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African Writers Dominate 2026 BSFA Awards Longlist with Nearly 30 Nominations
Sundance 2026: Olive Nwosu’s “Lady” Weaves Dreams, Trauma, and Chaos into a Gender-Aware Debut
ARMC 2026 Announces First Headline Speakers, Strategic Partnerships, and Genre Spotlights
Features & Essays
Brymo, Macabre, and Reconciling with the Art of Controversial Artists
Further Reflections on “Sóró Sóké”: In Conversation with Oyindamola Shoola
Can “The Experience” Become the Blueprint for Hosting Live Music Events in Nigeria?
Podcast Review: The House of African Feminisms (HoAF) Podcast Navigates Pan-African Feminism Through Language and Time
Popular Acceptance and Social Currency: Why Have Certain Political Opinions Prevailed in Nigeria?
Icons of Nollywood: Celebrating the Stars Who Help Shape Nollywood Behind the Scenes
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Interviews
Zambia is Courting Continental Attention with “Can You See Us?”: Afrocritik in Conversation with Kenny Mumba, Director of the Country’s Netflix Debut
Film Editors as Architects of a Film’s Vision and Goal: Biyi Toluwalase, Notable for Editing “Gangs of Lagos” and “Sista,” in Conversation with Afrocritik
Interview: Celebrity Chef, Hilda Baci, Reflects On Her Record-Breaking Cooking Marathon and Culinary Career
“I am a Perfect Symbol of Limitlessness”: Ebuka Njoku in Conversation with Afrocritik
Painting a New Way of Seeing Africa: In Conversation with the Filmmakers Who Took “Mami Wata” Global
Reem Gaafar is Blurring the Lines between Science and Creativity: In Conversation with Afrocritik
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Film & TV
20 Prolific Cinematographer-Director Collaborations in Nollywood
“Inside Job” Review: Jacky Vike and Mammito Eunice Find Kenya’s Laugh Lines and Its Pain Points
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood
“My Mother Is a Witch” Review: Niyi Akinmolayan Explores Intergenerational Trauma in Provocative Drama
“Red Circle” Review: Akay Mason’s Energetic Thriller Delivers on Its Ambitions
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
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Music
“Journey Through Life” Review: Femi Kuti’s Album Confronts Nigeria’s Political Realities
“Gen Z” Review: Zinoleesky Treads Familiar Ground on New Album
The Rise of Live-streaming in Nigerian Music Marketing
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap
Afrocritik’s Weekly Music Spotlight: South Africa, Soul & Sundry
Back to Base, But Not Without Baggage: The Highs and Lows of the 17th Headies Awards
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VIDEOS
Welcome to our YouTube Channel
Books
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Akwaeke Emezi’s Latest Novel, “Little Rot” Set to Hit Shelves in 2024
Africa’s Most Anticipated Books of 2024
Afrocritik’s 33 Remarkable African Short Stories in 2023
18 Notable Essays From Nigeria in 2023
The Art of Attentiveness: A Review of “Through the Eye of a Needle: Art in a Time of Coronavirus” Essay Collection
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Culture
Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
AFCON 2023: The Dynamic Players, the Teams, and Their Diverse Origins
Anthony Joshua and Francis Ngannou Set for Epic Showdown in Saudi Arabia
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Explainers
Fiction & Poetry
Dearest, & Child, Though Death be a Tyrant, not Every Dead Yielded to Tyranny
At the Squad
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