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MIFF 2026: “Chronicles From the Siege” Is the Film That Says What Politics Has Failed To
“ALKEBULAN III: The Water Remembers” Review: Matt B Rounds Out Album Trilogy With Orchestral Flourish
“Starrgirl” Review: Ayra Starr Cements Star Girl Status with New Album
Features & Essays
Podcasting for Africans, and How to Get Started
How the Igbos See “Dada” Children, and the Place of “Umu Dada” in Igbo Cosmology
Vaillante: The Cast of UNICEF’S Miniseries Want Child Marriage Survivors to Feel Seen
From Writing Corporate Briefs to Creating Soulful Melodies, Cill Soul Is on the Rise, Taking Strides, One Leap at a Time
Stranded in Ukraine: Why Nigeria Cannot Demand Fealty From Nigerians
Tips to Overcoming Postpartum Depression
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Film & TV
“The Counsellor” Review: Muyiwa Aluko’s Rom-Com Has Too Many Bullet Points and No Jokes
“Orisa” Review: Odunlade Adekola’s Historical Picture Eschews Realism for Theatrics But Doesn’t Quite Stick the Landing
“Dinner” Review: Jay Franklyn Jituboh’s Romantic Thriller Misreads Its Premise of Feminine Infidelity
“Soon Comes Night” Review: In This South African Crime Drama, There Are No Heroes
2024 Pan African Film & Arts Festival (PAFF) Kicks Off on Feb 6
The Nollywood Mystery Thriller: Sometimes It’s Elementary, and Sometimes There’s None
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Music
Grammy-nominated Artiste, Matt B, Releases New Music Video for “Shining”
The Continuing Rise and Influence of East African Drill Music and Culture
“Drop 7” Is Little Simz’s Experimental Self-Coronation
Afrocritik Weekly Music Spotlight 2024: Week 5
“This Is Me (Live)” Review: Frida Amani Presents a Resounding Bongo Rap EP
Logos Olori’s Enjoyable Self-Titled Debut EP is Undercut by Bland Lyricism and Delivery
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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