Uncle K: Lemon Chase
Afrocritik
Ngũgĩ wa Thiong’o

Features & Essays

Seyi Vibez: From Soulful Solace to Vibrant Vibez - Afrocritik
Seyi Vibez: From Soulful Solace to Vibrant Vibez
Ten of the Best Kenyan Hip-Hop Cyphers of All Time - Afrocritik
Celebrating Hip-Hop At 50: Ten of the Best Kenyan Cyphers of All Time
Nneoha Ann Aligwe - Africa International Horror Film Festival- Afrocritik
Nneoha Ann Aligwe is Reviving the Horror Film Genre with the Africa International Horror Film Festival (AIHFF): In Conversation with Afrocritik
Africa’s Gaming Industry Has Come a Long Way Since Its Early Stages, but Grassroot Development is Still Needed - Afrocritik
Unveiling Africa’s Gaming Boom: How Grassroot Development May Impact the Gaming Industry
femi.the.god - Afrocritik
Painting a Picture of the Future: The Social Consciousness Behind the Art of Femi.the.god
Race to the Oscars 2024: A Look at the African Stories Vying for Best International Feature Film

Interviews

“Why My New EP Took Me Close to a Year to Put Out,” – Rhita Nattah: In Conversation With Afrocritik
Director Diji Aderogba is Telling Conscious Stories with Film and Twitter
Philip on a mission to build a film industry in Lesotho.
Phillip Leteka is on a Mission to Build a Thriving Film Industry in Lesotho
Why “Soundtrack to the Good Life” Album Took Me Six Years to Put Out, Ajebutter22: In Conversation with Afrocritik
“I’m here to dominate the Dancehall movement,” King Perryy: In Conversation with Afrocritik
Waje
Transitioning to Gospel Music is Not a Trend: A Conversation with Nigerian Soul Diva, Waje

Film & TV

Still from My Father's Fable
“My Father’s Fable” Review: Faith Omole’s Theatre Show Is an Emotional Exploration Into Family Trauma and Nigerian Identity
Onye Egwu
“Onye Egwu” Review: The Uche Jombo-Directed Film is a Near Miss
Lobola Man
“Lobola Man” Review: Thabang Moleya’s Romcom is a Breeding Ground of Cliches
Filmjoint's Founder, Gbenga Adeoti
Filmjoint: The Platform Promoting and Distributing Nigerian and International Short Films
Mapantsula
“Mapantsula” Review: Oliver Schmitz’s Crime-Drama is a Gripping Portrayal of Apartheid-Era South Africa
Mvera
“Mvera” Review: Linah Sande’s Talent is the Conspicuous Selling Point of Daudi Anguka’s Film

Music

African artistes nominated in the Best African Music Performance at the 2025 Grammy Awards
African Artistes at the 2025 Grammys: Top Contenders, Surprising Snubs, and Key Takeaways
Juliana Ehada - Smile Until the Devil Cries
Juliana Ehada Showcases Sonic Dynamism On “Smile Until The Devil Cries”
How Fuji Music Influences the Modern Afro-Pop Soundscape
How Fuji Music Influences the Modern Afro-Pop Soundscape
The Best Nigerian Music Videos Released So Far in 2024
The Best Nigerian Music Videos Released So Far in 2024
20 Nigerian Underground Songs That Should Be On Your Playlist
20 Nigerian Underground Songs That Should Be On Your Playlist
Snippet from Nigerian artistes
10 Nigerian Music Snippets Left Unreleased

VIDEOS

Welcome to our YouTube Channel

Books

In Abi Dare’s “The Girl with the Louding Voice,” Language Plays a Foremost Role in Storytelling
The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”
Book Review: Why Chibundu Onuzo’s “Welcome to Lagos” Failed to Hit Its Mark
Book Review: In “Colours Of Hatred”, Obinna Udenwe Bridges The Gap Between The Literary And Detective Forms Of Novel Writing

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry