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2025 Afrocritik Report
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Saviour for the Condemned: A Review of Joseph Nnamdi’s Debut Novel
AFRIFF 2026: “Adanne” Is a Familiar Story of Mothers, Daughters and Inherited Expectations
Film Africa 2026: The Fragility of Faith, Innocence and Belonging In “God Sleeps On Sundays”, “Echoes Beneath the Hill”, and “Zizou”
Features & Essays
Afrocritik’s 50 Notable Essays from Africa in 2024
The Evolving Role of Streaming Platforms in Global Culture
Does Nollywood Have Too Many Speaking Events?
What Music and Dance Trended in Francophone Africa in 2024?
Opinion: We Have Taken Afrobeats to the World, and Now They Are Taking It From Us
Chidimma Adetshina’s Inspiring Rise to the Miss Universe Stage
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Interviews
Móyòsóré Martins: Embracing Abstraction and Imperfectionism in Grunge Art
“In Bloom” Anthology Creators: In Conversation with the Changemakers Who Lend a Voice to Gender Equality
In Conversation: “I Want People to Know that Africa Has Real Filmmaking Talents”, Claire Diao, Film Critic and Founder of Sudu Connexion
Director Pink: Standing Out as a Music Video Director in a Crowded Music Industry
In Conversation: Nollywood Film Editor, Martini Akande, Dissects the Anatomy of Editing a Memorable Scene
Oscar Korbla Mawuli Awuku Uses Art to Redefine the Narrative on Indigenous Ghanaian Culture
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Film & TV
“Love and New Notes” Review: Kayode Kasum’s So-Called Romantic Period Drama Confuses Ambition for Vision
The Performance of Purity: Nollywood, Kissing and Nigeriaʼs Faux Conservatism
Berlinale 2026: Jérémy Comte Confronts Human Connection and Contradictions in Lyrical Debut Feature, “Paradise”
How Beza Hailu Lemma and Bandamlak Yimenu Are Elevating Arthouse Film Culture in Ethiopia Through Videobet Cinema
Next Narrative Africa Fund + Parrot Analytics Partnership: Advisory Board, $50 Million Content Seed, and Implications for Africa’s Screen Industry
“Everything Is New Again” Review: What Is New About Nollywood’s Fear of Conflict?
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Music
“Wonderful” Review: Tay Iwar Continues To Wow With New EP
“Catharsis” Review: Fola’s Debut Album Offers an Intimate Outpouring of Desire and Affection
“Kings Will Rise” Review: The Scorpion Kings Continue Stellar Run With New Album
Afrocritik Weekly Music Spotlight: Projects Galore
“This One Is Personal” Review: Tiwa Savage Deeply Explores R&B in Her Most Soul-Baring Album Yet
“After Midnight” Review: Gyakie Consolidates Her Familiar Style on Debut Album
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VIDEOS
Welcome to our YouTube Channel
Books
“Death of the Author” Review: Nnedi Okorafor’s Book Addresses the Complex World of Writing and Publishing
Navigating the Business Side of Writing: What Every Author Needs to Know
“A Future in Chains” Review: Ndifreke Ukpong’s Book Expertly Tackles Faith, Tradition, and Resilience
Afrocritik’s Anticipated Books of 2025
Afrocritik’s Notable Books From Africa in 2024
Afrocritik’s 35 Remarkable African Short Stories in 2024
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Culture
Being Feminist And Queer In Nigeria: A Double Whammy
How The Nigerian Educational System Promotes Nepotism
Is Atheism Slowly Catching On In Nigeria?
Feminism And Allyship In Nigeria: Here Is What You Should Know
How Igbo Traditional Religion Intersects With Modern Christianity, And Why The Igbos Easily Embraced The “White Man’s Religion”
Pride Month 2021: Dangerous Myths About LGBTQ+ People In Nigeria That Should Be Left Behind
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Anthony Joshua and Francis Ngannou Set for Epic Showdown in Saudi Arabia
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Explainers
Fiction & Poetry
The Last Rule of Theft | Oluseye Fakinlede
Planes and Plains | Ugochukwu Anadị
Burning Bodies | Chourouq Nasri
Open City & Other Poems
Woman Protester, & Praise Song
Poetry: Agbalala, & How Was It You Died?
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