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What a Cancelled Lagos Derby Reveals About Nigeria’s Football Reform
“Son of Elvis” Review: Marcus Harvey Bares His Heart Across New Album
Ask Your Brothers. Ask Them Their Stories, the Stories of Other Boys. Ask.
Features & Essays
Too Early for Birds Chronicles Tom Mboya’s Legacy with Wit and Heart
The Legacy of Loss | Nonfiction by Damilola Olaniyi
What Is the State of Nigeria’s Natural Parks and Game Reserves?
Which African Author Will Win the 2024 Nobel Prize in Literature?
Fragmented Visages, Unbroken Light: The Art of Ruth Agbolade
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
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Interviews
Portraying Familial Bonds in “A Tribe Called Judah”: In Conversation with Box Office Hit Screenwriters, Akinlabi Ishola and Collins Okoh
Filmmaker, Perivi Katjavivi, Signals a New Era with Namibia’s Oscars Debut, “Under the Hanging Tree”
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene
“When It Comes to Lovesongs, Nobody Can Touch Me”: Joeboy, in Conversation with Afrocritik
“I Learnt to Let the Story Lead”: Nigerian Filmmaker, Wingonia Ikpi, on Producing the Crime-Comedy, “Bank Alert”
The Ingenuity of Mr Eazi: An Exclusive Interview with a New Era Connoisseur for Art and Talent
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Film & TV
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
S16 Film Festival 2025: “About Sarah”, “My Jebba Story”, “Obi Is a Boy”, “Back to the Theatre Vox”, “Òdè!” + Other Short Film Reviews
“Colour Me True” Review: Toluwani Obayan Osibe’s Debut Reaches for Truth but Settles for Surface
ADIFF 2025: Sana Na N’Hada Examines the Cost of Freedom and the Weight of Memory in “Nome”
“The Heart is a Muscle” Review: Imran Hamdulay’s Debut Feature Traces the Wounds We Inherit and the Ones We Try to Heal
S16 Film Festival 2025: Suzannah Mirghani Insists on Female Joy and Agency in Powerful Sudanese-Set Feature Debut, “Cotton Queen”
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Music
Afrocritik Weekly Music Spotlight: Projects Galore
“This One Is Personal” Review: Tiwa Savage Deeply Explores R&B in Her Most Soul-Baring Album Yet
“After Midnight” Review: Gyakie Consolidates Her Familiar Style on Debut Album
“Less Trouble” Review: Shekhinah Presents Her Best Work Yet With New Album
“Memorabilia” Review: Efue Announces Herself Impressively With Debut EP
Afrocritik Weekly Music Spotlight: BIG JOL!
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VIDEOS
Welcome to our YouTube Channel
Books
“The Most Secret Memory of Men” Review: Mohamed Mbougar Sarr’s Book Engages with the Complexities of Literary Critique
“After the End” Review: Olukorede Yishau’s Book Explores Betrayal and Trauma in Fine Detail
“Face Me I Face You” Review: Oyindamola Shoola Uses Unconventional Poetry to Explore Nigerian Communal Life
“Tearless” Review: Ayo Deforge’s Novel Explores Self-Discovery, Trauma Resolution, and Love
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
“We Were Girls Once” Review: Aiwanose Odafen’s Novel Explores Human Flaws and the Enduring Strength of Friendship
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Culture
How The Nigerian Educational System Promotes Nepotism
Is Atheism Slowly Catching On In Nigeria?
Feminism And Allyship In Nigeria: Here Is What You Should Know
How Igbo Traditional Religion Intersects With Modern Christianity, And Why The Igbos Easily Embraced The “White Man’s Religion”
Pride Month 2021: Dangerous Myths About LGBTQ+ People In Nigeria That Should Be Left Behind
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Explainers
Fiction & Poetry
Poetry: Agbalala, & How Was It You Died?
A Journey to Gwarinpa, Abuja
Haunting
I Toil Through the Deep, & Other Poems
Dearest, & Child, Though Death be a Tyrant, not Every Dead Yielded to Tyranny
At the Squad
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