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In “Khartoum”, Five Wandering Souls Display Resilience As A Fragile Nation Unravels
“Thinline” Review: Nollywood’s Dangerous Blind Spot on Male Sexual Assault and the Illusion of Morality
Morocco Named “Country in Focus” at the 2026 European Film Market
Features & Essays
Popular Acceptance and Social Currency: Why Have Certain Political Opinions Prevailed in Nigeria?
Icons of Nollywood: Celebrating the Stars Who Help Shape Nollywood Behind the Scenes
African Art: Discovering the Beauty, Symbolism, and Diversity of Traditional and Contemporary Masterpieces
Nigeria’s “Peak Foolery” and Quirky Pop Culture Moments of 2023
Examining Africa’s Literary Masterpieces: African Books That Should Be Considered Modern Classics
Nollywood’s Global Impact: How Nigerian Films are Captivating Audiences Worldwide
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Interviews
Coming of Age in Nollywood: In Conversation with the Young Actors in the Feature Film, “Ijogbon”
“The Films I Make Are About Aspects of What I’ve Seen and Experienced’’: South African Filmmaker, Ian Gabriel, on the Authenticity in Creating the Crime-Thriller, “Death of a Whistleblower”
“The Fun Projects Are the Most Challenging”: Femi Dapson, on Securing a Spot as a Top Music Video Producer in Nigeria
“The Idea For My Film ‘Orah’ Came After My Younger Brother Was Killed By SARS Officers”: Nigerian-Canadian Filmmaker, Lonzo Nzekwe, in Conversation with Afrocritik
Interview: Novelist, Famous Chukwuemeka, on Exploring the Extremes of Beliefs and Devotion with Debut Novel, “We Will Live Again”
Zambia is Courting Continental Attention with “Can You See Us?”: Afrocritik in Conversation with Kenny Mumba, Director of the Country’s Netflix Debut
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Film & TV
“Blackout” Review: Okechukwu Oku’s Psychological Thriller Is Confident in Its Vision
“Ada Ọmọ Daddy” Review: A Dramatic Critique of Deadbeat Culture or A Deadbeat’s Fantasy?
Souleymane Cissé: The Light That Will Continue to Shine
“Reel Love” Review: Kayode Kasum’s Film Falls Victim to Overused Tropes
“Love Lockdown” Review: Lyndsey F. Efejuku’s Erotic Lockdown Romance Wants to Say Something About Love
What Happened to Nollywood Sitcoms?
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Music
Afrocritik’s Weekly Music Spotlight: South Africa, Soul & Sundry
Back to Base, But Not Without Baggage: The Highs and Lows of the 17th Headies Awards
Afrocritik’s Weekly Music Spotlight: New Names
“5ive” Review: Davido Refines His Magic on Fifth Album
“Barrystar Vol 1” Review: Barry Jhay Pays Homage to Barrister With a Soul-Stirring Debut Album
Afrocritik’s Weekly Music Spotlight: Refreshment
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VIDEOS
Welcome to our YouTube Channel
Books
Sola Osofisan’s “The Simple Joys of Her Final Days” Presents Wry Portraits of Nigerian Life at Home and Abroad
Abubakar Adam Ibrahim’s “When We Were Fireflies” Examines the Primal Questions of Life and the Afterlife
”God’s Children Are Little Broken Things” Review: Arinze Ifeakandu’s Book Reveals the Silent Resilience of Queer Love in Nigeria
Emmanuel Iduma’s “I am Still With You” Contemplates War, Loss, and the Burden of Memory
Tunde Ososanya’s “Lagos, Life and Sexual Distraction” Captures Scenes of Tragedy and Sensuality
Chidiebube onye Okohia’s “Of Dark Tides and Darkling Times” is a Philosophical Exploration of Life
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Culture
Being Feminist And Queer In Nigeria: A Double Whammy
How The Nigerian Educational System Promotes Nepotism
Is Atheism Slowly Catching On In Nigeria?
Feminism And Allyship In Nigeria: Here Is What You Should Know
How Igbo Traditional Religion Intersects With Modern Christianity, And Why The Igbos Easily Embraced The “White Man’s Religion”
Pride Month 2021: Dangerous Myths About LGBTQ+ People In Nigeria That Should Be Left Behind
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Elizabeth Oshoba Punches Through Barriers as Nigeria’s First Female World Boxing Champion
From Setbacks to Glory: Senegal is Having a Football Renaissance with Aliou Cissé
Ranking AFCON Host Performances in the Past Decade
Elias “Domingues” Pelembe: The Mozambican 40-Year-Old Captain, His Longevity, and Enduring Passion for Football
Ready to Play: Music Playlist for the AFCON 2023
8 Interesting Facts About Cameroonian Fighter, Francis Ngannou
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Explainers
Fiction & Poetry
Poetry: Agbalala, & How Was It You Died?
A Journey to Gwarinpa, Abuja
Haunting
I Toil Through the Deep, & Other Poems
Dearest, & Child, Though Death be a Tyrant, not Every Dead Yielded to Tyranny
At the Squad
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