BSFA Awards
Lady
ARMC 2026

Features & Essays

EV being charged _ Afrocritik
Electric Vehicles (EVs): A Green Solution for Africa or More Environmental and Economic Quandaries?
Umuofia Arts and Books Festival - Afrocritik
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
5g Connectivity - Africa's Journey to 5G and the Wealth of Opportunities It Brings- Afrocritik
New Generation Connectivity: Africa’s Journey to 5G and the Wealth of Opportunities It Brings
African Fashion on Display: Embracing Traditional Attires With a Modern Twist - Afrocritik
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent- Afrocritik
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
LIPFest 2023 - Sanctuary - Afrocritik
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives

Interviews

Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Josh Olaoluwa
From Marine Biology to Filmmaking: Josh Olaoluwa’s Unlikely Journey into Nollywood
“Why My New EP Took Me Close to a Year to Put Out,” – Rhita Nattah: In Conversation With Afrocritik
Director Diji Aderogba is Telling Conscious Stories with Film and Twitter
Philip on a mission to build a film industry in Lesotho.
Phillip Leteka is on a Mission to Build a Thriving Film Industry in Lesotho
Why “Soundtrack to the Good Life” Album Took Me Six Years to Put Out, Ajebutter22: In Conversation with Afrocritik

Film & TV

actor-director
25 Prolific Actor-Director Collaborations in Nollywood
Over the Bridge
“Over the Bridge” Review: Tolu Ajayi’s Film Explores Nigeria’s Systematic Rot and the Lives It Unravels
The Fire and the Moth
“The Fire and the Moth” Review: Taiwo Egunjobi Has Grown in Confidence as a Filmmaker
AMVCA Trailblazer
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
AMVCA
AMVCA 2025: What Are We Really Celebrating?

Music

Spotlight
Afrocritik’s Weekly Music Spotlight: Something Different
The Book Of Jones 1st Chapter
“The Book of Jones 1st Chapter” Review: Khaligraph Jones Employs Old Tricks for New Triumph
Street Pop
10 Artistes Expanding the Soundscape of Street Pop in Nigeria Today
The Machine Is Coming
“The Machine Is Coming” Review: Odumodublvck’s New Project Is a Statement and a Warning
Viva Lavida
“Viva Lavida” Review: Joeboy Examines Love and Life on Expressive New Album
BlownBoy Ru
“Blownboy Ru” Review: Ruger’s Sophomore Album Stays True to His Afro-Dancehall Roots

VIDEOS

Welcome to our YouTube Channel

Books

Chidiebube onye Okohia’s “Of Dark Tides and Darkling Times” is a Philosophical Exploration of Life
Ayòbámi Adébáyò’s “A Spell of Good Things” Sheds Light on Inequality in Modern Nigeria
Obinna Udenwe’s “The Widow Who Died with Flowers in her Mouth” Features Explorations of Loneliness and Redemption
An Unlikely Relationship Throbs in the Heart of Cairo in Noor Naga’s “If An Egyptian Cannot Speak English”
Khadija Abdalla Bajaber’s “The House of Rust” is a Story of Myths, Fantasies and Quests
TJ Benson’s Ambitious Debut Novel, “The Madhouse,” Takes Nigerian Literature to New Heights

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

Read More
AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

Read More
Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
Read More
2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
Read More
Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
Read More

Sports

Explainers

Fiction & Poetry