When Nigeria Happens
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Features & Essays

Nneoha Ann Aligwe - Africa International Horror Film Festival- Afrocritik
Nneoha Ann Aligwe is Reviving the Horror Film Genre with the Africa International Horror Film Festival (AIHFF): In Conversation with Afrocritik
Africa’s Gaming Industry Has Come a Long Way Since Its Early Stages, but Grassroot Development is Still Needed - Afrocritik
Unveiling Africa’s Gaming Boom: How Grassroot Development May Impact the Gaming Industry
femi.the.god - Afrocritik
Painting a Picture of the Future: The Social Consciousness Behind the Art of Femi.the.god
Race to the Oscars 2024: A Look at the African Stories Vying for Best International Feature Film
African Audio Chronicles 30 Must-Listen African Podcasts - Afrocritik
African Audio Chronicles: 30 Must-Listen African Podcasts
Cyprian Ekwensi - Afrocritik
Examining the Works of Cyprian Ekwensi and His Legacy in the Canon of Great Nigerian Literature

Interviews

Director Diji Aderogba is Telling Conscious Stories with Film and Twitter
Philip on a mission to build a film industry in Lesotho.
Phillip Leteka is on a Mission to Build a Thriving Film Industry in Lesotho
Why “Soundtrack to the Good Life” Album Took Me Six Years to Put Out, Ajebutter22: In Conversation with Afrocritik
“I’m here to dominate the Dancehall movement,” King Perryy: In Conversation with Afrocritik
Waje
Transitioning to Gospel Music is Not a Trend: A Conversation with Nigerian Soul Diva, Waje
Chinua Ezenwa-Ohaeto: The Shape of Dreams and Memories

Film & TV

Losing Lerato 2
“Losing Lerato 2” Review: Zolani Phakade’s Sequel Is an Underwhelming Outing
What About Us?
“What About Us?” Review: Kayode Kasum’s Family Drama Drastically Fumbles its Third Act
Still from My Father's Fable
“My Father’s Fable” Review: Faith Omole’s Theatre Show Is an Emotional Exploration Into Family Trauma and Nigerian Identity
Onye Egwu
“Onye Egwu” Review: The Uche Jombo-Directed Film is a Near Miss
Lobola Man
“Lobola Man” Review: Thabang Moleya’s Romcom is a Breeding Ground of Cliches
Filmjoint's Founder, Gbenga Adeoti
Filmjoint: The Platform Promoting and Distributing Nigerian and International Short Films

Music

rapper Odumodublvck
Black Man Bulala: Examining Odumodublvck’s Verse on “Olufunmi Reimagined”
African music projects list
Afrocritik’s 2024 Top 50 African Music Projects
African Hip-Hop in 2024
How Has African Hip-Hop Fared In 2024?
Producers and their tags
10 Afrobeats Producers and Their Signature Tags
A Ghetto Love Story
Basketmouth Displays Mastery On “A Ghetto Love Story” Soundtrack Album
African dancers
What Music and Dance Trended in Francophone Africa in 2024?

VIDEOS

Welcome to our YouTube Channel

Books

The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”
Book Review: Why Chibundu Onuzo’s “Welcome to Lagos” Failed to Hit Its Mark
Book Review: In “Colours Of Hatred”, Obinna Udenwe Bridges The Gap Between The Literary And Detective Forms Of Novel Writing
Ten Nigerian Authors Whose Books Should Be Back In Circulation

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry