Vivian Nneka Nwajiaku

The Bandit Warlords of Zamfara
Documentary Spotlight: “The Bandit Warlords of Zamfara”

In The Bandit Warlords of Zamfara, Yusuf Anka takes great risks to get answers to…

sexual violence
Dear Nollywood, Stop Using Sexual Violence as a Plot Device

There is a way to portray sexual violence onscreen, even in Nollywood, and that way…

My Mother Is a Witch
“My Mother Is a Witch” Review: Niyi Akinmolayan Explores Intergenerational Trauma in Provocative Drama

My Mother Is a Witch is one of Niyi Akinmolayan’s most decent endeavours, with strong…

Red Circle
“Red Circle” Review: Akay Mason’s Energetic Thriller Delivers on Its Ambitions

Everything in Red Circle is intentionally designed to trigger a reaction. And even where the…

Red Circle
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”

“I approached Red Circle as ‘What would I want to see in another person’s film?…

The Party
“The Party” Review: Where’s the Sleuthing or Mystery in This Nollywood Whodunit?

The Party does not have the sleuthing, the intrigue, or the eccentricity that makes murder…

Joel Kachi Benson
Joel Kachi Benson Just Wants to Make an Impact

“I want my next film to be the best film, and after that, the next…

AMVCA Trailblazer
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is

Historically, the AMVCA Trailblazers have been newish or breakout talents who generated a buzz in…

Owambe Thieves
“Owambe Thieves” Review: Zubby Michael Is the Only Upside to This Pandemonium of a Movie

There’s a diversity angle to the film that might work if it were much less…

Durban FilmMart
Durban FilmMart 2025 Unveils Official Project Selections for Pitch and Finance Forum

Following the announcement of the 2025 edition of the Durban FilmMart (DFM) earlier this month,…