Eniola Bolaji
Hybrid
Alive Till Dawn

Features & Essays

House of African Feminisms Podcast (HoAF) - Afrocritik
Podcast Review: The House of African Feminisms (HoAF) Podcast Navigates Pan-African Feminism Through Language and Time
Popular Acceptance and Social Currency Why Have Certain Political Opinions Prevailed in Nigeria - Afrocritik
Popular Acceptance and Social Currency: Why Have Certain Political Opinions Prevailed in Nigeria?
Icons who Shape Nollywood Behind the Scenes - Afrocritik
Icons of Nollywood: Celebrating the Stars Who Help Shape Nollywood Behind the Scenes
Queen Idia of Benin - Afrocritik
African Art: Discovering the Beauty, Symbolism, and Diversity of Traditional and Contemporary Masterpieces
Oladips
Nigeria’s “Peak Foolery” and Quirky Pop Culture Moments of 2023
Afrocritik's African Books That Should Be Considered Modern Classics
Examining Africa’s Literary Masterpieces: African Books That Should Be Considered Modern Classics

Interviews

“I am a Perfect Symbol of Limitlessness”: Ebuka Njoku in Conversation with Afrocritik
Painting a New Way of Seeing Africa: In Conversation with the Filmmakers Who Took “Mami Wata” Global
Reem Gaafar is Blurring the Lines between Science and Creativity: In Conversation with Afrocritik
On Growing Up, Music, New Single And Future Projects: Guchi in Conversation with Afrocritik
“There’s no Permanent Enemy, only Permanent Interests” — Olarotimi Fakunle, Eleniyan of “Gangs of Lagos,” in Conversation with Afrocritik
Michael Omonua is Telling African Stories in the Language He Wants

Film & TV

Maia Lekow
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
Matabeleland
“Matabeleland” Review: Nyasha Kadandara’s Documentary Contends With Zimbabwe’s Troubled Past
Amel Guellaty
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
Ms. Kanyin
“Ms. Kanyin” Review: Jerry Ossaiʼs Wannabe Horror Flick is Forgettable
sexual violence
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
The Moral High Court
“The Moral High Court” Review: Chisom Ifeakandu’s Film Puts Patriarchy on Trial

Music

Journey Through Life
“Journey Through Life” Review: Femi Kuti’s Album Confronts Nigeria’s Political Realities
Gen Z
“Gen Z” Review: Zinoleesky Treads Familiar Ground on New Album
Livestream
The Rise of Live-streaming in Nigerian Music Marketing
4Mr Frank White
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap
Spotlight
Afrocritik’s Weekly Music Spotlight: South Africa, Soul & Sundry
Headies
Back to Base, But Not Without Baggage: The Highs and Lows of the 17th Headies Awards

VIDEOS

Welcome to our YouTube Channel

Books

33 Remarkable African Short Stories in 2023
Afrocritik’s 33 Remarkable African Short Stories in 2023
18 Notable Essays From Nigeria in 2023
The Art of Attentiveness: A Review of “Through the Eye of a Needle: Art in a Time of Coronavirus” Essay Collection
The Art of Attentiveness: A Review of “Through the Eye of a Needle: Art in a Time of Coronavirus” Essay Collection
Obaluaye by Jide Badmus - Afrocritik
Jide Badmus’ “Obaluaye” Is a Paradox of Chaos and Harmony
Sola Osofisan’s “The Simple Joys of Her Final Days” Presents Wry Portraits of Nigerian Life at Home and Abroad
Abubakar Adam Ibrahim’s “When We Were Fireflies” Examines the Primal Questions of Life and the Afterlife

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry