Vivian Nneka Nwajiaku

Kamel Laaridhi
Venice 2026: In Conversation with Kamel Laaridhi on “The H@llow Man” and the Dystopian Character of Our Times

“Right now, there is a big, big, big change in the world. I think it’s…

Ashgan El-Hamus
Venice 2026: In Conversation with Ashgan El-Hamus on Making the Case for Small, Collective Living in Debut Feature, “Al Baraneya”

“We’ve lost the capacity, I think, to just spend time together without doing anything, and…

Al Baraneya
Venice 2026: Ashgan El-Hamus’ “Al Baraneya” Captures the Tensions Between Simple Living and Urban Aspirations as a Young Woman Comes of Age

A film about the pleasures and pressures of simple, communal living, Al Baraneya is underlined…

La Maison du Vent
Venice 2026: “La Maison du Vent (House of the Wind)” Studies the Tragic Cost of Migration and the Loneliness of Old Age

In La Maison du Vent, Cameroonian writer-director Auguste Bernard Kouemo Yanghu captures both the tragic…

Nollywood
Nollywood’s Political Unconsciousness and the Critic’s Quagmire

If films are inherently political, if all films have something to say, though they may…

Sarra Ryma
MIFF 2026: In Conversation with Sarra Ryma on Migration, Love, and “What Do the Maknines Dream Of”

“I think cinema has a responsibility to look for the human being behind the law,…

On Different Grounds
“On Different Grounds” Review: Mildred Okwo Returns with a Hearty, Veteran-Led Rom-Com

On Different Grounds has the character of a Nollywood film elevated by the spirit of…

Shoot the People
Documentary Spotlight: “Shoot the People”

Shoot the People follows Misan Harriman as he travels across continents, witnessing protest movements and…

Dian Weys
Tribeca Festival 2026: In Conversation with Dian Weys on “Vultures”, Capitalism, and Moral Responsibility in the Aftermath of Violence

“I believe that we are shaped by our circumstances, but I also believe that we…

Saïd Hamich Benlarbi
In Conversation with Saïd Hamich Benlarbi on His Cannes-Selected Docu-Drama, “In Search of the Grey Bird with Green Stripes”

“We never film reality as it is with ourselves in the equation. We’re not a…