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Features & Essays

Umuofia Arts and Books Festival - Afrocritik
Searching for New Philosophers at the Umuofia Arts and Books Festival 2023 (UmuofiaFest)
5g Connectivity - Africa's Journey to 5G and the Wealth of Opportunities It Brings- Afrocritik
New Generation Connectivity: Africa’s Journey to 5G and the Wealth of Opportunities It Brings
African Fashion on Display: Embracing Traditional Attires With a Modern Twist - Afrocritik
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent- Afrocritik
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
LIPFest 2023 - Sanctuary - Afrocritik
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives
Seyi Vibez: From Soulful Solace to Vibrant Vibez - Afrocritik
Seyi Vibez: From Soulful Solace to Vibrant Vibez

Interviews

“‘Kaleidoscope’ was written differently from the way I had done other projects,” – Lindsey Abudei: In Conversation with Afrocritik
Esther Kemi Gbadamosi on Taking Nigerian Animated Films to Berlinale: in Conversation with Afrocritik
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Josh Olaoluwa
From Marine Biology to Filmmaking: Josh Olaoluwa’s Unlikely Journey into Nollywood
“Why My New EP Took Me Close to a Year to Put Out,” – Rhita Nattah: In Conversation With Afrocritik
Director Diji Aderogba is Telling Conscious Stories with Film and Twitter

Film & TV

Amel Guellaty
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
Ms. Kanyin
“Ms. Kanyin” Review: Jerry Ossaiʼs Wannabe Horror Flick is Forgettable
sexual violence
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
The Moral High Court
“The Moral High Court” Review: Chisom Ifeakandu’s Film Puts Patriarchy on Trial
cinematographer-director
20 Prolific Cinematographer-Director Collaborations in Nollywood
Inside Job
“Inside Job” Review: Jacky Vike and Mammito Eunice Find Kenya’s Laugh Lines and Its Pain Points

Music

4Mr Frank White
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap
Spotlight
Afrocritik’s Weekly Music Spotlight: South Africa, Soul & Sundry
Headies
Back to Base, But Not Without Baggage: The Highs and Lows of the 17th Headies Awards
Spotlight
Afrocritik’s Weekly Music Spotlight: New Names
5ive
“5ive” Review: Davido Refines His Magic on Fifth Album
Barrystar Vol 1
“Barrystar Vol 1” Review: Barry Jhay Pays Homage to Barrister With a Soul-Stirring Debut Album
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

”God’s Children Are Little Broken Things” Review: Arinze Ifeakandu’s Book Reveals the Silent Resilience of Queer Love in Nigeria
Emmanuel Iduma’s “I am Still With You” Contemplates War, Loss, and the Burden of Memory
Tunde Ososanya’s “Lagos, Life and Sexual Distraction” Captures Scenes of Tragedy and Sensuality
Chidiebube onye Okohia’s “Of Dark Tides and Darkling Times” is a Philosophical Exploration of Life
Ayòbámi Adébáyò’s “A Spell of Good Things” Sheds Light on Inequality in Modern Nigeria
Obinna Udenwe’s “The Widow Who Died with Flowers in her Mouth” Features Explorations of Loneliness and Redemption

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry