Nollywood
FIFA Forward Enterprise
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Features & Essays

African Fashion on Display: Embracing Traditional Attires With a Modern Twist - Afrocritik
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent- Afrocritik
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
LIPFest 2023 - Sanctuary - Afrocritik
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives
Seyi Vibez: From Soulful Solace to Vibrant Vibez - Afrocritik
Seyi Vibez: From Soulful Solace to Vibrant Vibez
Ten of the Best Kenyan Hip-Hop Cyphers of All Time - Afrocritik
Celebrating Hip-Hop At 50: Ten of the Best Kenyan Cyphers of All Time
Nneoha Ann Aligwe - Africa International Horror Film Festival- Afrocritik
Nneoha Ann Aligwe is Reviving the Horror Film Genre with the Africa International Horror Film Festival (AIHFF): In Conversation with Afrocritik

Interviews

“How I Produced Pheelz’s ‘Finesse’” — Miichkel
“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”
Blackstar Film Festival: “We Wanted To Tell A Story About Nigeria” – Arie And Chuko Esiri, Directors Of “Eyimofe”
Meet Monseeka, The Former Beauty Queen Who Is Slowly Lighting Up Nigeria’s Alternative Music Scene
Funkcleff, The Former Choir Boy Who’s Overcome Health Challenges To Launch A Budding Music Career

Film & TV

The Serpent’s Gift
“The Serpent’s Gift” Review: Kayode Kasum’s Film Is Undone by Shallow Cultural Detail
Nomad Shadow
TIFF 2025: Eimi Imanishi’s “Nomad Shadow” Deftly Navigates the Intricacies of Exile
Diya
TIFF 2025: Achille Ronaimou’s “Diya” Confronts The Brutal Arithmetic Of Justice And Retribution
Say Who Die
“Say Who Die?” Review: Paul Utomiʼs Film Crumbles Under the Weight of its Own Ambition
NIFS
NIFS Dispatch: 5 Key Takeaways from the 2025 Nigerian International Film Summit
Sin
“Sin: First Blood” and “Sin: Blackout” Review: The Irredeemable Failure of Jim Iyke’s Big-Budget Crime Thriller Wannabe

Music

Blinky Bill
Blinky Bill: East Africa’s Quiet Radical
Workaholic
“Workaholic” Review: Xbusta Flaunts His Artistic Strengths on New EP
Starters
“Starters” Review: Ice Prince and Chopstix’s Joint EP Leans On Legacy With Mixed Results
Spotlight
Afrocritik’s Weekly Music Spotlight: Amapiano Party
This Feels Like An Interlude
“This Feels Like An Interlude” Review: Lady Donli Explores Fragile Love on Inventive EP
Festival
Top 10 African Festivals to Attend This Summer
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

An Unlikely Relationship Throbs in the Heart of Cairo in Noor Naga’s “If An Egyptian Cannot Speak English”
Khadija Abdalla Bajaber’s “The House of Rust” is a Story of Myths, Fantasies and Quests
TJ Benson’s Ambitious Debut Novel, “The Madhouse,” Takes Nigerian Literature to New Heights
Tomorrow I Become a Woman
With Aiwanose Odafen’s “Tomorrow I Become a Woman,” The Modern Feminist Nigerian Novel Continues To Mature
Nnamdi Ehirim, Prince of Monkeys, Nigerian writers, African writers, African novel, Nigerian novel, Afrocritik
Nnamdi Ehirim’s “Prince of Monkeys” Captures the Trauma of a Generation
Hell Hath No Fury Like a Poet Scorned: A Review of Dami Ajayi’s “Affection and other Accidents”

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry