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Variations on the Subject of Family: A Review of the 2026 Caine Prize Shortlist
“Salt in the Snow” Review: Displacements and Shifting Identities Come Together in Sahra Noor’s Debut Memoir
Somalia National Pavilion to Spotlight Contemporary Somali Cinema During Venice Biennale
Features & Essays
Fusion and Superimposition in Mede Akran’s Photography
What Happened to Nollywood Sitcoms?
Opinion: Is It Time to Revamp the Judge Selection for the NLNG Nigeria Prize for Literature?
Igbobinna Eze: An Artist Staying True to His Spirit
In the Place Between Sleep and Awake
Afrocritik’s 50 Notable Essays from Africa in 2024
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Interviews
Director Pink: Standing Out as a Music Video Director in a Crowded Music Industry
In Conversation: Nollywood Film Editor, Martini Akande, Dissects the Anatomy of Editing a Memorable Scene
Oscar Korbla Mawuli Awuku Uses Art to Redefine the Narrative on Indigenous Ghanaian Culture
Filmmaker, Gelax Bolaji’s Documentary, “Silent Tumors”, Spotlights the Silence Struggles of Women with Fibroids in Nigeria
DhannyJazz The Saxifier and The Beauty of Instrumental in Music
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage
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Film & TV
25 African Films Turning 10 in 2026
“Colours of Fire” and the Anxiety of Technical Progress
“Behind The Scenes” and the Business of Being Funke Akindele
What Femi Adebayo’s Community Screenings Reveal About Nollywood’s Search for New Distribution Models
Condescending Benevolence: The Colonial Paradox of “Mister Johnson”
Afrocritik’s 10 Nollywood Projects on YouTube Worth Watching in 2025
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Music
Afrocritik Weekly Music Spotlight: Mega Catch-Up
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together
“Protect Sarz At All Costs” Review: Sarz’s Star-Loaded Debut Is Brilliant in Parts, But Fails to Thrill Fully
“Peace By Piece” Review: Fireboy DML and Pheelz’s Collaborative EP Serves Up Feel-Good Afro-Pop Bliss
“Yariasu” Review: Nyashinski’s Familiarity Dulls the Spark of His Latest Album
“The Torcher” Review: Stonebwoy Proves His Pedigree on New Album
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VIDEOS
Welcome to our YouTube Channel
Books
“Dream Count” Review: Chimamanda Ngozi Adichie’s Novel Psychoanalyses the Intangibility of Dreams
“Grief’s First Kiss Is an Avalanche” Review: Wendy Okeke Offers an Introspective Look At the Multifaceted Nature of Grief
“Runnin’ No More” Review: G.T. Dipe’s Novel Celebrates the Resilience of Love
“Child of Congo” Review: Laurène Southe’s Chapbook Explores History, Identity, and the African Experience
“Death of the Author” Review: Nnedi Okorafor’s Book Addresses the Complex World of Writing and Publishing
Navigating the Business Side of Writing: What Every Author Needs to Know
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Culture
Asaba, The Nigerian City That Perfectly Illustrates The Importance Of Spending Power
Cancel Culture, The Cancer Threatening To Erode Artistic Freedom
How To Enjoy A Great Weekend With 2,000 Naira In Lagos
Street Church: Making The Gospel Fun, Trendy And Relatable To A Younger Demographic
Timi Dakolo, “Everything”, And How Nigerian Gospel Songs Have Become Anthems Of Hope
Here Are Six Ways To Properly Spend a Weekend In Africa’s Busiest Cities
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
AFCON 2023: Quarter-Finals Preview
AFCON Group Stage Drama: Managerial Setbacks, Sackings, and Club Struggles
AFCON 2023: 5 Star Players Whose Absence Might Have Altered Their Teams’ Fortunes
Elizabeth Oshoba Punches Through Barriers as Nigeria’s First Female World Boxing Champion
From Setbacks to Glory: Senegal is Having a Football Renaissance with Aliou Cissé
Ranking AFCON Host Performances in the Past Decade
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Explainers
Fiction & Poetry
A Calligraphy of Love & Sweet Memories
If Nigeria Was a Bible, It Would Be the Gospel Without Jesus & For Boys Whose Hearts Are Old, Rugged Books | Psalmuel Benjamin
The Eccentrics | Adedoyin Ajayi
Homecoming | Sunday Saheed
of memories, moments & manhood | Jaachị Anyatọnwụ
After The Giant Greenlights, Nothing Here Is Worthy Of Symphony? | Psalmuel Benjamin
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