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Joburg Film Festival 2026 Wraps as Award Winners Are Announced
S16 Labs Welcomes Applications For Inaugural Edition
Lyrical Ceremonies: On Poems by Agbaakin, Okigbo, and Umukoro
Features & Essays
Emeka Nwokedi: A Classical Music Conductor of International Repute
Is This the Age of Nollywood at Domestic Box Office?
Africanfuturism: A Literary Plane of Infinite Possibilities for Africa’s Future
Nollywood and the Evolution of the Sacred Feminine
The Power of Protest: When Challenging Bad Governance is Justified
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
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Interviews
Obii Ifejika’s Multifaceted Use of Poetry in Navigating the Human Experience
Barnabas Emordi: Successive Steps Behind the Lens to Becoming Nollywood’s Highest-Grossing Cinematographer
“All Art Helps Us to See the Humanity of Another”: Kenya Writer, Dennis Mugaa, Speaks About His Forthcoming Debut, “Half Portraits Under Water”
The Soundtrack to Success: Music Supervisor, Unique Oliver, is Creating a Blueprint for Music Licensing in Nollywood Productions
“Winning the James Currey Prize Might Represent My Coming of Age as a Writer”: In Conversation with 2023 Prizewinner, Peter Ngila Njeri
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
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Film & TV
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
“This Is Not a Burial, It’s a Resurrection” Review: Lemohang Jeremiah Mosese Crafts a Poetic Resistance
“The Waiter” Review: Here Is More Proof That Ayo Makun Needs to Lay Akpos To Rest
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
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Music
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Afrocritik Weekly Music Spotlight: Fresh Sounds
“Next Gen” Review: Oskido Platforms Fresh Talents on New Album
“Still The Mayor” Review: Mayorkun’s Third Album Is a Reaffirmation of His Pop Status
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP
Blinky Bill: East Africa’s Quiet Radical
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VIDEOS
Welcome to our YouTube Channel
Books
Sensational Book Titles: A New Trend in Nigerian Literature?
“Loss is an Aftertaste of Memories” Review: Michael Chiedoziem Chukwudera’s Debut Novel Explores Memory, Loss, and the Agency of Remembrance
“River Spirit” Review: Leila Aboulela’s Novel Illuminates Historical Lessons
Amaka Obioji’s Poetry Collection, “Mother, Did You Call My Name?” Explores the Transience of Human Emotions
In “Like Water Like Sea”, Olumide Popoola Offers an Exploration of Contemporary Human Experiences
Ike Anya’s “Small by Small” is a Medical, Personal, and Artistic Triumph
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Culture
Cancel Culture, The Cancer Threatening To Erode Artistic Freedom
How To Enjoy A Great Weekend With 2,000 Naira In Lagos
Street Church: Making The Gospel Fun, Trendy And Relatable To A Younger Demographic
Timi Dakolo, “Everything”, And How Nigerian Gospel Songs Have Become Anthems Of Hope
Here Are Six Ways To Properly Spend a Weekend In Africa’s Busiest Cities
Here Are The Five Most Serene Nigerian Cities To Live In
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
AFCON 2023 Semi-Finals: Nigeria vs South Africa, History, Trade, and Rivalry Beyond the Pitch
Tobi Amusan Breaks African Women’s Indoor Record in 60-Metres Hurdles at New Balance Indoor Grand Prix
Favour Ofili Sets History at the 2024 New Balance Indoor Grand Prix in Boston
AFCON 2023: Quarter-Finals Preview
AFCON Group Stage Drama: Managerial Setbacks, Sackings, and Club Struggles
AFCON 2023: 5 Star Players Whose Absence Might Have Altered Their Teams’ Fortunes
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Explainers
Fiction & Poetry
Praying in a Lawn | Ogah Friday David
There Is Nothing Christian about a Road | Enit’ayanfe Ayosojumi Akinsanya
Recrudescence | Ement Amaku
Self Portrait At Nineteen | Hassan Usman
A Calligraphy of Love & Sweet Memories
If Nigeria Was a Bible, It Would Be the Gospel Without Jesus & For Boys Whose Hearts Are Old, Rugged Books | Psalmuel Benjamin
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