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MIFF 2026: “Chronicles From the Siege” Is the Film That Says What Politics Has Failed To
“ALKEBULAN III: The Water Remembers” Review: Matt B Rounds Out Album Trilogy With Orchestral Flourish
“Starrgirl” Review: Ayra Starr Cements Star Girl Status with New Album
Features & Essays
What the African Continental Free Trade Area (AfCFTA) Could Mean for Africa’s Creative Industry
FESPACO: An Enduring Role in Promoting African Cinema
Brymo, Macabre, and Reconciling with the Art of Controversial Artists
Further Reflections on “Sóró Sóké”: In Conversation with Oyindamola Shoola
Can “The Experience” Become the Blueprint for Hosting Live Music Events in Nigeria?
Podcast Review: The House of African Feminisms (HoAF) Podcast Navigates Pan-African Feminism Through Language and Time
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Interviews
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
From Marine Biology to Filmmaking: Josh Olaoluwa’s Unlikely Journey into Nollywood
“Why My New EP Took Me Close to a Year to Put Out,” – Rhita Nattah: In Conversation With Afrocritik
Director Diji Aderogba is Telling Conscious Stories with Film and Twitter
Phillip Leteka is on a Mission to Build a Thriving Film Industry in Lesotho
Why “Soundtrack to the Good Life” Album Took Me Six Years to Put Out, Ajebutter22: In Conversation with Afrocritik
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Film & TV
AFRIFF 2025: “Son of the Soil” Stages a Generic and Unconvincing Revenge Tale on the Streets of Lagos
“Osamede” Review: James Omokweʼs Film Shines in Language but Falters in Form
“Finding Optel” Review: A Tender, Uneven Portrait of Ordinary Lives and the Quiet Radicalism of Small Stories
“Gingerrr” Review: Yemi Morafa’s Film Is a More Chaotic, Less Memorable “Sugar Rush”
The Annual Film Mischief (TAFM) 2025: Film Reviews
In “Khartoum”, Five Wandering Souls Display Resilience As A Fragile Nation Unravels
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Music
10 Artistes Leading the Afro-Gospel Sound in 2025
Afrocritik Weekly Music Spotlight: Bridge Week
“Sweet Songs 4 You” Review: Lasmid and Tml Vibez Combine Seamlessly on New Collaborative Album
“Captain” Review: BNXN’s Sophomore Album Is a Steady Voyage Through a Familiar Soundscape
“Lagos Lover Boy” Review: Ric Hassani Crafts a Cohesive Portrait of Urban Romance
Afrocritik Weekly Music Spotlight: Easing In
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VIDEOS
Welcome to our YouTube Channel
Books
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Akwaeke Emezi’s Latest Novel, “Little Rot” Set to Hit Shelves in 2024
Africa’s Most Anticipated Books of 2024
Afrocritik’s 33 Remarkable African Short Stories in 2023
18 Notable Essays From Nigeria in 2023
The Art of Attentiveness: A Review of “Through the Eye of a Needle: Art in a Time of Coronavirus” Essay Collection
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Culture
Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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