football
Son of Elvis
sexual abuse

Features & Essays

Nollywood and the Evolution of the Sacred Feminine - Mami Wata - Afrocritik
Nollywood and the Evolution of the Sacred Feminine
The Power of Protest: When Challenging Bad Governance is Justified
BK Arena - Rwanda - Afrocritik
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem - Afrocritik
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem
Mohbad - Afrocritik
Mohbad: Post-Death Fame, and the Postmodern Reality of the Tortured Artist
Tafadzwa Kurotwi - Eco-warriors in Africa protesting against climate change - Afrocritik
Eco-Warriors: Gen Zs in Africa Leading the Sustainability Movement

Interviews

Painting a New Way of Seeing Africa: In Conversation with the Filmmakers Who Took “Mami Wata” Global
Reem Gaafar is Blurring the Lines between Science and Creativity: In Conversation with Afrocritik
On Growing Up, Music, New Single And Future Projects: Guchi in Conversation with Afrocritik
“There’s no Permanent Enemy, only Permanent Interests” — Olarotimi Fakunle, Eleniyan of “Gangs of Lagos,” in Conversation with Afrocritik
Michael Omonua is Telling African Stories in the Language He Wants
On Writing a Prescient Film: Kayode Jegede, Co-writer of “Gangs of Lagos” in Conversation with Afrocritik

Film & TV

Milisuthando
“Milisuthando” Review: Bongela-Davis’ Film Places the Nation in the Mirror of a Single Life
3 Cold Dishes
“3 Cold Dishes” Review: Asurf Oluseyi’s Cold Revenge Thriller Arrives Lukewarm
Fractured
AFRIFF 2025: Atlanta Bridget Johnson Has More to Give Than Kayode Kasum’s “Fractured” Has to Offer
Together Apart, Jumbi, I Can Smell a Rat
AIFF 2025: “Together Apart”, “Jimbi”, and “I Can Smell a Rat” Navigate the Edges of Humanity
Radia
AIFF 2025: In “Radia”, Khaoula Assebab Benomar Crafts a Stark Portrait of Widowhood, Agency, and the Cost of Becoming
The Fisherman
AFRIFF 2025: Zoey Martinson’s “The Fisherman” Mines Humour in the Pursuit of Dreams and the Tensions That Accompany Change

Music

WWP
“WWP” Review: Tyla Returns to Form on New EP
Alté
10 Rising African Alté Artistes to Watch in 2025
Spiral
“Spiral” Review: Tim Lyre Charts Cycles of Love and Life on Sophomore Album
Spotlight
Afrocritik Weekly Music Spotlight: Detour Week
The Summer That Saved Me
“The Summer That Saved Me” Review: Odeal Bottles Newfound Freedom and Clarity on New EP
Victims of Madness 2.0
“Victims of Madness 2.0” Review: Wakadinali Chooses Refinement Over Reinvention
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Tolu’ A. Akinyemi’s “Black Does Not Equal Inferior” Invokes the Spirit of the Harlem Renaissance | Afrocritik
Tolu’ A. Akinyemi’s “Black Does Not Equal Inferior” Invokes the Spirit of the Harlem Renaissance
Onyeka Nwelue Set to Release a New Book, “The Nigerian Mafia: Johannesburg”
“On the Train to Hell” Review: Throes and Consciousness Helm Tolu A Akinyemi’s Poetry Collection
“Love Grows Stronger in Death” Anthology Explores the Depth of Human Emotions Amidst Mortality
Ayòbámi Adébáyò and Caleb Azumah Nelson Shortlisted for the 2024 Dylan Thomas Prize
Tares Oburumu’s Origin of Syma Species - review - Afrocritik
The Portrayal of Place, Dream, and History in Tares Oburumu’s “Origin of Syma Species”

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

Read More
Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

Read More
Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
Read More
AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
Read More
AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
Read More
Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry