Chronicles from the Siege
ALKEBULAN III: The Water Remembers
Starrgirl

Features & Essays

Tafadzwa Kurotwi - Eco-warriors in Africa protesting against climate change - Afrocritik
Eco-Warriors: Gen Zs in Africa Leading the Sustainability Movement
Black History Month - Afrocritik
Black History Month: 3 Inspirational Women Who Paved Way for Black Inclusivity
Internet Restriction - Afrocritik
Democracy in the Digital Age: How Do Internet Shutdowns Impact Fairness During African Elections?
The Nollywood Mystery Thriller: Sometimes It’s Elementary, and Sometimes There’s None
The Politics of Cooking and Traditional Roles in the Nigerian Family
Why AI Misinformation is a Serious Threat to Elections and Democracy

Interviews

On Growing Up, Music, New Single And Future Projects: Guchi in Conversation with Afrocritik
“There’s no Permanent Enemy, only Permanent Interests” — Olarotimi Fakunle, Eleniyan of “Gangs of Lagos,” in Conversation with Afrocritik
Michael Omonua is Telling African Stories in the Language He Wants
On Writing a Prescient Film: Kayode Jegede, Co-writer of “Gangs of Lagos” in Conversation with Afrocritik
“‘Kaleidoscope’ was written differently from the way I had done other projects,” – Lindsey Abudei: In Conversation with Afrocritik
Esther Kemi Gbadamosi on Taking Nigerian Animated Films to Berlinale: in Conversation with Afrocritik

Film & TV

Adunni: Ogidan Binrin
AIFF 2025: “Adunni: Ogidan Binrin” Is a Story of Resistance Undone by Its Own Execution
To Adaego with Love
AFRIFF 2025: Nwamaka Chikezie’s “To Adaego with Love” Is a Post-War Romance of Half Measures
Lights Out
AIFF 2025: Enah Johnscott Illuminates the Fragility of Memory and the Fading Architecture of Care in “Lights Out”
The Herd
“The Herd” Review: Daniel Etim Effiong’s Debut Feature Is Taut and Human
The Milkmaid
The Cuts of Speaking Truth in Nigerian Cinema
Pasa Faho
AFRIFF 2025: Kalu Oji Reflects on Fatherhood and the Igbo Immigrant Experience in Tender Debut Feature, “Pasa Faho”

Music

Victims of Madness 2.0
“Victims of Madness 2.0” Review: Wakadinali Chooses Refinement Over Reinvention
Goodgirl
“Goodgirl” Review: GoodGirl LA Reintroduces Her Vibrant Uniqueness on New EP
Fimí
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music
Spotlight
Afrocritik Weekly Music Spotlight: Second Bridge Week
No Sign of Weakness
“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played
Paradise Now
“Paradise Now” Review: Obongjayar’s Sophomore Album Is a Fitting Treatise on Self
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Masobe Books opens call for submission - Afrocritik
Masobe Books to Open 2024 Submissions Window for Emerging Authors on February 1
2024 Drue Heinz Prize - Afrocritik
Mubanga Kalimamukwento Wins 2024 Drue Heinz Literature Prize
Dylan Thomas Prize - 2024 - Afrocritik
African Authors, Ayọ̀bámi Adébáyọ̀ and Caleb Azumah Nelson, Longlisted for 2024 Dylan Thomas Prize
Teju Cole, Marie Ndiaye, Romeo Oriogun, Shortlisted for 2023 NBCC Awards
Paul Ngila Njeri - In conversation with Afrocritik - James Currey Prize Winner 2023
“Winning the James Currey Prize Might Represent My Coming of Age as a Writer”: In Conversation with 2023 Prizewinner, Peter Ngila Njeri
Spotlight on African Voices as British Science Fiction Association Awards (BSFA) Unveils 2024 Longlist

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry