Eniola Bolaji
Hybrid
Alive Till Dawn

Features & Essays

Cinema - Is This the Age of Nollywood at Domestic Box Office - Afrocritik
Is This the Age of Nollywood at Domestic Box Office?
Africanfuturism Anthology - Afrocritik
Africanfuturism:  A Literary Plane of Infinite Possibilities for Africa’s Future
Nollywood and the Evolution of the Sacred Feminine - Mami Wata - Afrocritik
Nollywood and the Evolution of the Sacred Feminine
The Power of Protest: When Challenging Bad Governance is Justified
BK Arena - Rwanda - Afrocritik
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem - Afrocritik
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem

Interviews

Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Akinlabi Ishola and Collins Okoh - Afrocritik
Portraying Familial Bonds in “A Tribe Called Judah”: In Conversation with Box Office Hit Screenwriters, Akinlabi Ishola and Collins Okoh
Perivi Katjavivi - Under the Hanging Tree - Afrocritik in Conversation
Filmmaker, Perivi Katjavivi, Signals a New Era with Namibia’s Oscars Debut, “Under the Hanging Tree”
DumomiTheJig - Afrocritik
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene
Joeboy 001 Cropped - Afrocritik
“When It Comes to Lovesongs, Nobody Can Touch Me”: Joeboy, in Conversation with Afrocritik
Wingonia Ikpi in an exclusive interview with Afrocritik
“I Learnt to Let the Story Lead”: Nigerian Filmmaker, Wingonia Ikpi, on Producing the Crime-Comedy, “Bank Alert”

Film & TV

NIFS
NIFS Dispatch: 5 Key Takeaways from the 2025 Nigerian International Film Summit
Sin
“Sin: First Blood” and “Sin: Blackout” Review: The Irredeemable Failure of Jim Iyke’s Big-Budget Crime Thriller Wannabe
Marketing
Noise or Attention: What Really Sells Nollywood Films?
Out in the Darkness
“Out in the Darkness” Review: Sarah Kwaji’s Film Feebly Explores Postpartum Health
Devil is a Liar
“Devil is a Liar” Review: Moses Inwangʼs Film Lies About the Story It Is Telling
Finding Nina
“Finding Nina” Review: Nemsia Studios Makes a Soulless Pitch for Positive Portrayals of Northern Nigeria

Music

Spotlight
Afrocritik’s Weekly Music Spotlight: Amapiano Party
This Feels Like An Interlude
“This Feels Like An Interlude” Review: Lady Donli Explores Fragile Love on Inventive EP
Festival
Top 10 African Festivals to Attend This Summer
Spotlight
Afrocritik’s Weekly Music Spotlight: Afrobeats Summer
Thato Ya Modimo
“Thato Ya Modimo” Review: Kelvin Momo Cements His Legacy on Sprawling Album
The Feast
“The Feast” Review: Falz Blends Different Soundscapes Into His Most Varied Project Yet

VIDEOS

Welcome to our YouTube Channel

Books

Ike Anya’s “Small by Small” is a Medical, Personal, and Artistic Triumph
Tolu’ A. Akinyemi’s “Black Does Not Equal Inferior” Invokes the Spirit of the Harlem Renaissance | Afrocritik
Tolu’ A. Akinyemi’s “Black Does Not Equal Inferior” Invokes the Spirit of the Harlem Renaissance
Onyeka Nwelue Set to Release a New Book, “The Nigerian Mafia: Johannesburg”
“On the Train to Hell” Review: Throes and Consciousness Helm Tolu A Akinyemi’s Poetry Collection
“Love Grows Stronger in Death” Anthology Explores the Depth of Human Emotions Amidst Mortality
Ayòbámi Adébáyò and Caleb Azumah Nelson Shortlisted for the 2024 Dylan Thomas Prize

Culture

Here Are The Five Most Serene Nigerian Cities To Live In
How The Baba Ijesha Case Accurately Illustrates The Attitude Of Nigerians To Rape Allegations
Has Oral Tradition In Africa Gone Extinct?
Chioma Ajunwa: Is Her 25-Year Wait A Symptom Of A Fractured System?
Have Africans Failed To Properly Curate Their Own History?
Being Feminist And Queer In Nigeria: A Double Whammy

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Nigeria South Africa Head to Head
AFCON 2023 Semi-Finals: Nigeria vs South Africa, History, Trade, and Rivalry Beyond the Pitch
Tobi Amusan - Afrocritik
Tobi Amusan Breaks African Women’s Indoor Record in 60-Metres Hurdles at New Balance Indoor Grand Prix
Favour Ofili - Afrocritik
Favour Ofili Sets History at the 2024 New Balance Indoor Grand Prix in Boston
AFCON Quarter-finals 2023 - Afrocritik
AFCON 2023: Quarter-Finals Preview
Djamel Belmadi - Afrocritik
AFCON Group Stage Drama: Managerial Setbacks, Sackings, and Club Struggles
AFCON 2023: 5 Star Players Whose Absence Might Have Altered Their Teams’ Fortunes

Explainers

Fiction & Poetry

A Calligraphy of Love & Sweet Memories
If Nigeria Was a Bible, It Would Be the Gospel Without Jesus & For Boys Whose Hearts Are Old, Rugged Books | Psalmuel Benjamin
The Eccentrics | Adedoyin Ajayi
Homecoming | Sunday Saheed
of memories, moments & manhood | Jaachị Anyatọnwụ
After The Giant Greenlights, Nothing Here Is Worthy Of Symphony? | Psalmuel Benjamin