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Saviour for the Condemned: A Review of Joseph Nnamdi’s Debut Novel
AFRIFF 2026: “Adanne” Is a Familiar Story of Mothers, Daughters and Inherited Expectations
Film Africa 2026: The Fragility of Faith, Innocence and Belonging In “God Sleeps On Sundays”, “Echoes Beneath the Hill”, and “Zizou”
Features & Essays
Fragmented Visages, Unbroken Light: The Art of Ruth Agbolade
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
Mapping Queer African Cinema: How Censorship Still Hinders Queer Representation in the African Mainstream Media
How Effective Are Online Petitions in Advocating for Policy Change?
The Cultural Renaissance of East African Theatre and Performing Arts
Why Copyright Protection Matters For The Future of Nollywood
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Interviews
“All Art Helps Us to See the Humanity of Another”: Kenya Writer, Dennis Mugaa, Speaks About His Forthcoming Debut, “Half Portraits Under Water”
The Soundtrack to Success: Music Supervisor, Unique Oliver, is Creating a Blueprint for Music Licensing in Nollywood Productions
“Winning the James Currey Prize Might Represent My Coming of Age as a Writer”: In Conversation with 2023 Prizewinner, Peter Ngila Njeri
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Portraying Familial Bonds in “A Tribe Called Judah”: In Conversation with Box Office Hit Screenwriters, Akinlabi Ishola and Collins Okoh
Filmmaker, Perivi Katjavivi, Signals a New Era with Namibia’s Oscars Debut, “Under the Hanging Tree”
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Film & TV
What Trends Will Drive Africa’s Film Industry in 2026?
Sundance 2026: Praise Odigie Paige’s “Birdie” Interrogates War, Displacement, and the Frayed Edges of Memory
Why Nollywood Has Stars but No Movie Stars
“Aníkúlápó: The Ghoul Awakens” Pursues Adventure At The Expense of Cohesion
Sundance 2026: In Conversation with “Kikuyu Land” Directors, Bea Wangondu and Andrew H. Brown
Sundance 2026: “Jazz Infernal” Is a Sonic Portrait of Diaspora and Legacy
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Music
Afrocritik Weekly Music Spotlight: Potential Showcase
“Not Guilty” Review: Terry Apala Celebrates Freedom on Compact EP
Afrocritik Weekly Music Spotlight: Soul & Groove II
“444PLAY” Review: Minz’s New EP Explores a Breezy Expansion of His Eclectic Pop Textures
“Black Star” Review: Amaarae’s Boldness Finds Energetic Expression on New Album
The Neo-Arewa Soundscapes of FirstKlaz
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VIDEOS
Welcome to our YouTube Channel
Books
“Tearless” Review: Ayo Deforge’s Novel Explores Self-Discovery, Trauma Resolution, and Love
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
“We Were Girls Once” Review: Aiwanose Odafen’s Novel Explores Human Flaws and the Enduring Strength of Friendship
The 2024 Caine Prize Shortlist Speaks on the Condition of the Times We Live In
“Water Baby” Review: Chioma Okereke’s Book Explores Resilience and the Power of Community
Pemi Aguda’s “Ghostroots” Explores Nigeria’s Everydayness and Otherworldliness
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Culture
Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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