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The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”
Sundance Institute Names Rami Jarboui Among 2026 Documentary Fund Grantees
Features & Essays
Opinion: We Have Taken Afrobeats to the World, and Now They Are Taking It From Us
Chidimma Adetshina’s Inspiring Rise to the Miss Universe Stage
BBL Comedy Box: Showcasing South-Eastern Nigeria’s Comic Brilliance
What Has Happened to Igbo Language Novels?
Too Early for Birds Chronicles Tom Mboya’s Legacy with Wit and Heart
The Legacy of Loss | Nonfiction by Damilola Olaniyi
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Interviews
The Soundtrack to Success: Music Supervisor, Unique Oliver, is Creating a Blueprint for Music Licensing in Nollywood Productions
“Winning the James Currey Prize Might Represent My Coming of Age as a Writer”: In Conversation with 2023 Prizewinner, Peter Ngila Njeri
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Portraying Familial Bonds in “A Tribe Called Judah”: In Conversation with Box Office Hit Screenwriters, Akinlabi Ishola and Collins Okoh
Filmmaker, Perivi Katjavivi, Signals a New Era with Namibia’s Oscars Debut, “Under the Hanging Tree”
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene
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Film & TV
Condescending Benevolence: The Colonial Paradox of “Mister Johnson”
Afrocritik’s 10 Nollywood Projects on YouTube Worth Watching in 2025
Afrocritik’s 20 Remarkable African Short Films of 2025
“Muganga, Celui Qui Soigne” Review: Marie-Hélène Roux’s Film Explores the Radical Practice of Care
Afrocritik’s 30 Remarkable African Feature Films of 2025
“Mothers of Chibok” Review: Joel ‘Kachi Benson Explores The Long Wait After Chibok
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Music
“Catharsis” Review: Fola’s Debut Album Offers an Intimate Outpouring of Desire and Affection
“Kings Will Rise” Review: The Scorpion Kings Continue Stellar Run With New Album
Afrocritik Weekly Music Spotlight: Projects Galore
“This One Is Personal” Review: Tiwa Savage Deeply Explores R&B in Her Most Soul-Baring Album Yet
“After Midnight” Review: Gyakie Consolidates Her Familiar Style on Debut Album
“Less Trouble” Review: Shekhinah Presents Her Best Work Yet With New Album
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VIDEOS
Welcome to our YouTube Channel
Books
Afrocritik’s 35 Remarkable African Short Stories in 2024
“And So I Roar” Review: Abi Dare’s Sequel Sends Powerful Message on Female Advocacy
“The Road to the Country” Review: Chigozie Obioma’s Book Explores the Costs of War, Guilt, and the Enduring Survival of Love
Finding Freedom: Aké Arts and Book Festival Returns with a Focus on Diverse Voices
“The Most Secret Memory of Men” Review: Mohamed Mbougar Sarr’s Book Engages with the Complexities of Literary Critique
“After the End” Review: Olukorede Yishau’s Book Explores Betrayal and Trauma in Fine Detail
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Culture
Being Feminist And Queer In Nigeria: A Double Whammy
How The Nigerian Educational System Promotes Nepotism
Is Atheism Slowly Catching On In Nigeria?
Feminism And Allyship In Nigeria: Here Is What You Should Know
How Igbo Traditional Religion Intersects With Modern Christianity, And Why The Igbos Easily Embraced The “White Man’s Religion”
Pride Month 2021: Dangerous Myths About LGBTQ+ People In Nigeria That Should Be Left Behind
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Explainers
Fiction & Poetry
Open City & Other Poems
Woman Protester, & Praise Song
Poetry: Agbalala, & How Was It You Died?
A Journey to Gwarinpa, Abuja
Haunting
I Toil Through the Deep, & Other Poems
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