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“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality
“My Mother Is a Witch” Review: Niyi Akinmolayan Explores Intergenerational Trauma in Provocative Drama
The Legend of Area Scatter: Enigmatic Musician or Misunderstood Individual?
Features & Essays
Where Are the African Nonfiction Prizes?
Why You Dress the Way You Do: Is There a Link Between Fashion and Identities?
The Story, Politics, Reactions Trailing Nigerian ‘Professor’ Onyeka Nwelue
What is Humanity’s Fuss about Strongmen?
These 5 Nigerian Skit Makers are Blurring the Lines between Comedy & Music
Are African Literary Magazines Moving in the Right Direction?
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Film & TV
Curtain Call for Mr Ibu: A Veteran Actor Who Created a World Full of Cheer
Kunle Afolayan’s “Aníkúlápó: Rise of the Spectre” is a Wobbling Cinematic Outing
“A Green Fever” Review: Taiwo Egunjobi’s Historical Suspense Thriller is Incoherent and Corny, Yet Commendable
“One Too Many” Review: “Sorrows, Sorrows, Prayers” for the Listless Moments in the Kayode Kasum-Directed Film
“It Blooms in June” Review: Korede Azeez’s Coming-of-Age Movie Needs to Come of Age
“Daydreamers” Review: Vincenzo Cavallo’s Film Explores the Dreams and Aspirations of Eastleigh’s Somali Immigrants
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Music
Tiwa Savage’s Soundtrack Project, “Water & Garri”, is a Nod to Her Musical Prowess
In Conversation: Aisosa is Nigeria’s Newest Lover Boy and R&B Champion
“Therapy” Review: Jay Melody Taps Into Bongo Flava’s RnB Influences And Excels In His Debut Album
“R2 Sept 12” Review: Bella Shmurda Navigates Loss and Resilience on His Latest Project
“Nyumbani” Review: Ally Fresh and Mura K.E Curate a Distinct Kenyan Musical Identity with New EP
Opinion: The Rising Rap Scene in the East and What the Rappers Are Getting Wrong
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2025 AMVCA: How the Stars Lit up the Night With Style
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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10 African Fashion Events to Watch Out for in 2025
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