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Filmmaker Chukwudi Nwachukwu Announces Short Documentary “A Sunday Tragedy”
Onyinye Odokoro to Star in “Adanne”, an Intergenerational Drama from Melon House
20.35 Africa Opens Call for Submissions to Volume Nine of Contemporary Poetry Anthology
Features & Essays
A Guide To Essential Items For Your Hospital Bag
Is “Holy Flogging” Now a Proper Christian Thing?
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Animal Rights in Nigeria are Undervalued
A Mother’s Guide to Cheaper and Healthier Baby Meals
Deeper Life Bible Church: is the Church taking a 360?
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Film & TV
“Justice Served” Review: A Broken System Is Put on Trial in Another Entertaining Netflix Hostage Drama
8 Nigerian Movies and TV Shows Coming Soon to Your Screens
“Country Queen” Review: Kenya’s First Netflix Original Series Is Potent but Drab
“The Blood Covenant” Review: A Familiar but Interesting Anti-Money Ritual Film
“Prophetess” Review: Niyi Akinmolayan Dares to Merge Religion and Farce
“Jewel” Review: A Quiet Reminder of the Continuing Impacts of South Africa’s Sharpeville Massacre
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Music
Amaarae Flexes Her Range on “Fountain Baby” LP
Guchi Displays Full Romantic Side in New Two-Pack Single
Mannywellz Cruises Along Comfortably on Solid “Don’t Tell Anyone” EP
Nonso Amadi’s Colourful Artistry Is Displayed Fully on “When It Blooms” LP
Joeboy Delivers More of the Familiar on “Body & Soul” LP
Wande Coal Shores Up Legacy on “Legend Or No Legend” Album
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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