Adedamola Jones Adedayo

KFCB
KFCB’s Notice and The Problem With The Film and Stage Plays Act

In Kenya, where press freedom is delicate, often contingent on political and economic conditions, the…

Jordy Sank
Joburg Film Festival 2026: Jordy Sank Reflects on Xenophobia, Social Justice, and Stylistic Choices In “Amazeze (Fleas)”

“The frightening thing is that it becomes very easy to crush a flea or to…

ghanaian film industry
Can GH¢20 Million Government Fund Transform The Ghanaian Film Industry?

As it stands, the Ghanaian government has not made clear how it intends to distribute…

Moges Ababu Belachew
Joburg Film Festival 2026: Moges Ababu Belachew Talks “Mother Country” and Ethiopia’s Fragile Socio-Political Landscape

“Anyone can make a film if they can afford it and cover the finances. It’s…

Praise Odigie Paige
In Conversation: Praise Odigie Paige Reflects on Migration, Memory and Artistic Trajectory in “Birdie”

“[This film] is about a chapter of Nigerian immigration history that is incredibly underexplored and…

African film industry
What Trends Will Drive Africa’s Film Industry in 2026?

African filmmakers are no longer waiting for permission or validation from foreign gatekeepers; they’re building…

The Ghoul Awakens
“Aníkúlápó: The Ghoul Awakens” Pursues Adventure At The Expense of Cohesion

What happens with Afolayan’s quest in Aníkúlápó: The Ghoul Awakens is the pathetic compartmentalisation of…

Is There Truly ‘No Big Deal’ in the Sarkodie-Nasty C Feud?

In the freestyle rap titled “No Big Deal,” Nasty C claims that Sarkodie had snubbed…