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Joburg Film Festival 2026 Wraps as Award Winners Are Announced
S16 Labs Welcomes Applications For Inaugural Edition
Lyrical Ceremonies: On Poems by Agbaakin, Okigbo, and Umukoro
Features & Essays
Is There a Parallel Between the Skin Bleaching Epidemic and Colourism That is Being Overlooked in Africa?
Beyond the Visual Aesthetics, Film Locations Are a Tool for Storytelling in Nollywood
Pat Nebo, Nollywood’s Veteran Production Designer, Documented Nigeria’s History Through Filmmaking
Nhachi Nwanyị Custom in Igboland: A Relevant Practice or a Stronghold for Patriarchy?
An Ode to Classics: Unearthing the Treasures of Old Nigerian Music
Revisiting Nollywood’s Original Music Score Era: What Soundtracks Reveal About the Progress of Nigeria’s Film Industry
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Interviews
Funkcleff, The Former Choir Boy Who’s Overcome Health Challenges To Launch A Budding Music Career
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23
Film & TV
“The Fire and the Moth” Review: Taiwo Egunjobi Has Grown in Confidence as a Filmmaker
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
2025 AMVCA: How the Stars Lit up the Night With Style
AMVCA 2025: What Are We Really Celebrating?
14 Prolific Writer-Director Collaborations in Nollywood
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Music
Afrocritik’s Weekly Music Spotlight: Chill Vibes
Why Is There a Dearth of Protest Music in Nigeria Today?
“Moonflower” Review: MiDi KwaKwa Explores Romantic Experiences on New EP
It’s 2025 and We Still Don’t Understand Intellectual Property in Kenya
Afrocritik’s Weekly Music Spotlight: Energy Boost
Odumodublvck & the Never-Ending Fight Over What Nigerian Rap Should Be
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VIDEOS
Welcome to our YouTube Channel
Books
A Review of Orode’s “Bring Me Flowers in April”
The Ironies of Patriarchy in Igbo Society: a Review of Cheluchi Onyemelukwe-Onuobia’s “The Son of the House”
In Abi Dare’s “The Girl with the Louding Voice,” Language Plays a Foremost Role in Storytelling
The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”
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Culture
Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
Explainers
Fiction & Poetry
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