Vivian Nneka Nwajiaku
Following the announcement of the 2025 edition of the Durban FilmMart (DFM) earlier this month,…
The Masked King wants to portray a push and pull between traditions and societal change,…
In Family Brouhaha, what we have is a group of people who are fundamentally badly-behaved…
Regrettably, A Lagos Love Story fails to tell a convincing love story or even spark…
Nollywood needs NollyTube, regardless of the merits and demerits, or the sustainability of YouTube as…
In a time when the indigenous epic genre has begun to feel repetitive and forgettable,…
Finding Me does not know what it wants to be. Its tone is chaotic, the…
As a prison film, Suky is unmoving; as a sports film, it is uninspiring; and…
If the AMVCA insists on recognising achievement in television, then it’s time to recognise that…
Love, Olaitan is a treatise on the bond between father and daughter, but more broadly,…
