Adedamola Jones Adedayo
The AMVCAs have a long and well-documented habit of rewarding visibility over rigour. Films that…
In Kenya, where press freedom is delicate, often contingent on political and economic conditions, the…
“The frightening thing is that it becomes very easy to crush a flea or to…
As it stands, the Ghanaian government has not made clear how it intends to distribute…
“Anyone can make a film if they can afford it and cover the finances. It’s…
“[This film] is about a chapter of Nigerian immigration history that is incredibly underexplored and…
African filmmakers are no longer waiting for permission or validation from foreign gatekeepers; they’re building…
What happens with Afolayan’s quest in Aníkúlápó: The Ghoul Awakens is the pathetic compartmentalisation of…
In the freestyle rap titled “No Big Deal,” Nasty C claims that Sarkodie had snubbed…
