Vivian Nneka Nwajiaku

Red Circle
“Red Circle” Review: Akay Mason’s Energetic Thriller Delivers on Its Ambitions

Everything in Red Circle is intentionally designed to trigger a reaction. And even where the…

Red Circle
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”

“I approached Red Circle as ‘What would I want to see in another person’s film?…

The Party
“The Party” Review: Where’s the Sleuthing or Mystery in This Nollywood Whodunit?

The Party does not have the sleuthing, the intrigue, or the eccentricity that makes murder…

Joel Kachi Benson
Joel Kachi Benson Just Wants to Make an Impact

“I want my next film to be the best film, and after that, the next…

AMVCA Trailblazer
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is

Historically, the AMVCA Trailblazers have been newish or breakout talents who generated a buzz in…

Owambe Thieves
“Owambe Thieves” Review: Zubby Michael Is the Only Upside to This Pandemonium of a Movie

There’s a diversity angle to the film that might work if it were much less…

Durban FilmMart
Durban FilmMart 2025 Unveils Official Project Selections for Pitch and Finance Forum

Following the announcement of the 2025 edition of the Durban FilmMart (DFM) earlier this month,…

The Masked King
“The Masked King” Review: Uduak-Obong Patrick’s Historical Drama Is Dampened by Its Wobbly Political Consciousness

The Masked King wants to portray a push and pull between traditions and societal change,…

Family Brouhaha
“Family Brouhaha” Review: Femi Adebayo’s Solo Debut Is a Dysfunctional Film About a Dysfunctional Family

In Family Brouhaha, what we have is a group of people who are fundamentally badly-behaved…

A Lagos Love Story
“A Lagos Love Story” Review: Where’s the Love in This Inkblot’s Romance Drama?

Regrettably, A Lagos Love Story fails to tell a convincing love story or even spark…