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African Writers Dominate 2026 BSFA Awards Longlist with Nearly 30 Nominations
Sundance 2026: Olive Nwosu’s “Lady” Weaves Dreams, Trauma, and Chaos into a Gender-Aware Debut
ARMC 2026 Announces First Headline Speakers, Strategic Partnerships, and Genre Spotlights
Features & Essays
Understanding the Uproar About a White Miss Universe Zimbabwe: Could This Spark Fresh Dialogues on Inclusion and Diversity?
Seven Ancient African Civilisations You Should Know About
Is There a Parallel Between the Skin Bleaching Epidemic and Colourism That is Being Overlooked in Africa?
Beyond the Visual Aesthetics, Film Locations Are a Tool for Storytelling in Nollywood
Pat Nebo, Nollywood’s Veteran Production Designer, Documented Nigeria’s History Through Filmmaking
Nhachi Nwanyị Custom in Igboland: A Relevant Practice or a Stronghold for Patriarchy?
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Interviews
Film & TV
“Labake Olododo” Review: Biodun Stephen’s Yoruba Epic Is a Gender-Flipped Samson-And-Delilah Narrative Starring Iyabo Ojo
The Biggest Snubs and Surprises of the 2025 AMVCA Nominations
“Finding Me” Review: Funke Akindele’s Mistitled Dramedy Struggles With an Identity Crisis
“Suky” Review: Ola Cardoso’s Prison-Set, Revenge-Themed Sports Drama Is Tepid
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement
The Annual AMVCA’s Category Problem: Should TV Productions Be Competing with Films?
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Music
“Best of Both Worlds” Review: Kel-P and Wande Coal’s EP Struggles to Meet Expectations
Will Arewa Music Be the Next Big Wave in Contemporary Nigerian Pop?
Afrocritik’s Weekly Music Spotlight: Buttery Smooth
“Onorato” Review: Ajebo Hustlers Flex Their Sonic Consistency with New EP
“Children of Africa” Review: Seyi Vibez’s EP Is an Unorthodox Comeback That Works
Afrocritik’s Weekly Music Spotlight: Zouk Party
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In Abi Dare’s “The Girl with the Louding Voice,” Language Plays a Foremost Role in Storytelling
The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”
Book Review: Why Chibundu Onuzo’s “Welcome to Lagos” Failed to Hit Its Mark
Book Review: In “Colours Of Hatred”, Obinna Udenwe Bridges The Gap Between The Literary And Detective Forms Of Novel Writing
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Culture
Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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