Too Safe
AFRIFF 2025: In Conversation With Kalu Oji and Okey Bakassi, Writer-Director and Lead Actor of “Pasa Faho”
AIFF 2025: “Adunni: Ogidan Binrin” Is a Story of Resistance Undone by Its Own Execution
AFRIFF 2025: Nwamaka Chikezie’s “To Adaego with Love” Is a Post-War Romance of Half Measures
AIFF 2025: Enah Johnscott Illuminates the Fragility of Memory and the Fading Architecture of Care in “Lights Out”
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Music
Afrocritik Weekly Music Spotlight: Soul & Groove
“Ingubo Enamehlo” Review: Halo Yagami Tugs At Heartstrings Across New Album
Afrocritik Weekly Music Spotlight: Detour Week II
“WWP” Review: Tyla Returns to Form on New EP
10 Rising African Alté Artistes to Watch in 2025
“Spiral” Review: Tim Lyre Charts Cycles of Love and Life on Sophomore Album
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VIDEOS
Welcome to our YouTube Channel
Books
Ike Anya’s “Small by Small” is a Medical, Personal, and Artistic Triumph
Tolu’ A. Akinyemi’s “Black Does Not Equal Inferior” Invokes the Spirit of the Harlem Renaissance
Onyeka Nwelue Set to Release a New Book, “The Nigerian Mafia: Johannesburg”
“On the Train to Hell” Review: Throes and Consciousness Helm Tolu A Akinyemi’s Poetry Collection
“Love Grows Stronger in Death” Anthology Explores the Depth of Human Emotions Amidst Mortality
Ayòbámi Adébáyò and Caleb Azumah Nelson Shortlisted for the 2024 Dylan Thomas Prize
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Culture
Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
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Fiction & Poetry
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