Someone Should Hold Farida
African music
Outside The Box

Features & Essays

Ten of the Best Kenyan Hip-Hop Cyphers of All Time - Afrocritik
Celebrating Hip-Hop At 50: Ten of the Best Kenyan Cyphers of All Time
Nneoha Ann Aligwe - Africa International Horror Film Festival- Afrocritik
Nneoha Ann Aligwe is Reviving the Horror Film Genre with the Africa International Horror Film Festival (AIHFF): In Conversation with Afrocritik
Africa’s Gaming Industry Has Come a Long Way Since Its Early Stages, but Grassroot Development is Still Needed - Afrocritik
Unveiling Africa’s Gaming Boom: How Grassroot Development May Impact the Gaming Industry
femi.the.god - Afrocritik
Painting a Picture of the Future: The Social Consciousness Behind the Art of Femi.the.god
Race to the Oscars 2024: A Look at the African Stories Vying for Best International Feature Film
African Audio Chronicles 30 Must-Listen African Podcasts - Afrocritik
African Audio Chronicles: 30 Must-Listen African Podcasts

Interviews

“How I Produced Pheelz’s ‘Finesse’” — Miichkel
“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”
Blackstar Film Festival: “We Wanted To Tell A Story About Nigeria” – Arie And Chuko Esiri, Directors Of “Eyimofe”
Meet Monseeka, The Former Beauty Queen Who Is Slowly Lighting Up Nigeria’s Alternative Music Scene
Funkcleff, The Former Choir Boy Who’s Overcome Health Challenges To Launch A Budding Music Career

Film & TV

Marketing
Noise or Attention: What Really Sells Nollywood Films?
Out in the Darkness
“Out in the Darkness” Review: Sarah Kwaji’s Film Feebly Explores Postpartum Health
Devil is a Liar
“Devil is a Liar” Review: Moses Inwangʼs Film Lies About the Story It Is Telling
Finding Nina
“Finding Nina” Review: Nemsia Studios Makes a Soulless Pitch for Positive Portrayals of Northern Nigeria
Cordelia
“Cordelia” Review: Tunde Kelani’s Return to Cinemas is an Ambitious but Inconsistent Adaptation
PLS RT
“PLS RT” Review: Ifeanyi Barbara Chidi’s Film Brings Urgency to Nigeria’s Kidnapping Crisis

Music

Uncle K: Lemon Chase
“Uncle K: Lemon Chase” Review: Kizz Daniel’s EP Is Refreshingly Potent
Flykid
Flykid Provides Danceable Energy On “Pakaleke”
Spotlight
Afrocritik’s Weekly Music Spotlight: Soul Celebration
Tours
The Cultural and Structural Realities Behind Llona and Odumodublvck’s Grassroots Tours
Nigerian song
10 Times Nigerian Songs Made a Surprise Comeback Online
Starsamm, Love Is War
“Love Is War” Review: Starsamm Shows Promise on Debut EP
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Tomorrow I Become a Woman
With Aiwanose Odafen’s “Tomorrow I Become a Woman,” The Modern Feminist Nigerian Novel Continues To Mature
Nnamdi Ehirim, Prince of Monkeys, Nigerian writers, African writers, African novel, Nigerian novel, Afrocritik
Nnamdi Ehirim’s “Prince of Monkeys” Captures the Trauma of a Generation
Hell Hath No Fury Like a Poet Scorned: A Review of Dami Ajayi’s “Affection and other Accidents”
What is Yet Unsaid about Eloghosa Osunde and Her Novel, “Vagabonds!”
The Orientations of the Street in Jindu Enugbe’s “Street OT”
Jennifer Makumbi’s “A Girl is a Body of Water” is a New Height for the African Coming-of-Age Novel

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry