Praise Odigie Paige
Blood Ties
Colonial Lagos

Features & Essays

African Fashion on Display: Embracing Traditional Attires With a Modern Twist - Afrocritik
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent- Afrocritik
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
LIPFest 2023 - Sanctuary - Afrocritik
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives
Seyi Vibez: From Soulful Solace to Vibrant Vibez - Afrocritik
Seyi Vibez: From Soulful Solace to Vibrant Vibez
Ten of the Best Kenyan Hip-Hop Cyphers of All Time - Afrocritik
Celebrating Hip-Hop At 50: Ten of the Best Kenyan Cyphers of All Time
Nneoha Ann Aligwe - Africa International Horror Film Festival- Afrocritik
Nneoha Ann Aligwe is Reviving the Horror Film Genre with the Africa International Horror Film Festival (AIHFF): In Conversation with Afrocritik

Interviews

“Why My New EP Took Me Close to a Year to Put Out,” – Rhita Nattah: In Conversation With Afrocritik
Director Diji Aderogba is Telling Conscious Stories with Film and Twitter
Philip on a mission to build a film industry in Lesotho.
Phillip Leteka is on a Mission to Build a Thriving Film Industry in Lesotho
Why “Soundtrack to the Good Life” Album Took Me Six Years to Put Out, Ajebutter22: In Conversation with Afrocritik
“I’m here to dominate the Dancehall movement,” King Perryy: In Conversation with Afrocritik
Waje
Transitioning to Gospel Music is Not a Trend: A Conversation with Nigerian Soul Diva, Waje

Film & TV

Red Circle
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
The Party
“The Party” Review: Where’s the Sleuthing or Mystery in This Nollywood Whodunit?
MTV Shuga Mashariki
“MTV Shuga Mashariki” Review: The New Shuga Iteration Has A Shiny Surface With A Hollow Core
Ife Olujuyigbe
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
producer-director
20 Prolific Producer-Director Collaborations in Nollywood
Joel Kachi Benson
Joel Kachi Benson Just Wants to Make an Impact

Music

Spotlight
Afrocritik’s Weekly Music Spotlight: Something Different
The Book Of Jones 1st Chapter
“The Book of Jones 1st Chapter” Review: Khaligraph Jones Employs Old Tricks for New Triumph
Street Pop
10 Artistes Expanding the Soundscape of Street Pop in Nigeria Today
The Machine Is Coming
“The Machine Is Coming” Review: Odumodublvck’s New Project Is a Statement and a Warning
Viva Lavida
“Viva Lavida” Review: Joeboy Examines Love and Life on Expressive New Album
BlownBoy Ru
“Blownboy Ru” Review: Ruger’s Sophomore Album Stays True to His Afro-Dancehall Roots

VIDEOS

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Books

Obinna Udenwe’s “The Widow Who Died with Flowers in her Mouth” Features Explorations of Loneliness and Redemption
An Unlikely Relationship Throbs in the Heart of Cairo in Noor Naga’s “If An Egyptian Cannot Speak English”
Khadija Abdalla Bajaber’s “The House of Rust” is a Story of Myths, Fantasies and Quests
TJ Benson’s Ambitious Debut Novel, “The Madhouse,” Takes Nigerian Literature to New Heights
Tomorrow I Become a Woman
With Aiwanose Odafen’s “Tomorrow I Become a Woman,” The Modern Feminist Nigerian Novel Continues To Mature
Nnamdi Ehirim, Prince of Monkeys, Nigerian writers, African writers, African novel, Nigerian novel, Afrocritik
Nnamdi Ehirim’s “Prince of Monkeys” Captures the Trauma of a Generation

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry