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“Memorabilia” Review: Efue Announces Herself Impressively With Debut EP
Why Are Major African Football Tournaments Always Hosted by the Same Countries?
The 2025 NLNG Nigeria Prize For Literature Unveils Shortlist
Features & Essays
Unveiling Africa’s Gaming Boom: How Grassroot Development May Impact the Gaming Industry
Painting a Picture of the Future: The Social Consciousness Behind the Art of Femi.the.god
Race to the Oscars 2024: A Look at the African Stories Vying for Best International Feature Film
African Audio Chronicles: 30 Must-Listen African Podcasts
Examining the Works of Cyprian Ekwensi and His Legacy in the Canon of Great Nigerian Literature
Celebrating the International Day of the Girl Child: The Girl Child as a Part of the Digital Generation
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Interviews
Director Diji Aderogba is Telling Conscious Stories with Film and Twitter
Phillip Leteka is on a Mission to Build a Thriving Film Industry in Lesotho
Why “Soundtrack to the Good Life” Album Took Me Six Years to Put Out, Ajebutter22: In Conversation with Afrocritik
“I’m here to dominate the Dancehall movement,” King Perryy: In Conversation with Afrocritik
Transitioning to Gospel Music is Not a Trend: A Conversation with Nigerian Soul Diva, Waje
Chinua Ezenwa-Ohaeto: The Shape of Dreams and Memories
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Film & TV
10 Films That Have Shaped Nollywood
“Other Side of History” Review: Chukwuemeka Odumegwu Ojukwu’s Biopic Is Narratively Flawed
“Death of a Saint” Review: Patricia Bbaale Bandak’s Documentary Navigates the Intersection of Life and Loss
Top 25 Iconic and Must-Watch East African Movies
Technical Excellence Saves “Farmer’s Bride” From an Uneven Script
“Lisabi: The Uprising” Review: Niyi Akinmolayan’s Dramatised Biopic Is a Deeply Contained Story
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Music
“Children of Africa” Review: Seyi Vibez’s EP Is an Unorthodox Comeback That Works
Afrocritik’s Weekly Music Spotlight: Zouk Party
“Just When You Thought It Was Over” Review: Toye Aru and Derrick UGC Combine Magnificently on Joint Album
“Colourful Generation” Review: Bruce Melodie Proves He Is Still A Top-Notch Crooner
Afrocritik’s Editorial Spotlight for Valentine’s Day 2025
“Don’t Hold Me Back” Review: Liya’s Strength Shines in New EP
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VIDEOS
Welcome to our YouTube Channel
Books
In Abi Dare’s “The Girl with the Louding Voice,” Language Plays a Foremost Role in Storytelling
The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”
Book Review: Why Chibundu Onuzo’s “Welcome to Lagos” Failed to Hit Its Mark
Book Review: In “Colours Of Hatred”, Obinna Udenwe Bridges The Gap Between The Literary And Detective Forms Of Novel Writing
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Culture
Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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