Nnedi Okorafor
Colours of Fire

Features & Essays

Skin Bleaching and Colourism in Africa - Afrocritik
Is There a Parallel Between the Skin Bleaching Epidemic and Colourism That is Being Overlooked in Africa?
Film Locations Are a Tool for Storytelling in Nollywood, Beyond The Visual Aesthetics - Afrocritik
Beyond the Visual Aesthetics, Film Locations Are a Tool for Storytelling in Nollywood
Afrocritik's tribute to Pat Nebo, veteran Production Designer
Pat Nebo, Nollywood’s Veteran Production Designer, Documented Nigeria’s History Through Filmmaking
Nhachi Nwanyị Custom in Igboland - Afrocritik
Nhachi Nwanyị Custom in Igboland: A Relevant Practice or a Stronghold for Patriarchy?
Classics Nigerian Music from the 60s to 2000s Afrocritik
An Ode to Classics: Unearthing the Treasures of Old Nigerian Music
Nollywood original soundtrack era afrocritik
Revisiting Nollywood’s Original Music Score Era: What Soundtracks Reveal About the Progress of Nigeria’s Film Industry

Interviews

Film & TV

Finding Me
“Finding Me” Review: Funke Akindele’s Mistitled Dramedy Struggles With an Identity Crisis
Suky
“Suky” Review: Ola Cardoso’s Prison-Set, Revenge-Themed Sports Drama Is Tepid
Omoni Oboli
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement
AMVCA
The Annual AMVCA’s Category Problem: Should TV Productions Be Competing with Films?
Fine Girl
“Fine Girl” Review: Fatimah Gimsay’s Film Is a Subversive Take On Modern Harassment and Female Empowerment
Love, Olaitan
“Love, Olaitan” Review: Moyosore Akinsete’s Short Film Is a Mesmerising Portrait of Love and Loss

Music

Arewa
Will Arewa Music Be the Next Big Wave in Contemporary Nigerian Pop?
Afrocritik monthly spotlight valentine
Afrocritik’s Weekly Music Spotlight: Buttery Smooth
Onorato Ajebo Hustlers
“Onorato” Review: Ajebo Hustlers Flex Their Sonic Consistency with New EP
Children of Africa
“Children of Africa” Review: Seyi Vibez’s EP Is an Unorthodox Comeback That Works
Afrocritik monthly spotlight valentine
Afrocritik’s Weekly Music Spotlight: Zouk Party
Just When You Thought It Was Over
“Just When You Thought It Was Over” Review: Toye Aru and Derrick UGC Combine Magnificently on Joint Album

VIDEOS

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Books

The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”
Book Review: Why Chibundu Onuzo’s “Welcome to Lagos” Failed to Hit Its Mark
Book Review: In “Colours Of Hatred”, Obinna Udenwe Bridges The Gap Between The Literary And Detective Forms Of Novel Writing
Ten Nigerian Authors Whose Books Should Be Back In Circulation

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry