Gabzy
Kirsty Coventry
Oneness of Juju

Features & Essays

African Fashion on Display: Embracing Traditional Attires With a Modern Twist - Afrocritik
African Fashion on Display: Embracing Traditional Attires With a Modern Twist
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent- Afrocritik
African Folklore and Lessons: Exploring the Rich Heritage of Traditional Tales from the Continent
LIPFest 2023 - Sanctuary - Afrocritik
Lagos International Poetry Festival (LIPFest) 2023: A Sanctuary for Language-Hungry Creatives
Seyi Vibez: From Soulful Solace to Vibrant Vibez - Afrocritik
Seyi Vibez: From Soulful Solace to Vibrant Vibez
Ten of the Best Kenyan Hip-Hop Cyphers of All Time - Afrocritik
Celebrating Hip-Hop At 50: Ten of the Best Kenyan Cyphers of All Time
Nneoha Ann Aligwe - Africa International Horror Film Festival- Afrocritik
Nneoha Ann Aligwe is Reviving the Horror Film Genre with the Africa International Horror Film Festival (AIHFF): In Conversation with Afrocritik

Interviews

Esther Kemi Gbadamosi on Taking Nigerian Animated Films to Berlinale: in Conversation with Afrocritik
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Leading Conversations on Inclusivity, Babatunde Apalowo Takes First Nigerian Queer Film to Berlinale
Josh Olaoluwa - Afrocritik
From Marine Biology to Filmmaking: Josh Olaoluwa’s Unlikely Journey into Nollywood
“Why My New EP Took Me Close to a Year to Put Out,” – Rhita Nattah: In Conversation With Afrocritik
Director Diji Aderogba is Telling Conscious Stories with Film and Twitter
Philip on a mission to build a film industry in Lesotho.
Phillip Leteka is on a Mission to Build a Thriving Film Industry in Lesotho

Film & TV

Still from The Legend of the Vagabond Queen of Lagos
“The Legend of the Vagabond Queen of Lagos” Review: The Agbajowo Collective’s Film Is a Bold Statement on Resistance
Tokunbo
“Tòkunbọ̀” Review: Ramsey Nouah’s Film Exposes Nollywood’s Storytelling Flaws
Family Vacation
“Family Vacation” Review: Voline Ogutu’s Feature Film Unpacks the Facade of Social Media Perfection
Still from With Difficulty Comes Ease
“With Difficulty Comes Ease” Review: Korede Azeez’s Film Is a Masterful Blend of Art and Heart
Losing Lerato 2
“Losing Lerato 2” Review: Zolani Phakade’s Sequel Is an Underwhelming Outing
What About Us?
“What About Us?” Review: Kayode Kasum’s Family Drama Drastically Fumbles its Third Act

Music

rapper Odumodublvck
Black Man Bulala: Examining Odumodublvck’s Verse on “Olufunmi Reimagined”
African music projects list
Afrocritik’s 2024 Top 50 African Music Projects
African Hip-Hop in 2024
How Has African Hip-Hop Fared In 2024?
Producers and their tags
10 Afrobeats Producers and Their Signature Tags
A Ghetto Love Story
Basketmouth Displays Mastery On “A Ghetto Love Story” Soundtrack Album
African dancers
What Music and Dance Trended in Francophone Africa in 2024?

VIDEOS

Welcome to our YouTube Channel

Books

A Review of Orode’s “Bring Me Flowers in April”
The Ironies of Patriarchy in Igbo Society: a Review of Cheluchi Onyemelukwe-Onuobia’s “The Son of the House”
In Abi Dare’s “The Girl with the Louding Voice,” Language Plays a Foremost Role in Storytelling
The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot
Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding
The Call to Greater Understanding: A Review of Ukamaka Olisakwe’s “Ogadinma: Or Everything Will Be All Right”

Culture

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
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Sports

Explainers

Fiction & Poetry