MKO
Agbara Nla
Keith Shiri

Features & Essays

Africanfuturism Anthology - Afrocritik
Africanfuturism:  A Literary Plane of Infinite Possibilities for Africa’s Future
Nollywood and the Evolution of the Sacred Feminine - Mami Wata - Afrocritik
Nollywood and the Evolution of the Sacred Feminine
The Power of Protest: When Challenging Bad Governance is Justified
BK Arena - Rwanda - Afrocritik
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem - Afrocritik
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem
Mohbad - Afrocritik
Mohbad: Post-Death Fame, and the Postmodern Reality of the Tortured Artist

Interviews

Biyi Toluwalase film editor in conversation with Afrocritik
Film Editors as Architects of a Film’s Vision and Goal: Biyi Toluwalase, Notable for Editing “Gangs of Lagos” and “Sista,” in Conversation with Afrocritik
Chef Hilda Baci
Interview: Celebrity Chef, Hilda Baci, Reflects On Her Record-Breaking Cooking Marathon and Culinary Career
“I am a Perfect Symbol of Limitlessness”: Ebuka Njoku in Conversation with Afrocritik
Painting a New Way of Seeing Africa: In Conversation with the Filmmakers Who Took “Mami Wata” Global
Reem Gaafar is Blurring the Lines between Science and Creativity: In Conversation with Afrocritik
On Growing Up, Music, New Single And Future Projects: Guchi in Conversation with Afrocritik

Film & TV

Nome
ADIFF 2025: Sana Na N’Hada Examines the Cost of Freedom and the Weight of Memory in “Nome”
The Heart is a Muscle
“The Heart is a Muscle” Review: Imran Hamdulay’s Debut Feature Traces the Wounds We Inherit and the Ones We Try to Heal
Cotton Queen
S16 Film Festival 2025: Suzannah Mirghani Insists on Female Joy and Agency in Powerful Sudanese-Set Feature Debut, “Cotton Queen”
The Banjo Boys
ADIFF 2025: Johan Nayar’s “The Banjo Boys” is a Soul-Stirring Portrait of Music, Faith, and Survival
When Nigeria Happens
“When Nigeria Happens” Review: Young Nigerians Dance Through Dysfunction in Ema Edosio’s Theatrical Contemporary Dance Drama
Jason Jacobs
ADIFF 2025: In Conversation with the Filmmakers of South African Coming-of-Age Drama, “Carissa”

Music

Spotlight
Afrocritik Weekly Music Spotlight: Detour Week
The Summer That Saved Me
“The Summer That Saved Me” Review: Odeal Bottles Newfound Freedom and Clarity on New EP
Victims of Madness 2.0
“Victims of Madness 2.0” Review: Wakadinali Chooses Refinement Over Reinvention
Goodgirl
“Goodgirl” Review: GoodGirl LA Reintroduces Her Vibrant Uniqueness on New EP
Fimí
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music
Spotlight
Afrocritik Weekly Music Spotlight: Second Bridge Week
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Tolu’ A. Akinyemi’s “Black Does Not Equal Inferior” Invokes the Spirit of the Harlem Renaissance | Afrocritik
Tolu’ A. Akinyemi’s “Black Does Not Equal Inferior” Invokes the Spirit of the Harlem Renaissance
Onyeka Nwelue Set to Release a New Book, “The Nigerian Mafia: Johannesburg”
“On the Train to Hell” Review: Throes and Consciousness Helm Tolu A Akinyemi’s Poetry Collection
“Love Grows Stronger in Death” Anthology Explores the Depth of Human Emotions Amidst Mortality
Ayòbámi Adébáyò and Caleb Azumah Nelson Shortlisted for the 2024 Dylan Thomas Prize
Tares Oburumu’s Origin of Syma Species - review - Afrocritik
The Portrayal of Place, Dream, and History in Tares Oburumu’s “Origin of Syma Species”

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry