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Book O’Clock to Host Global Webinar on African Children’s Literature
“The Mind Is Not An Ally” Review: Ayo Deforge Philosophises About The Mind In Her Poetry Collection
Rising Afrobeats Act, Taene, Set to Release Debut EP, “See You at the Top”
Features & Essays
Is the Nigerian Feminist Wokeness Asleep?
How Relevant to Christmas is December the 25th?
Bullying in Schools; Why Cases Are Largely Unreported in Private Secondary Schools
Unpacking my Black African Identity: Do All Africans Fit in Africa?
Opinion: What, Truly, is the African Story?
10 Perfect Spots to Visit in Africa This Christmas
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Interviews
Film & TV
“Blood Sisters” Review: Netflix’s First Nigerian Original Series is EbonyLife’s Dramatic Comeback
“Silverton Siege” Review: Is this Film about the Silverton Trio? Not Really
Now That “The Real Housewives of Lagos” Has Brought You to Showmax, Here Are Other African Shows on It to See
“The Man of God” Review: Austen-Peters’ Latest Netflix Release Struggles Against Itself to be Great
“Lady Buckit and the Motley Mopsters” Review: Nigeria’s First Feature-Length Animation Comes to Netflix
“King of Thieves” Review: Femi Adebayo’s Epic Sets a New Standard for Nollywood
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Music
“Solace” Review: Uncle Waffles Shows Off Her Brilliancy on Her Amapiano-Pivoted EP
“The African Serenades” Review: Echezonachukwu Nduka Sets the Pace For African Art Music
“THREEE” Review: KLY’s Album Reflects on Love, Lust, and Internal Conflicts
“Rush” Review: Hamzaa Explores Vulnerability in Her New EP
“Africa Unite” Review: Reggae Meets Afrobeats on Bob Marley’s Reimagined LP
The Sarz Academy Garners an “A” for Effort on “Memories That Last Forever 2”
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2025 AMVCA: How the Stars Lit up the Night With Style
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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10 African Fashion Events to Watch Out for in 2025
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