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Features & Essays

Icons who Shape Nollywood Behind the Scenes - Afrocritik
Icons of Nollywood: Celebrating the Stars Who Help Shape Nollywood Behind the Scenes
Queen Idia of Benin - Afrocritik
African Art: Discovering the Beauty, Symbolism, and Diversity of Traditional and Contemporary Masterpieces
Oladips
Nigeria’s “Peak Foolery” and Quirky Pop Culture Moments of 2023
Afrocritik's African Books That Should Be Considered Modern Classics
Examining Africa’s Literary Masterpieces: African Books That Should Be Considered Modern Classics
Nollywood’s Global Impact How Nigerian Films Are Captivating Audiences Worldwide - Afrocritik
Nollywood’s Global Impact: How Nigerian Films are Captivating Audiences Worldwide
OkadaBooks closes down - Afrcoritik
The “Crash” of OkadaBooks is a Call for Nigeria to Reflect on the State of Its Art Communities

Interviews

Dami Ajayi, and the Mission of Creating Unending Voices
From South Sudan to Canada, Amanie Illfated’s Music Charts New Paths
“How I Produced Pheelz’s ‘Finesse’” — Miichkel
“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”
Blackstar Film Festival: “We Wanted To Tell A Story About Nigeria” – Arie And Chuko Esiri, Directors Of “Eyimofe”
Meet Monseeka, The Former Beauty Queen Who Is Slowly Lighting Up Nigeria’s Alternative Music Scene

Film & TV

Gingerrr
“Gingerrr” Review: Yemi Morafa’s Film Is a More Chaotic, Less Memorable “Sugar Rush”
The Annual Film Mischief 2025
The Annual Film Mischief (TAFM) 2025: Film Reviews
Khartoum
In “Khartoum”, Five Wandering Souls Display Resilience As A Fragile Nation Unravels
Thinline
“Thinline” Review: Nollywood’s Dangerous Blind Spot on Male Sexual Assault and the Illusion of Morality
Vincho Nchogu
BFI London Film Festival 2025: In Conversation With Vincho Nchogu and Josh Olaoluwa, Director and Producer of “One Woman One Bra”
Nollywood
Nollywood and Its Complicated Relationship with the Oscars

Music

GE3
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose
Spotlight
Afrocritik Weekly Music Spotlight: Subtle Twists
Loud Urban Choir
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
Talk Olympics
[Opinion] At the Risk of Talking Rubbish: Obongjayar Is Keeping up the “Talk Olympics”
Amelia Songs
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Spotlight
Afrocritik Weekly Music Spotlight: Fresh Sounds
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

18 Notable Essays From Nigeria in 2023
The Art of Attentiveness: A Review of “Through the Eye of a Needle: Art in a Time of Coronavirus” Essay Collection
The Art of Attentiveness: A Review of “Through the Eye of a Needle: Art in a Time of Coronavirus” Essay Collection
Obaluaye by Jide Badmus - Afrocritik
Jide Badmus’ “Obaluaye” Is a Paradox of Chaos and Harmony
Sola Osofisan’s “The Simple Joys of Her Final Days” Presents Wry Portraits of Nigerian Life at Home and Abroad
Abubakar Adam Ibrahim’s “When We Were Fireflies” Examines the Primal Questions of Life and the Afterlife
”God’s Children Are Little Broken Things” Review: Arinze Ifeakandu’s Book Reveals the Silent Resilience of Queer Love in Nigeria

Culture

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry