Chronicles from the Siege
ALKEBULAN III: The Water Remembers
Starrgirl

Features & Essays

Popular Acceptance and Social Currency Why Have Certain Political Opinions Prevailed in Nigeria - Afrocritik
Popular Acceptance and Social Currency: Why Have Certain Political Opinions Prevailed in Nigeria?
Icons who Shape Nollywood Behind the Scenes - Afrocritik
Icons of Nollywood: Celebrating the Stars Who Help Shape Nollywood Behind the Scenes
Queen Idia of Benin - Afrocritik
African Art: Discovering the Beauty, Symbolism, and Diversity of Traditional and Contemporary Masterpieces
Oladips
Nigeria’s “Peak Foolery” and Quirky Pop Culture Moments of 2023
Afrocritik's African Books That Should Be Considered Modern Classics
Examining Africa’s Literary Masterpieces: African Books That Should Be Considered Modern Classics
Nollywood’s Global Impact How Nigerian Films Are Captivating Audiences Worldwide - Afrocritik
Nollywood’s Global Impact: How Nigerian Films are Captivating Audiences Worldwide

Interviews

“I’m here to dominate the Dancehall movement,” King Perryy: In Conversation with Afrocritik
Waje
Transitioning to Gospel Music is Not a Trend: A Conversation with Nigerian Soul Diva, Waje
Chinua Ezenwa-Ohaeto: The Shape of Dreams and Memories
With “Collector of Memories,” Joshua Chizoma is Creating Identities
Dami Ajayi, and the Mission of Creating Unending Voices
From South Sudan to Canada, Amanie Illfated’s Music Charts New Paths

Film & TV

Thinline
“Thinline” Review: Nollywood’s Dangerous Blind Spot on Male Sexual Assault and the Illusion of Morality
Vincho Nchogu
BFI London Film Festival 2025: In Conversation With Vincho Nchogu and Josh Olaoluwa, Director and Producer of “One Woman One Bra”
Nollywood
Nollywood and Its Complicated Relationship with the Oscars
Wale Davies
“Creators Have Been Blessed With An Opportunity To Start Conversations”: Wale Davies on Writing “My Father’s Shadow”
animation
Animating Africa: Inside the Rise and Realities of African Animation
Dark Skin Bruises Differently
BFI London Film Festival 2025: Susan Wokoma Interrogates British Educational System In Incisive Directorial Debut, “Dark Skin Bruises Differently”

Music

Prince of the Street
“The Prince of the Street” Review: Ayo Maff’s Strongly Themed Debut Still Needs More Range to Soar
GE3
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose
Spotlight
Afrocritik Weekly Music Spotlight: Subtle Twists
Loud Urban Choir
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
Talk Olympics
[Opinion] At the Risk of Talking Rubbish: Obongjayar Is Keeping up the “Talk Olympics”
Amelia Songs
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Obaluaye by Jide Badmus - Afrocritik
Jide Badmus’ “Obaluaye” Is a Paradox of Chaos and Harmony
Sola Osofisan’s “The Simple Joys of Her Final Days” Presents Wry Portraits of Nigerian Life at Home and Abroad
Abubakar Adam Ibrahim’s “When We Were Fireflies” Examines the Primal Questions of Life and the Afterlife
”God’s Children Are Little Broken Things” Review: Arinze Ifeakandu’s Book Reveals the Silent Resilience of Queer Love in Nigeria
Emmanuel Iduma’s “I am Still With You” Contemplates War, Loss, and the Burden of Memory
Tunde Ososanya’s “Lagos, Life and Sexual Distraction” Captures Scenes of Tragedy and Sensuality

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry