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What a Cancelled Lagos Derby Reveals About Nigeria’s Football Reform
“Son of Elvis” Review: Marcus Harvey Bares His Heart Across New Album
Ask Your Brothers. Ask Them Their Stories, the Stories of Other Boys. Ask.
Features & Essays
Opinion: Why Calling Don Jazzy an Influencer is an Erasure of His Impact on Afrobeats’ Global Dominance
In the Wake of Ojo Taiye’s Sneaky Poetry, How Should Plagiarism in the Nigerian Literary Community Be Addressed?
Artificial Intelligence, Neocolonialism, and the Politics of the English Language
Emeka Nwokedi: A Classical Music Conductor of International Repute
Is This the Age of Nollywood at Domestic Box Office?
Africanfuturism: A Literary Plane of Infinite Possibilities for Africa’s Future
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Interviews
“The Idea For My Film ‘Orah’ Came After My Younger Brother Was Killed By SARS Officers”: Nigerian-Canadian Filmmaker, Lonzo Nzekwe, in Conversation with Afrocritik
Interview: Novelist, Famous Chukwuemeka, on Exploring the Extremes of Beliefs and Devotion with Debut Novel, “We Will Live Again”
Zambia is Courting Continental Attention with “Can You See Us?”: Afrocritik in Conversation with Kenny Mumba, Director of the Country’s Netflix Debut
Film Editors as Architects of a Film’s Vision and Goal: Biyi Toluwalase, Notable for Editing “Gangs of Lagos” and “Sista,” in Conversation with Afrocritik
Interview: Celebrity Chef, Hilda Baci, Reflects On Her Record-Breaking Cooking Marathon and Culinary Career
“I am a Perfect Symbol of Limitlessness”: Ebuka Njoku in Conversation with Afrocritik
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Film & TV
ENIFF 2025: Gaëlle Le Roy Chronicles a Decade of Youth Resistance in “Afrikki”
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
“Memory of Princess Mumbi” Review: Damien Hauser’s Bold Afrofuturistic Swing Into the Age of Artificial Intelligence
ENIFF 2025: Nnamdi Kanagaʼs “Water Girl” Reclaims Ogbanje Narratives With Intimacy and Precision
“Bad Influencer” Review: Netflix’s South African Series Is a Stylish, Chaotic Tale of Clout and Consequences
“Dust to Dreams” Review: Idris Elba and Mo Abudu Collaborate on a Short Film That Squanders Its Fortunes
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Music
“444PLAY” Review: Minz’s New EP Explores a Breezy Expansion of His Eclectic Pop Textures
“Black Star” Review: Amaarae’s Boldness Finds Energetic Expression on New Album
The Neo-Arewa Soundscapes of FirstKlaz
Afrocritik Weekly Music Spotlight: Soul & Groove
“Ingubo Enamehlo” Review: Halo Yagami Tugs At Heartstrings Across New Album
Afrocritik Weekly Music Spotlight: Detour Week II
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VIDEOS
Welcome to our YouTube Channel
Books
Sensational Book Titles: A New Trend in Nigerian Literature?
“Loss is an Aftertaste of Memories” Review: Michael Chiedoziem Chukwudera’s Debut Novel Explores Memory, Loss, and the Agency of Remembrance
“River Spirit” Review: Leila Aboulela’s Novel Illuminates Historical Lessons
Amaka Obioji’s Poetry Collection, “Mother, Did You Call My Name?” Explores the Transience of Human Emotions
In “Like Water Like Sea”, Olumide Popoola Offers an Exploration of Contemporary Human Experiences
Ike Anya’s “Small by Small” is a Medical, Personal, and Artistic Triumph
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Culture
Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
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Fiction & Poetry
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