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The Biggest African Transfers of Summer 2025 Across Europe’s Top Leagues
“After Midnight” Review: Gyakie Consolidates Her Familiar Style on Debut Album
Nigerian Writers, Rogba Payne and Wole Talabi, Named Finalists for Inaugural Aldiss Award
Features & Essays
Oladapo Ogunjobi is Harnessing Augmented Reality to Re-define African Art: In Conversation with Afrocritik
Oliver De Coque’s Swansong: What is the Legacy of the Fabled Nigerian Guitarist?
Beyond the World Record, Hilda Baci’s Cook-a-thon Unveils Nigerians’ Relationship with Food and Propriety
25 Queer Books from African and African Diasporan Writers
Ama Ata Aidoo: 10 Things You May Not Have Known About The Ghanaian Feminist Writer
Much Ado about the Politics of Fuel Subsidy Removal in Nigeria
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Film & TV
Courage Obayuwana: A Versatile Talent Who is Mastering Filmmaking With His Debut Directorial Feature, “Kill Boro”
“A Father’s Love” Review: Sebastian Ukwa Directs a Poignant Story With Subtlety and Nuance
Judging a Film By Its Cover: How Nollywood Film Posters Spark Audience Interest
“Kill Boro” Review: Courage Obayuwana’s Debut Feature Leaves A Lasting Impression
Why Copyright Protection Matters For The Future of Nollywood
“Funmilayo Ransome-Kuti” Review: Bolanle Austen-Peters Skillfully Conveys a Political Treatise in This Biopic
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Music
“A Journey of Love” Review: Gemma Ofili’s Project Navigates Love and Healing
Opinion: We Have Taken Afrobeats to the World, and Now They Are Taking It From Us
The Resonance of Locality in Afro-Pop’s Global Rise
“Hard Guy Confessions” Review: Johnny Drille and Don Jazzy Unmask the Vulnerabilities of Love
Afrobeats’ Most Iconic Feuds Over the Years
“Morayo” Review: Wizkid Balances Grief and Groove on Sixth Album
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2025 AMVCA: How the Stars Lit up the Night With Style
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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