Afrobeat Rebellion
Women

Undoing the Knots Society Tied in Your Mind

All African Independent Film Festival

Features & Essays

Seven Ancient Civilisations to Emerge from Africa - Afrocritik
Seven Ancient African Civilisations You Should Know About
Skin Bleaching and Colourism in Africa - Afrocritik
Is There a Parallel Between the Skin Bleaching Epidemic and Colourism That is Being Overlooked in Africa?
Film Locations Are a Tool for Storytelling in Nollywood, Beyond The Visual Aesthetics - Afrocritik
Beyond the Visual Aesthetics, Film Locations Are a Tool for Storytelling in Nollywood
Afrocritik's tribute to Pat Nebo, veteran Production Designer
Pat Nebo, Nollywood’s Veteran Production Designer, Documented Nigeria’s History Through Filmmaking
Nhachi Nwanyị Custom in Igboland - Afrocritik
Nhachi Nwanyị Custom in Igboland: A Relevant Practice or a Stronghold for Patriarchy?
Classics Nigerian Music from the 60s to 2000s Afrocritik
An Ode to Classics: Unearthing the Treasures of Old Nigerian Music

Interviews

With “Collector of Memories,” Joshua Chizoma is Creating Identities
Dami Ajayi, and the Mission of Creating Unending Voices
From South Sudan to Canada, Amanie Illfated’s Music Charts New Paths
“How I Produced Pheelz’s ‘Finesse’” — Miichkel
“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”
Blackstar Film Festival: “We Wanted To Tell A Story About Nigeria” – Arie And Chuko Esiri, Directors Of “Eyimofe”

Film & TV

Hijack '93
“Hijack ‘93” Review: Robert O. Peters’ Thriller Fails to Take Flight
At Ease
“At Ease” Review: Seun Richards’ Directorial Debut Is a Refreshing Take on War Trauma
Inside Life
“Inside Life” Review: Clarence Peters Explores Dark Realities at a High Emotional Cost
10 Films That Have Shaped Nollywood
10 Films That Have Shaped Nollywood
Still from Other Side of History
“Other Side of History” Review: Chukwuemeka Odumegwu Ojukwu’s Biopic Is Narratively Flawed
Still from Death of a Saint
“Death of a Saint” Review: Patricia Bbaale Bandak’s Documentary Navigates the Intersection of Life and Loss

Music

Best of Both Worlds
“Best of Both Worlds” Review: Kel-P and Wande Coal’s EP Struggles to Meet Expectations
Arewa
Will Arewa Music Be the Next Big Wave in Contemporary Nigerian Pop?
Afrocritik monthly spotlight valentine
Afrocritik’s Weekly Music Spotlight: Buttery Smooth
Onorato Ajebo Hustlers
“Onorato” Review: Ajebo Hustlers Flex Their Sonic Consistency with New EP
Children of Africa
“Children of Africa” Review: Seyi Vibez’s EP Is an Unorthodox Comeback That Works
Afrocritik monthly spotlight valentine
Afrocritik’s Weekly Music Spotlight: Zouk Party

VIDEOS

Welcome to our YouTube Channel

Books

Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”
Book Review: Why Chibundu Onuzo’s “Welcome to Lagos” Failed to Hit Its Mark
Book Review: In “Colours Of Hatred”, Obinna Udenwe Bridges The Gap Between The Literary And Detective Forms Of Novel Writing
Ten Nigerian Authors Whose Books Should Be Back In Circulation
Here Are Seven Books Written By Black Feminists That You Should Read

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry