Joseph Jonathan
ADIFF 2025: Johan Nayar’s “The Banjo Boys” is a Soul-Stirring Portrait of Music, Faith, and Survival
The Banjo Boys is unforgettable; a film that deserves not only acclaim but a place…
At a time when Zimbabwean cinema is hungry for global visibility, Rise does more than…
What united these films, across countries and sensibilities, was their insistence that the intimate is…
As we gear up for the holiday season, African screens are set to come alive…
Afrikki forces us to confront the uncomfortable truth that Africa’s protest movements often spring from…
Water Girl succeeds because it understands the universal through the culturally specific. It is a…
Bad Influencer is about the fragile architecture of aspiration in a world where everyone is…
Three films — from Nigeria, Uganda, and Egypt — stood out for their attempts to…
Radia is a film that dissects the ordinary to reveal the extraordinary pain and possibilities…
Double or Nothing feels tonally inconsistent, unsure whether to lean into satire, tragedy, or domestic…
