BSFA Awards
Lady
ARMC 2026

Features & Essays

African Audio Chronicles 30 Must-Listen African Podcasts - Afrocritik
African Audio Chronicles: 30 Must-Listen African Podcasts
Cyprian Ekwensi - Afrocritik
Examining the Works of Cyprian Ekwensi and His Legacy in the Canon of Great Nigerian Literature
International Day of the Girl Child - Afrocritik
Celebrating the International Day of the Girl Child: The Girl Child as a Part of the Digital Generation
Promotional photo for Me & U - Tems - Afrocritik
Tems is Confident in Her Sensuality in Her Latest Single, “Me & U”
Cardinal Rex Lawson - Afrocritik
Cardinal Rex Lawson: The Philosophy and Timeless Artistry of His Music
The Black Book_ Tech Investors - Afrocritik
Funding and Collaboration in Nollywood: What Could “The Black Book” Tech Investors Mean for Filmmakers in Nigeria?

Interviews

“How I Produced Pheelz’s ‘Finesse’” — Miichkel
“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”
Blackstar Film Festival: “We Wanted To Tell A Story About Nigeria” – Arie And Chuko Esiri, Directors Of “Eyimofe”
Meet Monseeka, The Former Beauty Queen Who Is Slowly Lighting Up Nigeria’s Alternative Music Scene
Funkcleff, The Former Choir Boy Who’s Overcome Health Challenges To Launch A Budding Music Career

Film & TV

Meet the Khumalos
“Meet the Khumalos” Review: Will South African Cinema Ever Move Beyond Forbidden Love Tropes?
Radio Voice
“Radio Voice” Review: Strong Performances and a Human Story Ground Isioma Osaje’s Warm Drama
Family Brouhaha
“Family Brouhaha” Review: Femi Adebayo’s Solo Debut Is a Dysfunctional Film About a Dysfunctional Family
A Lagos Love Story
“A Lagos Love Story” Review: Where’s the Love in This Inkblot’s Romance Drama?
Recall
“Recall” Review: Kunle Afolayan’s Return to the Big Screens Is Largely Forgettable
NollyTube
Nollywood Needs NollyTube, But Does NollyTube Need Our Brains to Be Turned Off?

Music

Moonflower
“Moonflower” Review: MiDi KwaKwa Explores Romantic Experiences on New EP
intellectual property
It’s 2025 and We Still Don’t Understand Intellectual Property in Kenya
Afrocritik monthly spotlight valentine
Afrocritik’s Weekly Music Spotlight: Energy Boost
rap
Odumodublvck & the Never-Ending Fight Over What Nigerian Rap Should Be
Afrocritik monthly spotlight valentine
Afrocritik’s Weekly Music Spotlight: Something Different
I Dream In Color
“I Dream In Color” Review: Magixx’s Debut Album Offers an Unfiltered Look Into His Mind

VIDEOS

Welcome to our YouTube Channel

Books

Caleb Nelson’s Open Water: Literature melds Music and Photography
Afrocritik’s 20 Remarkable African Essays of 2021
Afrocritik’s 25 Notable African Books of 2021
“Rummaging for Omens”: A Review of Nneoma Otuegbe’s book of poetry
A Review of Orode’s “Bring Me Flowers in April”
The Ironies of Patriarchy in Igbo Society: a Review of Cheluchi Onyemelukwe-Onuobia’s “The Son of the House”

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

Read More
AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

Read More
Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
Read More
2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
Read More
Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
Read More

Sports

Explainers

Fiction & Poetry