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Afrocritik Weekly Music Spotlight: Easing In
Big Cabal Media Announces “Zikoko Life”, a New Anthology Film Series Exploring Love, Sex, and Autonomy
Angélique Kidjo to Become First African Artiste Honoured on Hollywood Walk of Fame
Features & Essays
Sondeka Awards: How Creatives Garage Continues to Empower Kenyan & African Creatives
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“Soweto Blaze” Review: Brad Katzen’s Film Fizzles in Its Slapstick Attempt
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In Conversation: Obi Maduegbuna on Voice Acting, “Iwájú”, and Future Plans in Filmmaking
“Bank Alert” Review: Akay Mason’s 2023 Comedy Offers Weary Smiles and Warm Hugs
“Musangwe” Review: Lufuno Nekhabambe’s Debut Film Futilely Fondles with South African Culture
“Casa de Novia” Review: Uyoyou Adia’s Comedy Ghost Story is Nollywood Retro Dressed Up in Fancy Lights
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Music
“Adedamola” Review: Fireboy DML Reinvents Himself With New Project
“Bandito” Is an Unusual Offering From Dre Foryoursoul
Meet Xblaze, the Nigerian Producer Revolutionising the European EDM Scene
The Art Behind the Music: Why Album Covers Matter
“King” Review: Jeriq Declares His Supremacy With New Album
Wonu Osikoya Documents Afrobeats History From a Fresh Perspective With “Grime, Glory & Afropop”
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2025 AMVCA: How the Stars Lit up the Night With Style
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