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African Writers Dominate 2026 BSFA Awards Longlist with Nearly 30 Nominations
Sundance 2026: Olive Nwosu’s “Lady” Weaves Dreams, Trauma, and Chaos into a Gender-Aware Debut
ARMC 2026 Announces First Headline Speakers, Strategic Partnerships, and Genre Spotlights
Features & Essays
African Art: Discovering the Beauty, Symbolism, and Diversity of Traditional and Contemporary Masterpieces
Nigeria’s “Peak Foolery” and Quirky Pop Culture Moments of 2023
Examining Africa’s Literary Masterpieces: African Books That Should Be Considered Modern Classics
Nollywood’s Global Impact: How Nigerian Films are Captivating Audiences Worldwide
The “Crash” of OkadaBooks is a Call for Nigeria to Reflect on the State of Its Art Communities
Six Sub-Genres Expanding the Diversity of Afrobeats
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Interviews
On Growing Up, Music, New Single And Future Projects: Guchi in Conversation with Afrocritik
“There’s no Permanent Enemy, only Permanent Interests” — Olarotimi Fakunle, Eleniyan of “Gangs of Lagos,” in Conversation with Afrocritik
Michael Omonua is Telling African Stories in the Language He Wants
On Writing a Prescient Film: Kayode Jegede, Co-writer of “Gangs of Lagos” in Conversation with Afrocritik
“‘Kaleidoscope’ was written differently from the way I had done other projects,” – Lindsey Abudei: In Conversation with Afrocritik
Esther Kemi Gbadamosi on Taking Nigerian Animated Films to Berlinale: in Conversation with Afrocritik
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Film & TV
“The Party” Review: Where’s the Sleuthing or Mystery in This Nollywood Whodunit?
“MTV Shuga Mashariki” Review: The New Shuga Iteration Has A Shiny Surface With A Hollow Core
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
20 Prolific Producer-Director Collaborations in Nollywood
Joel Kachi Benson Just Wants to Make an Impact
“Soccer Season: Playmaker” Review: Stephina Zwane’s Sports Drama Finds Power in Its Humour
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Music
Afrocritik’s Weekly Music Spotlight: New Names
“5ive” Review: Davido Refines His Magic on Fifth Album
“Barrystar Vol 1” Review: Barry Jhay Pays Homage to Barrister With a Soul-Stirring Debut Album
Afrocritik’s Weekly Music Spotlight: Refreshment
“Reflection Station” Review: Tay Iwar Is Mastering His Craft on New EP
“Iron Boy” Review: Black Sherif’s New Album Is a Raw Exploration of Success and Struggle
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VIDEOS
Welcome to our YouTube Channel
Books
Jide Badmus’ “Obaluaye” Is a Paradox of Chaos and Harmony
Sola Osofisan’s “The Simple Joys of Her Final Days” Presents Wry Portraits of Nigerian Life at Home and Abroad
Abubakar Adam Ibrahim’s “When We Were Fireflies” Examines the Primal Questions of Life and the Afterlife
”God’s Children Are Little Broken Things” Review: Arinze Ifeakandu’s Book Reveals the Silent Resilience of Queer Love in Nigeria
Emmanuel Iduma’s “I am Still With You” Contemplates War, Loss, and the Burden of Memory
Tunde Ososanya’s “Lagos, Life and Sexual Distraction” Captures Scenes of Tragedy and Sensuality
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Culture
Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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