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What Exactly Is Happening to Nigerian Men’s Football?
BFI London Film Festival 2025: Susan Wokoma Interrogates British Educational System In Incisive Directorial Debut, “Dark Skin Bruises Differently”
“Katanga: The Dance of the Scorpions” Leads 2025 AMAA Nominations + Full List of Nominees
Features & Essays
The Legend of Power Mike: What Can Truly Be Known about Nigeria’s Famous Wrestler of the 20th Century?
Could AI Music Be the New Normal?
Has the “Great Nigerian Novel” Been Written?
From Amaka Igwe to Jade Osiberu, Nollywood Female Filmmakers Are the New King of Boys
Ranking Davido’s Albums through the Course of his Career
Forbes 30 under-30: True Cases of Young Achievers, or Simply “Brother Bernards?”
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Interviews
Film & TV
Mapping Queer African Cinema: How Censorship Still Hinders Queer Representation in the African Mainstream Media
“Shina” Review: A Promising Story Undermined by Narrative Shortcomings
Anticipated Film Releases Coming Your Way This Season
Courage Obayuwana: A Versatile Talent Who is Mastering Filmmaking With His Debut Directorial Feature, “Kill Boro”
“A Father’s Love” Review: Sebastian Ukwa Directs a Poignant Story With Subtlety and Nuance
Judging a Film By Its Cover: How Nollywood Film Posters Spark Audience Interest
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Music
Basketmouth Displays Mastery On “A Ghetto Love Story” Soundtrack Album
What Music and Dance Trended in Francophone Africa in 2024?
“A Journey of Love” Review: Gemma Ofili’s Project Navigates Love and Healing
Opinion: We Have Taken Afrobeats to the World, and Now They Are Taking It From Us
The Resonance of Locality in Afro-Pop’s Global Rise
“Hard Guy Confessions” Review: Johnny Drille and Don Jazzy Unmask the Vulnerabilities of Love
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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