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Fela Comes Home: “Afrobeat Rebellion” Opens in Lagos
Undoing the Knots Society Tied in Your Mind
All African Independent Film Festival Announces Winners of 2nd Edition
Features & Essays
Ama Ata Aidoo: 10 Things You May Not Have Known About The Ghanaian Feminist Writer
Much Ado about the Politics of Fuel Subsidy Removal in Nigeria
The Annual AMVCA’s Category Problem: Should TV Productions Be Competing with Films?
Seun Kuti Protests with His Fist and Voice; What Would Fela Have Done Differently?
The Saint We Called Obi: A Nostalgic Glance at the Calm-Faced Nollywood James Bond
Is Nigerian Literature Truly Dying?
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Interviews
Film & TV
“Mvera” Review: Linah Sande’s Talent is the Conspicuous Selling Point of Daudi Anguka’s Film
“A Song from the Dark” Review: Ogo Okpue’s Horror Feature Debut Feels Exactly Like a Debut, and Not a Good One
“The Lions of Buganda” Review: Jerry Sesanga’s Historical Picture Glides at a Glacial Pace Towards Nowhere
Navigating Heartbreak and Closure: Inside MTV Base’s Nigerian Adaptation of the “Ghosted” Reality Show
“Savage Beauty Season 2” Review: Lebogang Mogashoa’s Series Fails to Honour its Important Plots
Nadine Ibrahim Clamps Down the Liberal Voice in “Beyond the Veil” Season 2 for a More Conservative Charge
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Music
Afrocritik’s 2024 Top 100 African Songs
“Recess” Review: Joshua Baraka’s Growth on Full Display in New EP
Black Man Bulala: Examining Odumodublvck’s Verse on “Olufunmi Reimagined”
Afrocritik’s 2024 Top 50 African Music Projects
How Has African Hip-Hop Fared In 2024?
10 Afrobeats Producers and Their Signature Tags
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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