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MIFF 2026: “Chronicles From the Siege” Is the Film That Says What Politics Has Failed To
“ALKEBULAN III: The Water Remembers” Review: Matt B Rounds Out Album Trilogy With Orchestral Flourish
“Starrgirl” Review: Ayra Starr Cements Star Girl Status with New Album
Features & Essays
Tems’ BET Win is a Glimpse into the Future of African Music, and African Women in Music
Is the New Wave of the Corset Changing the Way Women View Their Bodies?
Reconciling the Loss of the Mother Tongue, and Learning to Speak It Again
TikTok Is Bringing Down Obstacles to Music Promotion; But It Is Also Creating New Ones
Why Nigerian Parents Hate Headphones
Are African Wives Doing Away with the Sacrocancy in Domestic Cooking?
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Film & TV
“Momiwa” Review: Family is Redefined in the Biodun Stephen-Directed Drama
“Postcards” Review: Hamisha Daryani Ahuja’s Series Stacks the Pile of Poorly-Contrived Nollywood Productions
Why We Need New Names in Nollywood
“Strained” Review: Okechukwu Oku’s Film is Simple Yet Sophisticated
“Face to Face” Review: Waleed El Halfawy’s Film is Involuntarily Funny, and There Lies Its Charm
“Soweto Blaze” Review: Brad Katzen’s Film Fizzles in Its Slapstick Attempt
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Music
Tiwa Savage’s Soundtrack Project, “Water & Garri”, is a Nod to Her Musical Prowess
In Conversation: Aisosa is Nigeria’s Newest Lover Boy and R&B Champion
“Therapy” Review: Jay Melody Taps Into Bongo Flava’s RnB Influences And Excels In His Debut Album
“R2 Sept 12” Review: Bella Shmurda Navigates Loss and Resilience on His Latest Project
“Nyumbani” Review: Ally Fresh and Mura K.E Curate a Distinct Kenyan Musical Identity with New EP
Opinion: The Rising Rap Scene in the East and What the Rappers Are Getting Wrong
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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