Afrobeat Rebellion
Women

Undoing the Knots Society Tied in Your Mind

All African Independent Film Festival

Features & Essays

Cyprian Ekwensi - Afrocritik
Examining the Works of Cyprian Ekwensi and His Legacy in the Canon of Great Nigerian Literature
International Day of the Girl Child - Afrocritik
Celebrating the International Day of the Girl Child: The Girl Child as a Part of the Digital Generation
Promotional photo for Me & U - Tems - Afrocritik
Tems is Confident in Her Sensuality in Her Latest Single, “Me & U”
Cardinal Rex Lawson - Afrocritik
Cardinal Rex Lawson: The Philosophy and Timeless Artistry of His Music
The Black Book_ Tech Investors - Afrocritik
Funding and Collaboration in Nollywood: What Could “The Black Book” Tech Investors Mean for Filmmakers in Nigeria?
Brooke Bruk-Jackson - Miss Universe Zimbabwe beauty pageant 2023 - Afrocritik
Understanding the Uproar About a White Miss Universe Zimbabwe: Could This Spark Fresh Dialogues on Inclusion and Diversity?

Interviews

Director Diji Aderogba is Telling Conscious Stories with Film and Twitter
Philip on a mission to build a film industry in Lesotho.
Phillip Leteka is on a Mission to Build a Thriving Film Industry in Lesotho
Why “Soundtrack to the Good Life” Album Took Me Six Years to Put Out, Ajebutter22: In Conversation with Afrocritik
“I’m here to dominate the Dancehall movement,” King Perryy: In Conversation with Afrocritik
Waje
Transitioning to Gospel Music is Not a Trend: A Conversation with Nigerian Soul Diva, Waje
Chinua Ezenwa-Ohaeto: The Shape of Dreams and Memories

Film & TV

Suspicion
“Suspicion” Review: Tosin Igho Explores African Spirituality from an Intriguing Perspective
10 African Movies You Can’t Miss This Holiday Season
10 African Movies You Can’t Miss This Holiday Season
77: The FESTAC Conspiracy
All You Need to Know about “77: The FESTAC Conspiracy”
A Ghetto Love Story
“A Ghetto Love Story” Review: Basketmouth’s First Foray Into Film Production Is Impressive
Umjolo: The Gone Girl
“Umjolo: The Gone Girl” Review: Fikile Mogodi’s Debut Feature Lacks Substance
Loose Cannon review
“Loose Cannon” Review: Olisa Eloka’s Short Film Is a Reminder of War’s Devastating Consequences

Music

Moonflower
“Moonflower” Review: MiDi KwaKwa Explores Romantic Experiences on New EP
intellectual property
It’s 2025 and We Still Don’t Understand Intellectual Property in Kenya
Afrocritik monthly spotlight valentine
Afrocritik’s Weekly Music Spotlight: Energy Boost
rap
Odumodublvck & the Never-Ending Fight Over What Nigerian Rap Should Be
Afrocritik monthly spotlight valentine
Afrocritik’s Weekly Music Spotlight: Something Different
I Dream In Color
“I Dream In Color” Review: Magixx’s Debut Album Offers an Unfiltered Look Into His Mind

VIDEOS

Welcome to our YouTube Channel

Books

Afrocritik’s 25 Notable African Books of 2021
“Rummaging for Omens”: A Review of Nneoma Otuegbe’s book of poetry
A Review of Orode’s “Bring Me Flowers in April”
The Ironies of Patriarchy in Igbo Society: a Review of Cheluchi Onyemelukwe-Onuobia’s “The Son of the House”
In Abi Dare’s “The Girl with the Louding Voice,” Language Plays a Foremost Role in Storytelling
The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry