Chronicles from the Siege
ALKEBULAN III: The Water Remembers
Starrgirl

Features & Essays

OkadaBooks closes down - Afrcoritik
The “Crash” of OkadaBooks is a Call for Nigeria to Reflect on the State of Its Art Communities
Afrobeats
Six Sub-Genres Expanding the Diversity of Afrobeats
EV being charged _ Afrocritik
Electric Vehicles (EVs): A Green Solution for Africa or More Environmental and Economic Quandaries?
Umuofia Arts and Books Festival - Afrocritik
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
5g Connectivity - Africa's Journey to 5G and the Wealth of Opportunities It Brings- Afrocritik
New Generation Connectivity: Africa’s Journey to 5G and the Wealth of Opportunities It Brings
African Fashion on Display: Embracing Traditional Attires With a Modern Twist - Afrocritik
African Fashion on Display: Embracing Traditional Attires With a Modern Twist

Interviews

“How I Produced Pheelz’s ‘Finesse’” — Miichkel
“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”
Blackstar Film Festival: “We Wanted To Tell A Story About Nigeria” – Arie And Chuko Esiri, Directors Of “Eyimofe”
Meet Monseeka, The Former Beauty Queen Who Is Slowly Lighting Up Nigeria’s Alternative Music Scene
Funkcleff, The Former Choir Boy Who’s Overcome Health Challenges To Launch A Budding Music Career

Film & TV

Nollywood
25 Nollywood Films That Explore Nationhood, Independence, and Self-Discovery
My Father’s Shadow
“My Father’s Shadow” Review: Akinola Davies Jr.’s Intimate Tribute to Fatherhood, a Nation in Distress, and Its Biggest City
Nollywood
30 Nollywood Films That Explore African Spirituality and Tradition
Omotola Jalade Ekeinde
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”
Nomad Shadow
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
This Is Not a Burial, It’s a Resurrection
“This Is Not a Burial, It’s a Resurrection” Review: Lemohang Jeremiah Mosese Crafts a Poetic Resistance

Music

Spotlight
Afrocritik Weekly Music Spotlight: Fresh Sounds
Next Gen
“Next Gen” Review: Oskido Platforms Fresh Talents on New Album
Still The Mayor
“Still The Mayor” Review: Mayorkun’s Third Album Is a Reaffirmation of His Pop Status
CKay The Second
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP
Blinky Bill
Blinky Bill: East Africa’s Quiet Radical
Workaholic
“Workaholic” Review: Xbusta Flaunts His Artistic Strengths on New EP
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Chidiebube onye Okohia’s “Of Dark Tides and Darkling Times” is a Philosophical Exploration of Life
Ayòbámi Adébáyò’s “A Spell of Good Things” Sheds Light on Inequality in Modern Nigeria
Obinna Udenwe’s “The Widow Who Died with Flowers in her Mouth” Features Explorations of Loneliness and Redemption
An Unlikely Relationship Throbs in the Heart of Cairo in Noor Naga’s “If An Egyptian Cannot Speak English”
Khadija Abdalla Bajaber’s “The House of Rust” is a Story of Myths, Fantasies and Quests
TJ Benson’s Ambitious Debut Novel, “The Madhouse,” Takes Nigerian Literature to New Heights

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry