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“One Gidi Night” Review: A Thriller That Finds Its Rhythm Only to Lose It
The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”
Features & Essays
Odumodublvck & the Never-Ending Fight Over What Nigerian Rap Should Be
Ogbanje or Abiku Phenomenon: An African Spirit-Child Myth or the Enigma of Modern Health Struggles?
X Is Doing Us In and We Don’t Know It
Fusion and Superimposition in Mede Akran’s Photography
What Happened to Nollywood Sitcoms?
Opinion: Is It Time to Revamp the Judge Selection for the NLNG Nigeria Prize for Literature?
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Interviews
“In Bloom” Anthology Creators: In Conversation with the Changemakers Who Lend a Voice to Gender Equality
In Conversation: “I Want People to Know that Africa Has Real Filmmaking Talents”, Claire Diao, Film Critic and Founder of Sudu Connexion
Director Pink: Standing Out as a Music Video Director in a Crowded Music Industry
In Conversation: Nollywood Film Editor, Martini Akande, Dissects the Anatomy of Editing a Memorable Scene
Oscar Korbla Mawuli Awuku Uses Art to Redefine the Narrative on Indigenous Ghanaian Culture
Filmmaker, Gelax Bolaji’s Documentary, “Silent Tumors”, Spotlights the Silence Struggles of Women with Fibroids in Nigeria
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Film & TV
Sundance 2026: In Conversation with Rami Jarboui, Director of “The Bird’s Placebo”
What Trends Will Drive Africa’s Film Industry in 2026?
Sundance 2026: Praise Odigie Paige’s “Birdie” Interrogates War, Displacement, and the Frayed Edges of Memory
Why Nollywood Has Stars but No Movie Stars
“Aníkúlápó: The Ghoul Awakens” Pursues Adventure At The Expense of Cohesion
Sundance 2026: In Conversation with “Kikuyu Land” Directors, Bea Wangondu and Andrew H. Brown
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Music
“No Excuses” Review: Blaqbonez Reaffirms His Status With Swagger, Skill, and Clarity
“Fuji” Review: Adekunle Gold’s Sixth Album Honours Fuji’s Legacy With Modern Sensibility
Afrocritik Weekly Music Spotlight: Mega Catch-Up
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together
“Protect Sarz At All Costs” Review: Sarz’s Star-Loaded Debut Is Brilliant in Parts, But Fails to Thrill Fully
“Peace By Piece” Review: Fireboy DML and Pheelz’s Collaborative EP Serves Up Feel-Good Afro-Pop Bliss
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VIDEOS
Welcome to our YouTube Channel
Books
“The Ones Before You” Review: Joba Ojelabi’s Chapbook Speaks to the Burden of Inheritance
“A Kind of Madness” Review: Uche Okonkwo’s Collection of Short Stories Explores the Ramifications of Figurative Madness
“Five Things Mother Did Not Prepare Me For” Review: Sumaiyah Muhammad’s Story Explores Intra-Familial Chaos And The Quest For Peace
“Dream Count” Review: Chimamanda Ngozi Adichie’s Novel Psychoanalyses the Intangibility of Dreams
“Grief’s First Kiss Is an Avalanche” Review: Wendy Okeke Offers an Introspective Look At the Multifaceted Nature of Grief
“Runnin’ No More” Review: G.T. Dipe’s Novel Celebrates the Resilience of Love
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Culture
Ọja, The Musical Instrument Which Mirrors Igbo Individuality and Spirituality
Asaba, The Nigerian City That Perfectly Illustrates The Importance Of Spending Power
Cancel Culture, The Cancer Threatening To Erode Artistic Freedom
How To Enjoy A Great Weekend With 2,000 Naira In Lagos
Street Church: Making The Gospel Fun, Trendy And Relatable To A Younger Demographic
Timi Dakolo, “Everything”, And How Nigerian Gospel Songs Have Become Anthems Of Hope
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Favour Ofili Sets History at the 2024 New Balance Indoor Grand Prix in Boston
AFCON 2023: Quarter-Finals Preview
AFCON Group Stage Drama: Managerial Setbacks, Sackings, and Club Struggles
AFCON 2023: 5 Star Players Whose Absence Might Have Altered Their Teams’ Fortunes
Elizabeth Oshoba Punches Through Barriers as Nigeria’s First Female World Boxing Champion
From Setbacks to Glory: Senegal is Having a Football Renaissance with Aliou Cissé
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Explainers
Fiction & Poetry
Recrudescence | Ement Amaku
Self Portrait At Nineteen | Hassan Usman
A Calligraphy of Love & Sweet Memories
If Nigeria Was a Bible, It Would Be the Gospel Without Jesus & For Boys Whose Hearts Are Old, Rugged Books | Psalmuel Benjamin
The Eccentrics | Adedoyin Ajayi
Homecoming | Sunday Saheed
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