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“One Gidi Night” Review: A Thriller That Finds Its Rhythm Only to Lose It
The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”
Features & Essays
Igbobinna Eze: An Artist Staying True to His Spirit
In the Place Between Sleep and Awake
Afrocritik’s 50 Notable Essays from Africa in 2024
The Evolving Role of Streaming Platforms in Global Culture
Does Nollywood Have Too Many Speaking Events?
What Music and Dance Trended in Francophone Africa in 2024?
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Interviews
DhannyJazz The Saxifier and The Beauty of Instrumental in Music
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage
Moussa Sène Absa and the Trilogy that Redefines African Femininity in Film
Obii Ifejika’s Multifaceted Use of Poetry in Navigating the Human Experience
Barnabas Emordi: Successive Steps Behind the Lens to Becoming Nollywood’s Highest-Grossing Cinematographer
“All Art Helps Us to See the Humanity of Another”: Kenya Writer, Dennis Mugaa, Speaks About His Forthcoming Debut, “Half Portraits Under Water”
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Film & TV
Sundance 2026: “Jazz Infernal” Is a Sonic Portrait of Diaspora and Legacy
“A Very Dirty Christmas” Review: Religion and Nollywood’s Soft Censorship
Sundance 2026: Olive Nwosu’s “Lady” Weaves Dreams, Trauma, and Chaos into a Gender-Aware Debut
25 African Films Turning 10 in 2026
“Colours of Fire” and the Anxiety of Technical Progress
“Behind The Scenes” and the Business of Being Funke Akindele
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Music
“Yariasu” Review: Nyashinski’s Familiarity Dulls the Spark of His Latest Album
“The Torcher” Review: Stonebwoy Proves His Pedigree on New Album
Afrocritik Weekly Music Spotlight: Mood Music
“Healers Chapel” Review: Wizard Chan’s Debut Is an Introspective and Soulful Sonic Balm
“Èkó Groove” Review: Spinall Assembles Star-Studded Cast on New Album
“Wonderful” Review: Tay Iwar Continues To Wow With New EP
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VIDEOS
Welcome to our YouTube Channel
Books
“Child of Congo” Review: Laurène Southe’s Chapbook Explores History, Identity, and the African Experience
“Death of the Author” Review: Nnedi Okorafor’s Book Addresses the Complex World of Writing and Publishing
Navigating the Business Side of Writing: What Every Author Needs to Know
“A Future in Chains” Review: Ndifreke Ukpong’s Book Expertly Tackles Faith, Tradition, and Resilience
Afrocritik’s Anticipated Books of 2025
Afrocritik’s Notable Books From Africa in 2024
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Culture
Here Are Six Ways To Properly Spend a Weekend In Africa’s Busiest Cities
Here Are The Five Most Serene Nigerian Cities To Live In
How The Baba Ijesha Case Accurately Illustrates The Attitude Of Nigerians To Rape Allegations
Has Oral Tradition In Africa Gone Extinct?
Chioma Ajunwa: Is Her 25-Year Wait A Symptom Of A Fractured System?
Have Africans Failed To Properly Curate Their Own History?
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Ranking AFCON Host Performances in the Past Decade
Elias “Domingues” Pelembe: The Mozambican 40-Year-Old Captain, His Longevity, and Enduring Passion for Football
Ready to Play: Music Playlist for the AFCON 2023
8 Interesting Facts About Cameroonian Fighter, Francis Ngannou
AFCON 2023: The Dynamic Players, the Teams, and Their Diverse Origins
Anthony Joshua and Francis Ngannou Set for Epic Showdown in Saudi Arabia
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Explainers
Fiction & Poetry
of memories, moments & manhood | Jaachị Anyatọnwụ
After The Giant Greenlights, Nothing Here Is Worthy Of Symphony? | Psalmuel Benjamin
Tochi Lives | Ubong Johnson
The Last Rule of Theft | Oluseye Fakinlede
Planes and Plains | Ugochukwu Anadị
Burning Bodies | Chourouq Nasri
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