The Torcher
Nomad Shadow
This Is Not a Burial, It’s a Resurrection

Features & Essays

Africa’s Gaming Industry Has Come a Long Way Since Its Early Stages, but Grassroot Development is Still Needed - Afrocritik
Unveiling Africa’s Gaming Boom: How Grassroot Development May Impact the Gaming Industry
femi.the.god - Afrocritik
Painting a Picture of the Future: The Social Consciousness Behind the Art of Femi.the.god
Race to the Oscars 2024: A Look at the African Stories Vying for Best International Feature Film
African Audio Chronicles 30 Must-Listen African Podcasts - Afrocritik
African Audio Chronicles: 30 Must-Listen African Podcasts
Cyprian Ekwensi - Afrocritik
Examining the Works of Cyprian Ekwensi and His Legacy in the Canon of Great Nigerian Literature
International Day of the Girl Child - Afrocritik
Celebrating the International Day of the Girl Child: The Girl Child as a Part of the Digital Generation

Interviews

Josh Olaoluwa
From Marine Biology to Filmmaking: Josh Olaoluwa’s Unlikely Journey into Nollywood
“Why My New EP Took Me Close to a Year to Put Out,” – Rhita Nattah: In Conversation With Afrocritik
Director Diji Aderogba is Telling Conscious Stories with Film and Twitter
Philip on a mission to build a film industry in Lesotho.
Phillip Leteka is on a Mission to Build a Thriving Film Industry in Lesotho
Why “Soundtrack to the Good Life” Album Took Me Six Years to Put Out, Ajebutter22: In Conversation with Afrocritik
“I’m here to dominate the Dancehall movement,” King Perryy: In Conversation with Afrocritik

Film & TV

African films list
Afrocritik’s 25 Remarkable African Films of 2024
Suspicion
“Suspicion” Review: Tosin Igho Explores African Spirituality from an Intriguing Perspective
10 African Movies You Can’t Miss This Holiday Season
10 African Movies You Can’t Miss This Holiday Season
77: The FESTAC Conspiracy
All You Need to Know about “77: The FESTAC Conspiracy”
A Ghetto Love Story
“A Ghetto Love Story” Review: Basketmouth’s First Foray Into Film Production Is Impressive
Umjolo: The Gone Girl
“Umjolo: The Gone Girl” Review: Fikile Mogodi’s Debut Feature Lacks Substance

Music

protest music
Why Is There a Dearth of Protest Music in Nigeria Today?
Moonflower
“Moonflower” Review: MiDi KwaKwa Explores Romantic Experiences on New EP
intellectual property
It’s 2025 and We Still Don’t Understand Intellectual Property in Kenya
Afrocritik monthly spotlight valentine
Afrocritik’s Weekly Music Spotlight: Energy Boost
rap
Odumodublvck & the Never-Ending Fight Over What Nigerian Rap Should Be
Afrocritik monthly spotlight valentine
Afrocritik’s Weekly Music Spotlight: Something Different

VIDEOS

Welcome to our YouTube Channel

Books

“Rummaging for Omens”: A Review of Nneoma Otuegbe’s book of poetry
A Review of Orode’s “Bring Me Flowers in April”
The Ironies of Patriarchy in Igbo Society: a Review of Cheluchi Onyemelukwe-Onuobia’s “The Son of the House”
In Abi Dare’s “The Girl with the Louding Voice,” Language Plays a Foremost Role in Storytelling
The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry