Love is a Machinery
democracy

Features & Essays

African Fashion on Display: Embracing Traditional Attires With a Modern Twist - Afrocritik
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent- Afrocritik
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
LIPFest 2023 - Sanctuary - Afrocritik
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives
Seyi Vibez: From Soulful Solace to Vibrant Vibez - Afrocritik
Seyi Vibez: From Soulful Solace to Vibrant Vibez
Ten of the Best Kenyan Hip-Hop Cyphers of All Time - Afrocritik
Celebrating Hip-Hop At 50: Ten of the Best Kenyan Cyphers of All Time
Nneoha Ann Aligwe - Africa International Horror Film Festival- Afrocritik
Nneoha Ann Aligwe is Reviving the Horror Film Genre with the Africa International Horror Film Festival (AIHFF): In Conversation with Afrocritik

Interviews

Blackstar Film Festival: “We Wanted To Tell A Story About Nigeria” – Arie And Chuko Esiri, Directors Of “Eyimofe”
Meet Monseeka, The Former Beauty Queen Who Is Slowly Lighting Up Nigeria’s Alternative Music Scene
Funkcleff, The Former Choir Boy Who’s Overcome Health Challenges To Launch A Budding Music Career

Film & TV

Zikoko Life
“Zikoko Life” Review: The Unwavering “Female Happiness” Agenda of BluHouse and Big Cabal’s Anthology Series
Marked
“Marked” Review: The South African Netflix Series Is a Devastating Portrait of Moral Desperation
Afolabi Olalekan
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
Catalog
“Catalog” Review: The Egyptian Netflix Series Is Quiet But Speaks Volumes
To Kill a Monkey
“To Kill a Monkey” Review: Kemi Adetiba’s Exciting Crime Thriller Series Is a Lesson in How Not to Tell a Story
The Lost Days
“The Lost Days” Review: Wingonia Ikpi’s First Feature Starts Strong but Crashes Halfway into the Journey

Music

Uncle K: Lemon Chase
“Uncle K: Lemon Chase” Review: Kizz Daniel’s EP Is Refreshingly Potent
Flykid
Flykid Provides Danceable Energy On “Pakaleke”
Spotlight
Afrocritik’s Weekly Music Spotlight: Soul Celebration
Tours
The Cultural and Structural Realities Behind Llona and Odumodublvck’s Grassroots Tours
Nigerian song
10 Times Nigerian Songs Made a Surprise Comeback Online
Starsamm, Love Is War
“Love Is War” Review: Starsamm Shows Promise on Debut EP
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Khadija Abdalla Bajaber’s “The House of Rust” is a Story of Myths, Fantasies and Quests
TJ Benson’s Ambitious Debut Novel, “The Madhouse,” Takes Nigerian Literature to New Heights
Tomorrow I Become a Woman
With Aiwanose Odafen’s “Tomorrow I Become a Woman,” The Modern Feminist Nigerian Novel Continues To Mature
Nnamdi Ehirim, Prince of Monkeys, Nigerian writers, African writers, African novel, Nigerian novel, Afrocritik
Nnamdi Ehirim’s “Prince of Monkeys” Captures the Trauma of a Generation
Hell Hath No Fury Like a Poet Scorned: A Review of Dami Ajayi’s “Affection and other Accidents”
What is Yet Unsaid about Eloghosa Osunde and Her Novel, “Vagabonds!”

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry