Adedamola Jones Adedayo

The Secret Lives of Baba Segi’s Wives
BFI London 2026: In Conversation With the Director and Cast of “The Secret Lives of Baba Segi’s Wives”

“I hope audiences will begin to expect this kind of balance from Nigerian films, where…

Efosa Osaghae
HollyShorts Film Festival 2026: In Conversation with British-Nigerian Filmmaker Efosa Osaghae, Director of “Phantom Carousel”

“I think most people, if pushed, will do something questionable for a greater good, or…

MKO
“MKO” Documentary Review: An Admissible Portrait of A Democratic Hero

MKO presents an overwhelmingly positive image of Abiola, treating him not just as a political…

Jason Jacobs
BFI London 2026: In Conversation with Jason Jacobs and Devon Delmar on Community, Memory, and Telling Unseen Stories in “Variations on a Theme”

“The film’s inspiration came from conversations that we had with my grandmother, Hettie. One thing…

Nora Awolowo
In Conversation with Nora Awolowo and Damilola Osikoya on Setting a Guinness World Record with “Black Market” Screening

“We didn’t have that kind of infrastructure readily available. We basically had people who believed…

The Man Died
“The Man Died” Review: A Welcome Cinematic Contextualisation of Wole Soyinka’s Prison Memoir

As an adaptation, The Man Died works because it appropriately combines references and contexts from…

Woman Land
HollyShorts Film Festival 2026: “Woman Land” and “The Unnamed” Reflect on Female Identity and Vulnerability

Woman Land and The Unnamed films focus on women as central figures in their own…

Alechenu
“Alechenu” Review: A Potent Social Commentary Undone by Its Untapped Narrative Potential

Alechenu does well in its pursuit of social relevance, but the narrative is dampened by…

Nollywood
How Contemporary Nollywood Uses Humour to Both Expose and Excuse the Politics of Marriage

Nollywood is mostly at its best when it deploys humour to laugh at retrograde values…