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Film Africa 2026: Ique Langa’s “O Profeta” Is a Slow, Searing Portrait of What Desperation Does to Faith
Film Africa 2026: Chinàzaēkpērē Chukwu’s “Her Daughters’ Mother” Confronts Patriarchal Power Imbalances in a Familiar but Poignant Tale of Mothers and Daughters
Lamenting Useless Husbands or Creating Useless Men?: A Review of Chinkemkasimma Cassidy Chukwuma’s “Husband Is Useless”
Features & Essays
The Obscured Realities in Shegun Oseh’s Smokescreen Images
The Complex Relationship Between Football and Gambling
NYrobi BookFest 2025: Exploring the Shifting Currents of Kenyan Literature
Nollywood Needs NollyTube, But Does NollyTube Need Our Brains to Be Turned Off?
10 Young African and Black Personalities Redefining the Creative Space
The Abstract Motions in Adetutu David Collins’ Art
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Interviews
In Conversation: How Kaycee Brown Is Embracing His Identity Through Music
Navigating Heartbreak and Closure: Inside MTV Base’s Nigerian Adaptation of the “Ghosted” Reality Show
“We Are Trying to Make History Accessible”: Archivi.ng, the Startup On a Journey to Digitise Nigerian History
In Conversation: How Nezsa is Soul Searching and Finding Clarity Through Music
Afrobeats Royalty: Tekno, On Growth, Abundance, and New Opportunities
Courage Obayuwana: A Versatile Talent Who is Mastering Filmmaking With His Debut Directorial Feature, “Kill Boro”
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Film & TV
KFCB’s Notice and The Problem With The Film and Stage Plays Act
Joburg Film Festival 2026: Jordy Sank Reflects on Xenophobia, Social Justice, and Stylistic Choices In “Amazeze (Fleas)”
iREP Film Festival 2026: “Awon Boyz”, “No U-Turn”, “Awani”, “Double Minority”, “Afterlife” and “Isese” Reviews
BFI Flare 2026: In Conversation With Sandulela Asanda, Director of “Black Burns Fast”
Can GH¢20 Million Government Fund Transform The Ghanaian Film Industry?
Nollywood and African Spirituality: The Demonisation of a Continent’s Tradition
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Music
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
“Sabali” Review: Peruzzi’s Long-Awaited Album Reasserts His Status as Afro-Pop’s Melody King
On “Psalm 23” and “Psalm 16”, Shona Raps the Shepherd’s Love into Sound [Review]
“See Me Cry” Review: Iseay Tugs at Heartstrings on Emotionally Effective Single
“Maison Rouge” Review: Mr Eazi’s Intimate EP Is a Love Letter to Banku Music
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”
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VIDEOS
Welcome to our YouTube Channel
Books
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality
“Only Big Bumbum Matters Tomorrow” Review: Damilare Kuku’s Novel Addresses Body Politics, Biases, and Femininity
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
“Ujana” Review: Frank Njugi’s Chapbook Is a Portrait of Youth, City, and Self
“Barter” Review: Erhu Kome’s Dystopian Vision In Her Novella Falters in Execution But Shines In Concept
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Culture
The Ikenga Deity, A Conduit For Igbo Communal Philosophy And Individual Reflection
Dambe, A Traditional Combat Sport Worthy Of Preservation
Pilfering Money In God’s Name: How Nigerian Pastors Are Making The Gospel Look Like A Ponzi Scheme
Here Are Six Ways To Pull Off A Romantic Weekend In Nigeria
How The Igbos Get Around To Naming Their Children
Obi Cubana, “Igba Boy” And Igbo Communalism
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage
Racheal Kundananji: Becoming the World’s Most Expensive Female Footballer
Kelvin Kiptum: A Tribute to an Athletic Phenomenon
Côte d’Ivoire Seizes African Cup of Nations Victory Over Nigeria
AFCON 2023: The Differential Teams That Made History
AFCON 2023 Semi-Finals: Nigeria vs South Africa, History, Trade, and Rivalry Beyond the Pitch
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Explainers
Fiction & Poetry
It’s enough for us to sit in silence and wonder | Abigail George
Waltz Beyond the Veil | Obongofon Etuk
i’d like to own an elephant — that’s no bigger than a peanut | temidayo okun
A Poem Where Goodbye(s) Means What the Hands Cannot Hold Anymore | Anderson Moses
Off River Road, a Girl Plays a Sax Solo to Truncate the Intricacies of My History | Frank Njugi
Green Zone | Jide Badmus
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