Ọ̀kànjúwà
Map of Her Shadow
Before The Morning Light

Features & Essays

EV being charged _ Afrocritik
Electric Vehicles (EVs): A Green Solution for Africa or More Environmental and Economic Quandaries?
Umuofia Arts and Books Festival - Afrocritik
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
5g Connectivity - Africa's Journey to 5G and the Wealth of Opportunities It Brings- Afrocritik
New Generation Connectivity: Africa’s Journey to 5G and the Wealth of Opportunities It Brings
African Fashion on Display: Embracing Traditional Attires With a Modern Twist - Afrocritik
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent- Afrocritik
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
LIPFest 2023 - Sanctuary - Afrocritik
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives

Interviews

Chinua Ezenwa-Ohaeto: The Shape of Dreams and Memories
With “Collector of Memories,” Joshua Chizoma is Creating Identities
Dami Ajayi, and the Mission of Creating Unending Voices
From South Sudan to Canada, Amanie Illfated’s Music Charts New Paths
“How I Produced Pheelz’s ‘Finesse’” — Miichkel
“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”

Film & TV

Cordelia
“Cordelia” Review: Tunde Kelani’s Return to Cinemas is an Ambitious but Inconsistent Adaptation
PLS RT
“PLS RT” Review: Ifeanyi Barbara Chidi’s Film Brings Urgency to Nigeria’s Kidnapping Crisis
Zikoko Life
“Zikoko Life” Review: The Unwavering “Female Happiness” Agenda of BluHouse and Big Cabal’s Anthology Series
Marked
“Marked” Review: The South African Netflix Series Is a Devastating Portrait of Moral Desperation
Afolabi Olalekan
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
Catalog
“Catalog” Review: The Egyptian Netflix Series Is Quiet But Speaks Volumes

Music

Flykid
Flykid Provides Danceable Energy On “Pakaleke”
Spotlight
Afrocritik’s Weekly Music Spotlight: Soul Celebration
Tours
The Cultural and Structural Realities Behind Llona and Odumodublvck’s Grassroots Tours
Nigerian song
10 Times Nigerian Songs Made a Surprise Comeback Online
Starsamm, Love Is War
“Love Is War” Review: Starsamm Shows Promise on Debut EP
Spotlight
Afrocritik’s Weekly Music Spotlight: Soulful Tunes
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Ayòbámi Adébáyò’s “A Spell of Good Things” Sheds Light on Inequality in Modern Nigeria
Obinna Udenwe’s “The Widow Who Died with Flowers in her Mouth” Features Explorations of Loneliness and Redemption
An Unlikely Relationship Throbs in the Heart of Cairo in Noor Naga’s “If An Egyptian Cannot Speak English”
Khadija Abdalla Bajaber’s “The House of Rust” is a Story of Myths, Fantasies and Quests
TJ Benson’s Ambitious Debut Novel, “The Madhouse,” Takes Nigerian Literature to New Heights
Tomorrow I Become a Woman
With Aiwanose Odafen’s “Tomorrow I Become a Woman,” The Modern Feminist Nigerian Novel Continues To Mature

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry