Festival
Red Circle

Features & Essays

25 Queer Books from African and African Diasporan Writers
Ama Ata Aidoo: 10 Things You May Not Have Known About The Ghanaian Feminist Writer
Much Ado about the Politics of Fuel Subsidy Removal in Nigeria 
The Annual AMVCA’s Category Problem: Should TV Productions Be Competing with Films?
Seun Kuti Protests with His Fist and Voice; What Would Fela Have Done Differently?
The Saint We Called Obi: A Nostalgic Glance at the Calm-Faced Nollywood James Bond

Interviews

Film & TV

“Heart of the Hunter” Review: Another Action Thriller That Flatters to Deceive
iREP Film Festival 2024 Dispatch: Righting the Future Through Documentary
FilmOne Studios Releases Trailer for New Film, “Aburo”
“Áfàméfùnà” Review: Kayode Kasum’s Heartfelt Love Letter to Igbo Enterprise Could Use Better Structuring
Veteran Actress, Bukky Wright, Returns to Big Screens in Rixel Studios’ Upcoming Title, “Red Circle”
In Memory: 8 Memorable Roles by Amaechi Muonagor

Music

HEIS
“HEIS” Review: Rema’s Sophomore Album is a Radiant Emblem on Afro-Rave
Lost and Found
“Lost and Found” Review: Simi Reaffirms Her Spot as a Modern African Ballads’ Connoisseur
Pheelz Good II
“Pheelz Good II” Review: Pheelz Basks in Creativity With His Latest Project
Kaycee Brown
In Conversation: How Kaycee Brown Is Embracing His Identity Through Music
Mbuzi
“Mbuzi” Review: Young Lunya’s Debut Album is a Reiteration of His Storytelling Prowess
Ikigai cover
“Ikigai” Review: Olamide’s New EP Expands His Cultural Cachet

VIDEOS

Welcome to our YouTube Channel

Books

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry