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MIFF 2026: “Chronicles From the Siege” Is the Film That Says What Politics Has Failed To
“ALKEBULAN III: The Water Remembers” Review: Matt B Rounds Out Album Trilogy With Orchestral Flourish
“Starrgirl” Review: Ayra Starr Cements Star Girl Status with New Album
Features & Essays
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
Mapping Queer African Cinema: How Censorship Still Hinders Queer Representation in the African Mainstream Media
How Effective Are Online Petitions in Advocating for Policy Change?
The Cultural Renaissance of East African Theatre and Performing Arts
Why Copyright Protection Matters For The Future of Nollywood
Opinion: The Rising Rap Scene in the East and What the Rappers Are Getting Wrong
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Interviews
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene
“When It Comes to Lovesongs, Nobody Can Touch Me”: Joeboy, in Conversation with Afrocritik
“I Learnt to Let the Story Lead”: Nigerian Filmmaker, Wingonia Ikpi, on Producing the Crime-Comedy, “Bank Alert”
The Ingenuity of Mr Eazi: An Exclusive Interview with a New Era Connoisseur for Art and Talent
“‘Proof of Life’ Is a Rebirth for Me”: Skales Speaks on His Latest Project with Afrocritik
“Versatility Helps, But Perseverance is Key”: Nigerian Actor, Eso Dike, on Breaking into Nollywood
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Film & TV
ENIFF 2025: Jessica J. Rowlands Puts Zimbabwean Cinema on the Map with “Rise”
ENIFF 2025: “V’s Secret”, “The Noise Around Her Black”, “Falling Out”, “Ụmụnne”, and “She’s Got Courage to Love” Reviews
Films and TV Shows to Watch Across Africa This Holiday
ENIFF 2025: Gaëlle Le Roy Chronicles a Decade of Youth Resistance in “Afrikki”
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
“Memory of Princess Mumbi” Review: Damien Hauser’s Bold Afrofuturistic Swing Into the Age of Artificial Intelligence
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Music
Afrocritik Weekly Music Spotlight: BIG JOL!
Are Music Videos Relevant in Afro-Pop Today?
“Emadlelweni Aluhlaza” Review: Blue Pappi Charts Introspective Journey Across Sprawling Album
“Lifestyle” Review: Balloranking Brings His Street-Pop Sound to an Amapiano-Driven EP
Afrocritik Weekly Music Spotlight: Potential Showcase
“Not Guilty” Review: Terry Apala Celebrates Freedom on Compact EP
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VIDEOS
Welcome to our YouTube Channel
Books
Pemi Aguda’s “Ghostroots” Explores Nigeria’s Everydayness and Otherworldliness
“Kibogo” Review: Scholastique Mukasonga’s Book Dives Into Rwanda’s Tumultuous History With Christianity
“The Liquid Eye of a Moon” Review: Uchenna Awoke’s Novel is an Eye-Opening Story of Belonging, Desire, and Hope
“Blessings” Review: Chukwuebuka Ibeh’s Debut Novel Explores the Epiphany of Self and Conflict of Identity
Sensational Book Titles: A New Trend in Nigerian Literature?
“Loss is an Aftertaste of Memories” Review: Michael Chiedoziem Chukwudera’s Debut Novel Explores Memory, Loss, and the Agency of Remembrance
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Culture
How The Nigerian Educational System Promotes Nepotism
Is Atheism Slowly Catching On In Nigeria?
Feminism And Allyship In Nigeria: Here Is What You Should Know
How Igbo Traditional Religion Intersects With Modern Christianity, And Why The Igbos Easily Embraced The “White Man’s Religion”
Pride Month 2021: Dangerous Myths About LGBTQ+ People In Nigeria That Should Be Left Behind
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Explainers
Fiction & Poetry
Poetry: Agbalala, & How Was It You Died?
A Journey to Gwarinpa, Abuja
Haunting
I Toil Through the Deep, & Other Poems
Dearest, & Child, Though Death be a Tyrant, not Every Dead Yielded to Tyranny
At the Squad
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