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Tyla and Ayra Starr to Perform at 2025 Global Citizen Festival in New York
“Sayari” Review: Omar Hamza’s Film Maps Love Across Kenya’s Social Terrain
To Sacrifice for Love: A Case for the Beauty of Marriage
Features & Essays
Highlights from the 16th Edition of the Headies Awards
Chick Lit Offers More Than It is Credited For, Beyond the Romance, Heartstrings, and Laughter
The Rise of Populist Rhetoric in Africa: Who Does the Voice of the People Really Benefit?
Kikuyu Benga Music: How an Appropriated Sound Became a People’s Way of Connecting With Their Root
Opinion: What, Truly, Is the Substance of Afrobeats Music?
Towards a Better Understanding of the Igbo Identity
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Film & TV
“Savage Beauty Season 2” Review: Lebogang Mogashoa’s Series Fails to Honour its Important Plots
Nadine Ibrahim Clamps Down the Liberal Voice in “Beyond the Veil” Season 2 for a More Conservative Charge
Mapping Queer African Cinema: How Censorship Still Hinders Queer Representation in the African Mainstream Media
“Shina” Review: A Promising Story Undermined by Narrative Shortcomings
Anticipated Film Releases Coming Your Way This Season
Courage Obayuwana: A Versatile Talent Who is Mastering Filmmaking With His Debut Directorial Feature, “Kill Boro”
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Music
“Hard Guy Confessions” Review: Johnny Drille and Don Jazzy Unmask the Vulnerabilities of Love
Afrobeats’ Most Iconic Feuds Over the Years
“Morayo” Review: Wizkid Balances Grief and Groove on Sixth Album
“Sama” Review: Maua Sama’s EP Is the Sound of Self-Expression
10 Underrated African Music Projects of 2024
“Swangz All Star, Vol. 1” Review: Swangz Avenue’s Album Redefines Uganda and East Africa’s Place in Global Music
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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