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What Being Disabled Taught Me About Nigerians
Documentary Spotlight: “Hidden Scars”
“A Meal Is a Meal” Review: Nnamdi Anyadu’s Collection Serves a Balanced Plate of Pleasures
Features & Essays
Towards a Better Understanding of the Igbo Identity
Burna Boy’s “Big 7” and Forthcoming “I Told Them” Album Herald a New Exciting Chapter in His Artistic Journey
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Afrocritik’s Top 30 Songs in the First Half of 2023
African Animations Are Becoming a New, Exciting Frontier for African Storytelling
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“Tejiri” Is a Timely Commentary on Justice and Governance in Africa
Highlights From the Third Edition of the Ibadan International Film Festival
IDFA 2024: Spotlight on Selected African Documentaries
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
“The Legend of the Vagabond Queen of Lagos” Review: The Agbajowo Collective’s Film Is a Bold Statement on Resistance
“Tòkunbọ̀” Review: Ramsey Nouah’s Film Exposes Nollywood’s Storytelling Flaws
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Music
“I am the Blueprint” Review: Qing Madi’s Debut Album Explores R&B With Room to Grow
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“Music In My Life” Review: Echo Deep Showcases His Expertise in Fourth Studio Album
“Agbalagbi” Review: OluwaMillar Navigates Life, Faith, and Fame on Debut EP
Top Predictions for Africa’s Music Landscape in 2025
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2025 AMVCA: How the Stars Lit up the Night With Style
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