Someone Should Hold Farida
African music
Outside The Box

Features & Essays

Umuofia Arts and Books Festival - Afrocritik
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
5g Connectivity - Africa's Journey to 5G and the Wealth of Opportunities It Brings- Afrocritik
New Generation Connectivity: Africa’s Journey to 5G and the Wealth of Opportunities It Brings
African Fashion on Display: Embracing Traditional Attires With a Modern Twist - Afrocritik
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent- Afrocritik
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
LIPFest 2023 - Sanctuary - Afrocritik
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives
Seyi Vibez: From Soulful Solace to Vibrant Vibez - Afrocritik
Seyi Vibez: From Soulful Solace to Vibrant Vibez

Interviews

“I’m here to dominate the Dancehall movement,” King Perryy: In Conversation with Afrocritik
Waje
Transitioning to Gospel Music is Not a Trend: A Conversation with Nigerian Soul Diva, Waje
Chinua Ezenwa-Ohaeto: The Shape of Dreams and Memories
With “Collector of Memories,” Joshua Chizoma is Creating Identities
Dami Ajayi, and the Mission of Creating Unending Voices
From South Sudan to Canada, Amanie Illfated’s Music Charts New Paths

Film & TV

The Serpent’s Gift
“The Serpent’s Gift” Review: Kayode Kasum’s Film Is Undone by Shallow Cultural Detail
Nomad Shadow
TIFF 2025: Eimi Imanishi’s “Nomad Shadow” Deftly Navigates the Intricacies of Exile
Diya
TIFF 2025: Achille Ronaimou’s “Diya” Confronts The Brutal Arithmetic Of Justice And Retribution
Say Who Die
“Say Who Die?” Review: Paul Utomiʼs Film Crumbles Under the Weight of its Own Ambition
NIFS
NIFS Dispatch: 5 Key Takeaways from the 2025 Nigerian International Film Summit
Sin
“Sin: First Blood” and “Sin: Blackout” Review: The Irredeemable Failure of Jim Iyke’s Big-Budget Crime Thriller Wannabe

Music

Spotlight
Afrocritik’s Weekly Music Spotlight: Amapiano Party
This Feels Like An Interlude
“This Feels Like An Interlude” Review: Lady Donli Explores Fragile Love on Inventive EP
Festival
Top 10 African Festivals to Attend This Summer
Spotlight
Afrocritik’s Weekly Music Spotlight: Afrobeats Summer
Thato Ya Modimo
“Thato Ya Modimo” Review: Kelvin Momo Cements His Legacy on Sprawling Album
The Feast
“The Feast” Review: Falz Blends Different Soundscapes Into His Most Varied Project Yet
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Chidiebube onye Okohia’s “Of Dark Tides and Darkling Times” is a Philosophical Exploration of Life
Ayòbámi Adébáyò’s “A Spell of Good Things” Sheds Light on Inequality in Modern Nigeria
Obinna Udenwe’s “The Widow Who Died with Flowers in her Mouth” Features Explorations of Loneliness and Redemption
An Unlikely Relationship Throbs in the Heart of Cairo in Noor Naga’s “If An Egyptian Cannot Speak English”
Khadija Abdalla Bajaber’s “The House of Rust” is a Story of Myths, Fantasies and Quests
TJ Benson’s Ambitious Debut Novel, “The Madhouse,” Takes Nigerian Literature to New Heights

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry