Emmanuel Waziri Okoro

Headies
What the Headies Awards Keep Getting Wrong: A Cursory Look at the 18th Edition Nominees List

If a category can be reopened and reshuffled hours after publication, what confidence does anyone…

Matt B
Matt B: The Water Remembered Him First

“When they found my living ancestral line, I said that it’s not enough for me…

Revival
“Revival” Review: Ladipoe’s Sophomore Album Proves the Wait Was Worth It

Revival is the rare comeback album that treats the wait itself as material, rather than…

Love is a Machinery
“Love is a Machinery” Review: Anendlessocean Gives Romance the Album It Deserves

Love is a Machinery succeeds because Anendlessocean treats its central theme literally; love, examined here,…

Testimony of Grace
“Testimony of Grace” Review: Ice Prince Returns Wiser, Quieter, and More Purposeful

Testimony of Grace is compelling because it reveals Ice Prince planting his flag firmly in…

Free (Deluxe)
“Free (Deluxe)” Review: Nasty C Searches for Himself on Ambitious but Uneven Album

At its best, Free (Deluxe) finds Nasty C operating at a level of emotional candour…

oSHAMO
In Conversation: oSHAMO Talks Fuji, Self-Discovery, and What’s Next

“My job now is to put my culture on the map, and that is exactly…

Emerging African Artistes
25 Emerging African Artistes You Should Listen to in 2026

These 25 emerging African artistes represent the continent’s most compelling musical voices who deserve to…

Faloh Jagaban
“Eba Anthem” Review: How Faloh Jagaban Turned a Staple into a Cultural Statement and Disapora Identity

“Eba Anthem” reminds us that culture doesn’t survive solely through institutions or formal preservation. Sometimes,…

Afrocritik’s Top 50 African Music Projects of 2025
Afrocritik’s Top 50 African Music Projects of 2025

This list documents the breadth and depth of African music in 2025, and it stands…