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Martha Ehinome’s Executive-Produced “Man of Her Dreams” Wraps Production
“Fuji: A Opera” Delivers Its Most Expansive Edition Yet With Fuji Vibrations 2025
“The Heart is a Muscle” Review: Imran Hamdulay’s Debut Feature Traces the Wounds We Inherit and the Ones We Try to Heal
Features & Essays
Examining Africa’s Literary Masterpieces: African Books That Should Be Considered Modern Classics
Nollywood’s Global Impact: How Nigerian Films are Captivating Audiences Worldwide
The “Crash” of OkadaBooks is a Call for Nigeria to Reflect on the State of Its Art Communities
Six Sub-Genres Expanding the Diversity of Afrobeats
Electric Vehicles (EVs): A Green Solution for Africa or More Environmental and Economic Quandaries?
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
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Interviews
Film Editors as Architects of a Film’s Vision and Goal: Biyi Toluwalase, Notable for Editing “Gangs of Lagos” and “Sista,” in Conversation with Afrocritik
Interview: Celebrity Chef, Hilda Baci, Reflects On Her Record-Breaking Cooking Marathon and Culinary Career
“I am a Perfect Symbol of Limitlessness”: Ebuka Njoku in Conversation with Afrocritik
Painting a New Way of Seeing Africa: In Conversation with the Filmmakers Who Took “Mami Wata” Global
Reem Gaafar is Blurring the Lines between Science and Creativity: In Conversation with Afrocritik
On Growing Up, Music, New Single And Future Projects: Guchi in Conversation with Afrocritik
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Film & TV
14 Prolific Writer-Director Collaborations in Nollywood
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
“Owambe Thieves” Review: Zubby Michael Is the Only Upside to This Pandemonium of a Movie
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood
“The Masked King” Review: Uduak-Obong Patrick’s Historical Drama Is Dampened by Its Wobbly Political Consciousness
“Landline” Review: Dele Doherty’s Debut Feature Is Held Back by Its Own Ambition
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Music
“5ive” Review: Davido Refines His Magic on Fifth Album
“Barrystar Vol 1” Review: Barry Jhay Pays Homage to Barrister With a Soul-Stirring Debut Album
Afrocritik’s Weekly Music Spotlight: Refreshment
“Reflection Station” Review: Tay Iwar Is Mastering His Craft on New EP
“Iron Boy” Review: Black Sherif’s New Album Is a Raw Exploration of Success and Struggle
Afrocritik’s Weekly Music Spotlight: Something Different
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VIDEOS
Welcome to our YouTube Channel
Books
”God’s Children Are Little Broken Things” Review: Arinze Ifeakandu’s Book Reveals the Silent Resilience of Queer Love in Nigeria
Emmanuel Iduma’s “I am Still With You” Contemplates War, Loss, and the Burden of Memory
Tunde Ososanya’s “Lagos, Life and Sexual Distraction” Captures Scenes of Tragedy and Sensuality
Chidiebube onye Okohia’s “Of Dark Tides and Darkling Times” is a Philosophical Exploration of Life
Ayòbámi Adébáyò’s “A Spell of Good Things” Sheds Light on Inequality in Modern Nigeria
Obinna Udenwe’s “The Widow Who Died with Flowers in her Mouth” Features Explorations of Loneliness and Redemption
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Culture
Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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